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Dutch Punk
Dutch Punk, or Nederpunk, is a body of music that evolved in the Netherlands that encompasses the various styles of punk rock music. The culture surrounding punk rock is often strongly politically oriented; in the Netherlands, punk culture grew alongside, and was influenced by, the Dutch squatters' movement and other European squatters' movements. Few Dutch punk bands write lyrics in Dutch. However, as a small country, punk in the Netherlands has evolved with a unique mix of UK, US, European, and global punk influences.
A seminal event for punk in the Netherlands was the Sex Pistols' concert on January 6, 1977, at the Amsterdam Paradiso. The Sex Pistols played three shows in the Netherlands on that tour, along with the Heartbreakers and the Vibrators. On May 1, 1977, the Damned gave a concert in the Paradiso. On May 11, 1977, the Ramones and Talking Heads gave a concert in the Rasa in the Pauwstraat in Utrecht. In October 1977, Iggy Pop performed on the popular television show Toppop with Ad Visser. On November 19, 1977, Blondie played at the Amsterdam Paradiso. At the end of 1977, the VARA television program Wonderland also highlighted punk in a theme broadcast including performances by the Stranglers in the Paradiso in Amsterdam and the Sex Pistols in Maasbree.
These concerts and performances by bands from the UK and USA led to an explosion of interest in punk in the Netherlands in 1977. Dutch punk bands and fanzines were rapidly established. In the audience of the Ramones' Utrecht concert were Rob and Erik de Jong, who formed the band Blitzkrieg, sometimes hailed as the first punk band in the Netherlands (Blitzkrieg quickly changed their name to The Duds). Two rock bands that predated punk, Ivy Green (formed in Hazerswoude-Dorp in 1975) and Flyin’ Spiderz (formed in Eindhoven in 1976), shifted to playing punk rock; these bands are often also discussed the first punk bands in the Netherlands. The lead singer for the Flyin' Spiderz, Guus Boers, had not heard punk before a concert of the Vibrators in early 1977 at the Technical University of Eindhoven. In August 1977, the popular fanzine KoeCrand was founded, inspired by the UK fanzine Sniffin' Glue. A second early Dutch fanzine Raket, associated with the Rotterdam punk scene and featuring the cult comic Red Rat, soon began being published, initially as a wall newspaper.
The first punk single released by a Dutch band was the song "Van Agt Casanova," released by Paul Tornado on the record label 1000 Idioten in 1977. This single was frequently played on the radio by the VPRO. This song references the Dutch Catholic politician Dries van Agt, who in 1977 required that pornographic films only be shown in cinemas with less than 50 seats, as a way to limit who could see such films. The first Dutch punk LP released was the self-titled album of the Flyin’ Spiderz, who opened for the Damned at their May 1977 show. Dutch punk bands from this period that were well known in the scene include the Speedtwins, Soviet Sex, Ivy Green, Jesus and the Gospelfuckers, Neo Punkz, Helmettes, the Filth, Tedje en de Flikkers, the Ex, The Suzannes, the Rondos, Panic, Subway, The Boobs, and Two Two 79.
The first Dutch punks gathered around record labels and clubs. One of these was Rotterdam's Huize Schoonderloo. A second club important to the early Dutch punk culture was Amsterdam's "DDT666" (Dirty Dutch Trix 666, later renamed Gallerie Anus), which was established by punk poet Diana Ozon and graffiti artist Hugo Kaagman; this club was located in the squat called the ‘Zebrahuis’ on Sarphatistraat in Amsterdam. The record label Plurex Records, founded by Wally van Middendorp (of the band the Tits, and later Minny Pops) in 1977, was also a hub of the early punk scene. The first record that Plurex put out was the Tits single "Daddy Is My Pusher / We're So Glad Elvis Is Dead", which is now regarded as a punk classic. In Amsterdam, early punks gathered at the music store and punk label "No Fun" on the Rozengracht, owned by Hansje Joustra. The inspiration for "No Fun" was the American punk club CBGB, which Joustra had visited. A third important Dutch punk record label, Torso Records, was also founded in this period by Dick Polak, Hans Joustra, and Peter Dispa.
During this period the slogan "no future" (also discussed as doomdenken in Dutch) came to be used broadly in the Dutch punk scene, reflecting the economic and social situation of the times, including the high youth unemployment rate and the housing crisis. Punk music began to focus more on political and social issues, as reflected in song lyrics of the times. These issues often included ideas central to the squatters' movement as well as the anarchist movement. Frustrations boiled over, resulting in the coronation riots on April 30, 1980. The slogan geen wooning, geen kroning ("no home, no coronation") was chanted by many involved in the riot. The coronation riots marked the beginning of the greatest period of social unrest since WWII. Squatters' riots became more frequent and more violent. More than a year after the coronation riots, the anti-nuclear weapons demonstration of November 21, 1981 took place in Amsterdam. Although peaceful, the demonstration was massive: more than 400,000 people participated.
