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Donald Wrye
Donald Wrye
Donald Wrye
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Donald Wrye (September 24, 1934 – May 15, 2015) was an American director, screenwriter and producer.

Key Information

Wrye attended the UCLA, directing as his dissertation film in the Department of Theater Arts, Soba man, "A dramatization about a young nisei girl who meets an American boy who has been to Japan and was profoundly moved by bi his experiences there, telling of the effect of the boys experience upon both the boy and girl."[1]

Wrye is best known for directing the 1978 film Ice Castles. He died on May 15, 2015, at his home in Harrisburg, Pennsylvania.[2] Wrye had his own film production company, SpyGaze Pictures.[3]

Filmography

[edit]

TV documentary

  • 1966: Destination Safety
  • 1968: Men From Boys: The First Eight Weeks
  • 1968: California

Documentary short

TV movies

Feature film

Direct-to-video

Miniseries

References

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Donald Wrye

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Donald Wrye was an American film and television director, screenwriter, and producer known for directing the romantic drama Ice Castles (1978) and for his extensive work on socially conscious television movies and miniseries that often explored family crises and personal struggles. He received two Academy Award nominations for producing short documentaries, An Impression of John Steinbeck: Writer (1969) and The Numbers Start with the River (1971). His career spanned several decades, beginning with documentary work after graduating from UCLA film school and including controversial television films such as Born Innocent (1974) as well as adaptations like The Entertainer (1976) starring Jack Lemmon and It Happened One Christmas (1977). Wrye also wrote, directed, and executive produced the ambitious 1987 ABC miniseries Amerika, a 15-hour drama depicting a Soviet occupation of the United States. He won Humanitas Prizes for the television movies Divorce Wars: A Love Story (1982) and Lucky Day (1991), recognizing his focus on humanistic storytelling. Later in his career, he directed a 2010 remake of Ice Castles. Born on September 24, 1934, in Riverside, California, he was a longtime Malibu resident and member of the Academy of Motion Picture Arts and Sciences, where he served on the documentary feature film committee. He died on May 15, 2015, at age 80 in Harrisburg, Pennsylvania.

Early life and education

Early life

Donald Wrye was born on September 24, 1934, in Riverside, California. Limited public information exists regarding his early childhood or family background prior to his education and career.

Education

Donald Wrye attended the University of Arizona before transferring to the University of California, Los Angeles (UCLA) to study film. He graduated from UCLA's film school in the Theater Arts department, where he directed his dissertation film, Soba Man (1962), a short dramatization about a young Nisei girl and cultural exchange. Early in his career, while still associated with UCLA, Wrye worked as a production assistant on the 1961 film The Explosive Generation.

Career

Documentary shorts

Donald Wrye began his professional filmmaking career in the mid-1960s with a series of short documentaries that examined aspects of American society, military training, and regional life. His early credits include Destination Safety (1966), Men From Boys: The First Eight Weeks (1968)—which focused on the initial phase of U.S. Marine Corps recruit training—and California (1968/1969). In 1970, he served as creative consultant and writer on The Well. Many of these projects saw Wrye taking on multiple roles as producer, writer, and director, emphasizing a hands-on approach to documentary storytelling. Wrye's work in the short documentary format earned critical recognition through two nominations for the Academy Award for Best Documentary Short Subject. An Impression of John Steinbeck: Writer (1969), narrated by Henry Fonda and produced for the United States Information Agency (USIA), presented a reflective portrait of the author's life and literary legacy. The Numbers Start with the River (1971), sponsored by Bank of America, portrayed the everyday rhythms and community spirit of a small town in Iowa. These films highlighted Wrye's dedication to objective, truth-seeking documentation of ordinary American experiences and institutions. These short documentaries represented Wrye's initial contributions to nonfiction filmmaking and laid the groundwork for his subsequent move into narrative television directing.

