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Double bass concerto
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Double bass concerto
A double bass concerto is a notated musical composition, usually in three parts or movements (see concerto), for a solo double bass accompanied by an orchestra. Bass concertos typically require an advanced level of technique, as they often use very high-register passages, harmonics, challenging scale and arpeggio lines and difficult bowing techniques. Music students typically play bass concerti with the orchestral part played by a pianist who reads from an orchestral reduction (the orchestra parts arranged for piano).
The Origin of the Double Bass Concerto
Concerti originated in the Classical era. At first, double bass concertos were very rare due to the gut strings. These strings were difficult to move with the bow and did not resonate or project as loud.
It was around 1650 that the overwound gut string was invented. This greatly increased the popularity for composers to write double bass solos.
The main eras of double bass concerts are the Classical and Romantic period. These are considered the main concerto eras until the 20th and 21st century when the Andrés Martí and Eduard Tubin concertos were written.
Early double bass concerti
The earliest bass concerto was composed by Carl von Dittersdorf in the mid 1700s. He wrote two bass concertos as well as a symphonic concerto for viola and double bass.
Other composers from the late Baroque to classical periods, such as Johannes Matthias Sperger, wrote eighteen double bass concertos. Double Bass concerti were also written by Johann Baptist Wanhal, and Joseph Haydn, although Haydn's has since been lost.
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Double bass concerto
A double bass concerto is a notated musical composition, usually in three parts or movements (see concerto), for a solo double bass accompanied by an orchestra. Bass concertos typically require an advanced level of technique, as they often use very high-register passages, harmonics, challenging scale and arpeggio lines and difficult bowing techniques. Music students typically play bass concerti with the orchestral part played by a pianist who reads from an orchestral reduction (the orchestra parts arranged for piano).
The Origin of the Double Bass Concerto
Concerti originated in the Classical era. At first, double bass concertos were very rare due to the gut strings. These strings were difficult to move with the bow and did not resonate or project as loud.
It was around 1650 that the overwound gut string was invented. This greatly increased the popularity for composers to write double bass solos.
The main eras of double bass concerts are the Classical and Romantic period. These are considered the main concerto eras until the 20th and 21st century when the Andrés Martí and Eduard Tubin concertos were written.
Early double bass concerti
The earliest bass concerto was composed by Carl von Dittersdorf in the mid 1700s. He wrote two bass concertos as well as a symphonic concerto for viola and double bass.
Other composers from the late Baroque to classical periods, such as Johannes Matthias Sperger, wrote eighteen double bass concertos. Double Bass concerti were also written by Johann Baptist Wanhal, and Joseph Haydn, although Haydn's has since been lost.