With this social backdrop, in 1980 the compilation album "Utreg Punx" was released; this album included the bands the Lullabies, The Nixe, Rakketax, and Noxious. The band Noxious was one of the first hardcore bands in the Netherlands, but existed only two years; they broke up in 1982 because of the violent death of their guitar player Ollie ten Hoopen. In 1981 two more compilation albums of Dutch punk were released. The first one was Onutrechtse Toestanden, which featured the Miami Beach Girls, and Dangerous Pyama's. The second one was the so-called "7,50 LP", which featured bands from several different Dutch cities: the Lullabies, the Bison Kidz, Zero-Zero, Neo-Pogos, the Rapers, and The Nixe. Other punk bands active in the Utrecht scene were the Clits (later Cold War Embryos), Coitus Int., De Megafoons, Pitfall, and Disorder, and a few years later The Avengers and Kikkerspuug. In 1981 the split album "Wielingen Walgt" was released with live recordings by The Nitwitz and Götterflies, recorded in the Amsterdam squat De Wielingen. A lively punk scene also emerged in the West Frisian town of Hoorn, where bands such as The Vernon Walters and Indirekt were active throughout the mid-1980s. From Heemskerk in North Holland, the hardcore band Union Morbide was active beginning in the mid-1980s. From the Groningen punk scene came bands like: Bloedbad, Jetset, Massagraf, Fahrenheit 451, and Vacuüm. At the end of 1982, the VARA produced a program for national television that broadcast bands such as: The Workmates, Soviet Sex and the Bizkids.
In the first half of the 1980s, youth centers were gradually becoming the center of the punk scene in the Netherlands. This included: Babylon in Woerden, Kaasee in Rotterdam, Simplon in Groningen, Stokvishal and the autonomous punk squat de Goudvishal in Arnhem, Doornroosje in Nijmegen, Chi Chi Club in Winterswijk, De Buze in Steenwijk, Bauplatz in Venlo, Tivoli in Utrecht, and Parkhof in Almaar. Parkhof was associated with the release of the compilation album Parkhof 11-4-81 which featured the Nixe, Rakketax, Bizkids, and others. The hardcore band Pandemonium, active during the period 1981-1987, was associated with the Bauplatz in Venlo. In the second half of the 1980s the Amersfoortse Grachtkerk (Kippenhok 1) and the Goudvishal in Arnhem became important hubs of the punk scene.
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Dutch Punk
Dutch Punk, or Nederpunk, is a body of music that evolved in the Netherlands that encompasses the various styles of punk rock music. The culture surrounding punk rock is often strongly politically oriented; in the Netherlands, punk culture grew alongside, and was influenced by, the Dutch squatters' movement and other European squatters' movements. Few Dutch punk bands write lyrics in Dutch. However, as a small country, punk in the Netherlands has evolved with a unique mix of UK, US, European, and global punk influences.
A seminal event for punk in the Netherlands was the Sex Pistols' concert on January 6, 1977, at the Amsterdam Paradiso. The Sex Pistols played three shows in the Netherlands on that tour, along with the Heartbreakers and the Vibrators. On May 1, 1977, the Damned gave a concert in the Paradiso. On May 11, 1977, the Ramones and Talking Heads gave a concert in the Rasa in the Pauwstraat in Utrecht. In October 1977, Iggy Pop performed on the popular television show Toppop with Ad Visser. On November 19, 1977, Blondie played at the Amsterdam Paradiso. At the end of 1977, the VARA television program Wonderland also highlighted punk in a theme broadcast including performances by the Stranglers in the Paradiso in Amsterdam and the Sex Pistols in Maasbree.
These concerts and performances by bands from the UK and USA led to an explosion of interest in punk in the Netherlands in 1977. Dutch punk bands and fanzines were rapidly established. In the audience of the Ramones' Utrecht concert were Rob and Erik de Jong, who formed the band Blitzkrieg, sometimes hailed as the first punk band in the Netherlands (Blitzkrieg quickly changed their name to The Duds). Two rock bands that predated punk, Ivy Green (formed in Hazerswoude-Dorp in 1975) and Flyin’ Spiderz (formed in Eindhoven in 1976), shifted to playing punk rock; these bands are often also discussed the first punk bands in the Netherlands. The lead singer for the Flyin' Spiderz, Guus Boers, had not heard punk before a concert of the Vibrators in early 1977 at the Technical University of Eindhoven. In August 1977, the popular fanzine KoeCrand was founded, inspired by the UK fanzine Sniffin' Glue. A second early Dutch fanzine Raket, associated with the Rotterdam punk scene and featuring the cult comic Red Rat, soon began being published, initially as a wall newspaper.