Television movies

Donald Wrye emerged as one of the most prolific directors of made-for-television movies from the 1970s through the early 2000s, often taking on additional roles as writer, producer, or executive producer on these projects. His television films frequently centered on individuals confronting family crises, personal trauma, and broader social issues, delivering humanistic narratives that tackled provocative or emotionally complex subjects. In the 1970s, Wrye directed several notable telefilms that established his reputation in the format, including The Man Who Could Talk to Kids (1973), Born Innocent (1974) starring Linda Blair as a teenage runaway enduring abuse in a juvenile detention system—a project that generated significant controversy for its graphic content—Death Be Not Proud (1975), The Entertainer (1976) featuring Jack Lemmon, and It Happened One Christmas (1977) with Marlo Thomas and Orson Welles in a reimagining of It’s a Wonderful Life. He continued this trajectory into the 1980s and beyond with works such as Divorce Wars: A Love Story (1982) starring Tom Selleck and Jane Curtin, The Face of Rage (1983), Heart of Steel (1983), and 83 Hours 'Til Dawn (1990). Wrye's later television movies maintained his focus on interpersonal and societal challenges, as seen in Lucky Day (1991) starring Amy Madigan and Olympia Dukakis, Stranger in the Family (1991), Broken Promises: Taking Emily Back (1993), Ultimate Betrayal (1994), Separated by Murder (1994), A Family Divided (1995), Trail of Tears (1995), Not in This Town (1997), High Stakes (1997), Range of Motion (2000), and A Vision of Murder: The Story of Donielle (2000). Several of these projects, including Divorce Wars: A Love Story and Lucky Day, earned him Humanitas Prizes for their emphasis on humanistic values. His consistent output in the made-for-TV arena reflected a commitment to character-driven stories addressing difficult realities faced by families and individuals.

Feature films

Donald Wrye made his feature film directorial debut with the romantic drama Ice Castles (1978), which he also co-wrote with Gary L. Baim. Released theatrically by Columbia Pictures on December 31, 1978, the film centers on a promising young figure skater from Iowa who suffers a tragic accident resulting in partial blindness, yet finds support from her father, boyfriend, and a rink operator to pursue a return to competitive skating. It starred Lynn-Holly Johnson as Alexis "Lexie" Winston and Robby Benson as Nick Peterson, alongside Colleen Dewhurst and Tom Skerritt in supporting roles. The film's theme song, "Through the Eyes of Love," with music by Marvin Hamlisch and lyrics by Carole Bayer Sager, received a nomination for the Academy Award for Best Original Song at the 52nd Academy Awards. In 1984, Wrye directed the comedy-drama The House of God, adapted from Samuel Shem's satirical novel of the same name. The film follows a group of young doctors navigating their internship at a large urban hospital under the guidance of a cynical senior resident who promotes a detached approach to patient care. It starred Tim Matheson, Charles Haid, Bess Armstrong, Michael Sacks, and Lisa Pelikan. Wrye later revisited his earlier success by directing the 2010 remake of Ice Castles, for which he also wrote the teleplay; this version was released direct-to-video as a sports romantic drama. The remake starred Taylor Firth as the aspiring figure skater Alexis and Rob Mayes as her supportive partner Nick, with Henry Czerny in a supporting role.

Miniseries and other projects

Donald Wrye is best known in long-form television for writing, directing, and executive producing the controversial ABC miniseries Amerika (1987). The seven-part production, which spanned approximately 15 hours, starred Kris Kristofferson alongside Robert Urich, Wendy Hughes, and Sam Neill. It depicted a dystopian scenario in which the Soviet Union engineers a bloodless conquest of the United States, exploring life under occupation a decade later through themes of collaboration, resistance, and societal transformation. Amerika generated substantial controversy prior to and during its broadcast due to its politically charged premise, prompting objections from Soviet officials and debates in the United States over its portrayal of communism and international relations. With a reported budget of $34 million, it ranked among the most expensive television projects of its era and reflected Wrye's interest in socially provocative material. Earlier in his career, Wrye contributed as a writer to episodic television, including teleplays for several installments of the series Mod Squad in 1968. These early credits marked his entry into scripted television before he transitioned primarily to directing and producing television movies and other formats.

Awards and recognition

Personal life

Death

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