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Doug Liman
Douglas Eric Liman (/ˈlaɪmən/; born July 24, 1965) is an American film director and producer. He is known for directing the films Swingers (1996), Go (1999), The Bourne Identity (2002), Mr. & Mrs. Smith (2005), Jumper (2008), Edge of Tomorrow (2014), American Made (2017), and Road House (2024).
Most of his career has been associated with the production company Hypnotic. He is co-owner with Dave Bartis, whom he met as an undergraduate at Brown University where they co-founded Brown Television (BTV) and the National Association of College Broadcasters (NACB).
Liman is on the advisory board of the Legal Action Center and the Arthur Liman Public Interest Program at Yale Law School.
Liman, who is Jewish, was born in New York City, the son of Ellen (née Fogelson), a painter and writer, and Arthur L. Liman, a lawyer.
Liman began making short films while still in junior high school and studied at International Center of Photography in New York City. While attending Brown University, he helped to co-found the student-run cable television station BTV and served as its first station manager. He also co-founded the NACB, the first trade association geared to student-staffed radio and television stations, in 1988.[citation needed]
Liman attended the graduate program at University of Southern California, where he was tapped to helm his first project in 1993, the comedy film Getting In.
Liman's first major success was Swingers, released in 1996. The film, written by Jon Favreau and based on Favreau's life, is a comedy about struggling actors amid the L.A. club milieu. Liman raised the funding and the film was made on the cheap, starring Favreau and his friends (Vince Vaughn, Ron Livingston, and Patrick Van Horn), ultimately cost $250,000. The film was a critical success, and jump-started the careers of Liman and the featured actors. Liman sold the film to Miramax for $5.5 million.
Liman next directed Go (1999), which tracks the events of a drug deal gone wrong through three different points of view as plot lines diverge and reconverge; Liman was also the film's cinematographer. The film was a modest success, grossing $28.4 million worldwide against a $20 million budget, and garnered positive reviews from critics.
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Doug Liman
Douglas Eric Liman (/ˈlaɪmən/; born July 24, 1965) is an American film director and producer. He is known for directing the films Swingers (1996), Go (1999), The Bourne Identity (2002), Mr. & Mrs. Smith (2005), Jumper (2008), Edge of Tomorrow (2014), American Made (2017), and Road House (2024).
Most of his career has been associated with the production company Hypnotic. He is co-owner with Dave Bartis, whom he met as an undergraduate at Brown University where they co-founded Brown Television (BTV) and the National Association of College Broadcasters (NACB).
Liman is on the advisory board of the Legal Action Center and the Arthur Liman Public Interest Program at Yale Law School.
Liman, who is Jewish, was born in New York City, the son of Ellen (née Fogelson), a painter and writer, and Arthur L. Liman, a lawyer.
Liman began making short films while still in junior high school and studied at International Center of Photography in New York City. While attending Brown University, he helped to co-found the student-run cable television station BTV and served as its first station manager. He also co-founded the NACB, the first trade association geared to student-staffed radio and television stations, in 1988.[citation needed]
Liman attended the graduate program at University of Southern California, where he was tapped to helm his first project in 1993, the comedy film Getting In.
Liman's first major success was Swingers, released in 1996. The film, written by Jon Favreau and based on Favreau's life, is a comedy about struggling actors amid the L.A. club milieu. Liman raised the funding and the film was made on the cheap, starring Favreau and his friends (Vince Vaughn, Ron Livingston, and Patrick Van Horn), ultimately cost $250,000. The film was a critical success, and jump-started the careers of Liman and the featured actors. Liman sold the film to Miramax for $5.5 million.
Liman next directed Go (1999), which tracks the events of a drug deal gone wrong through three different points of view as plot lines diverge and reconverge; Liman was also the film's cinematographer. The film was a modest success, grossing $28.4 million worldwide against a $20 million budget, and garnered positive reviews from critics.