The first punk single released by a Dutch band was the song "Van Agt Casanova," released by Paul Tornado on the record label 1000 Idioten in 1977. This single was frequently played on the radio by the VPRO. This song references the Dutch Catholic politician Dries van Agt, who in 1977 required that pornographic films only be shown in cinemas with less than 50 seats, as a way to limit who could see such films. The first Dutch punk LP released was the self-titled album of the Flyin’ Spiderz, who opened for the Damned at their May 1977 show. Dutch punk bands from this period that were well known in the scene include the Speedtwins, Soviet Sex, Ivy Green, Jesus and the Gospelfuckers, Neo Punkz, Helmettes, the Filth, Tedje en de Flikkers, the Ex, The Suzannes, the Rondos, Panic, Subway, The Boobs, and Two Two 79.
The first Dutch punks gathered around record labels and clubs. One of these was Rotterdam's Huize Schoonderloo. A second club important to the early Dutch punk culture was Amsterdam's "DDT666" (Dirty Dutch Trix 666, later renamed Gallerie Anus), which was established by punk poet Diana Ozon and graffiti artist Hugo Kaagman; this club was located in the squat called the ‘Zebrahuis’ on Sarphatistraat in Amsterdam. The record label Plurex Records, founded by Wally van Middendorp (of the band the Tits, and later Minny Pops) in 1977, was also a hub of the early punk scene. The first record that Plurex put out was the Tits single "Daddy Is My Pusher / We're So Glad Elvis Is Dead", which is now regarded as a punk classic. In Amsterdam, early punks gathered at the music store and punk label "No Fun" on the Rozengracht, owned by Hansje Joustra. The inspiration for "No Fun" was the American punk club CBGB, which Joustra had visited. A third important Dutch punk record label, Torso Records, was also founded in this period by Dick Polak, Hans Joustra, and Peter Dispa.
During this period the slogan "no future" (also discussed as doomdenken in Dutch) came to be used broadly in the Dutch punk scene, reflecting the economic and social situation of the times, including the high youth unemployment rate and the housing crisis. Punk music began to focus more on political and social issues, as reflected in song lyrics of the times. These issues often included ideas central to the squatters' movement as well as the anarchist movement. Frustrations boiled over, resulting in the coronation riots on April 30, 1980. The slogan geen wooning, geen kroning ("no home, no coronation") was chanted by many involved in the riot. The coronation riots marked the beginning of the greatest period of social unrest since WWII. Squatters' riots became more frequent and more violent. More than a year after the coronation riots, the anti-nuclear weapons demonstration of November 21, 1981 took place in Amsterdam. Although peaceful, the demonstration was massive: more than 400,000 people participated.
With this social backdrop, in 1980 the compilation album "Utreg Punx" was released; this album included the bands the Lullabies, The Nixe, Rakketax, and Noxious. The band Noxious was one of the first hardcore bands in the Netherlands, but existed only two years; they broke up in 1982 because of the violent death of their guitar player Ollie ten Hoopen. In 1981 two more compilation albums of Dutch punk were released. The first one was Onutrechtse Toestanden, which featured the Miami Beach Girls, and Dangerous Pyama's. The second one was the so-called "7,50 LP", which featured bands from several different Dutch cities: the Lullabies, the Bison Kidz, Zero-Zero, Neo-Pogos, the Rapers, and The Nixe. Other punk bands active in the Utrecht scene were the Clits (later Cold War Embryos), Coitus Int., De Megafoons, Pitfall, and Disorder, and a few years later The Avengers and Kikkerspuug. In 1981 the split album "Wielingen Walgt" was released with live recordings by The Nitwitz and Götterflies, recorded in the Amsterdam squat De Wielingen. A lively punk scene also emerged in the West Frisian town of Hoorn, where bands such as The Vernon Walters and Indirekt were active throughout the mid-1980s. From Heemskerk in North Holland, the hardcore band Union Morbide was active beginning in the mid-1980s. From the Groningen punk scene came bands like: Bloedbad, Jetset, Massagraf, Fahrenheit 451, and Vacuüm. At the end of 1982, the VARA produced a program for national television that broadcast bands such as: The Workmates, Soviet Sex and the Bizkids.
In the first half of the 1980s, youth centers were gradually becoming the center of the punk scene in the Netherlands. This included: Babylon in Woerden, Kaasee in Rotterdam, Simplon in Groningen, Stokvishal and the autonomous punk squat de Goudvishal in Arnhem, Doornroosje in Nijmegen, Chi Chi Club in Winterswijk, De Buze in Steenwijk, Bauplatz in Venlo, Tivoli in Utrecht, and Parkhof in Almaar. Parkhof was associated with the release of the compilation album Parkhof 11-4-81 which featured the Nixe, Rakketax, Bizkids, and others. The hardcore band Pandemonium, active during the period 1981-1987, was associated with the Bauplatz in Venlo. In the second half of the 1980s the Amersfoortse Grachtkerk (Kippenhok 1) and the Goudvishal in Arnhem became important hubs of the punk scene.