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Earphoria
View on Wikipediafrom Wikipedia
| Earphoria | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 2002 | |||
| Recorded | 1991–1994 | |||
| Genre | Alternative rock | |||
| Length | 75:41 | |||
| Label | Virgin | |||
| Producer | Butch Vig, Billy Corgan and James Iha | |||
| The Smashing Pumpkins chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Classic Rock | [2] |
| Pitchfork | 6.3/10[3] |
| Rolling Stone | [4] |
Earphoria is a live album by American alternative rock band The Smashing Pumpkins. It is the soundtrack of the band's Vieuphoria video. While the video has been widely available since its initial release, the CD was initially released as a limited number (under 1000) of promo copies in 1994, and was subsequently heavily bootlegged.[5] In 2002, Vieuphoria was reissued on DVD and Earphoria finally earned a commercial release.[5]
The CD contains the audio for all the performances in Vieuphoria, and includes extended versions of the music used in the video interludes. An exception is the performance of "Silverfuck" – Earphoria includes the tease of "Over the Rainbow" while Vieuphoria edits it out, possibly owing to prohibitive licensing costs.[5]
Critical reception
[edit]"While a live document of the Pumpkins' farewell tour would have been very palatable," opined Classic Rock, "this mix-and-match collection of (mainly) live material from the full breadth of their career is far more imaginative. It's also vastly superior to their previous odds-and-sods compilation Pisces Iscariot."[2]
Track listing
[edit]All tracks written by Billy Corgan, except where noted.
| No. | Title | Notes | Length |
|---|---|---|---|
| 1. | "Sinfony" (instrumental) | Siamese Dream outtake[6] | 0:55 |
| 2. | "Quiet" | recorded live at Center Stage in Atlanta, November 10, 1993 | 3:44 |
| 3. | "Disarm" | recorded live at Westwood Studios on The Word, an English musical show from the 1990s hosted by Terry Christian and Dani Behr in London, September 1993 | 2:56 |
| 4. | "Cherub Rock (Acoustic)" | recorded live at MTV studios in London, June 22, 1993 | 4:24 |
| 5. | "Today" | recorded live at Aragon Ballroom in Chicago, December 9, 1993 | 3:38 |
| 6. | "Bugg Superstar" (James Iha) | 1:29 | |
| 7. | "I Am One" (Corgan, Iha) | recorded live at Sala Apolo in Barcelona, September 1993 | 7:55 |
| 8. | "Pulseczar" | Gish demo [7] | 2:27 |
| 9. | "Soma" (Corgan, Iha) | recorded live at London Astoria in London, February 23, 1994 (Per archive.org) | 6:32 |
| 10. | "Slunk" | recorded live at Nippon Television studios in Tokyo, February 1992 | 2:37 |
| 11. | "French Movie Theme" | from the "Cherub Rock" single | 1:50 |
| 12. | "Geek U.S.A." | recorded live at Alabamahalle in Munich, September 3, 1993 | 4:49 |
| 13. | "Mayonaise (Acoustic)" (Corgan, Iha) | recorded live outside the BBC studios in London, July 3, 1993 | 4:23 |
| 14. | "Silverfuck"/"Over the Rainbow"/"Jackboot" (Corgan, Edgar Harburg, Harold Arlen) | recorded live at London Astoria in London, February 24, 1994 | 13:30 |
| 15. | "Why Am I So Tired" (Iha) | Gish live demo[8] | 15:15 |
Personnel
[edit]- Jimmy Chamberlin – drums
- Billy Corgan – vocals, guitar
- James Iha – guitar, vocals
- D'arcy Wretzky – bass guitar, vocals, percussion on "Mayonaise"
References
[edit]- ^ Earphoria at AllMusic. Retrieved 20 August 2011.
- ^ a b Ging, Paul: "No appetite for destruction"; Classic Rock #48, Christmas 2002, p98
- ^ "Pitchfork Media review". Archived from the original on January 12, 2008. Retrieved November 2, 2019.
- ^ "Rolling Stone review". Archived from the original on March 17, 2007. Retrieved November 2, 2019.
- ^ a b c Dahlen, Chris. "Smashing Pumpkins: Earphoria: Pitchfork Record Review Archived 2008-01-12 at the Wayback Machine". 2002–12–12. Accessed on 2007–12–30.
- ^ "spfc.org : songlist : Sinfony". www.spfc.org. Retrieved November 2, 2019.
- ^ "spfc.org : songlist : Pulseczar". www.spfc.org. Retrieved November 2, 2019.
- ^ "spfc.org : songlist : Why Am I So Tired?". www.spfc.org. Retrieved November 2, 2019.
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| Extended plays | |||||||
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| Box sets | |||||||
| Singles |
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Earphoria
View on Grokipediafrom Grokipedia
Earphoria is a live album by the American alternative rock band the Smashing Pumpkins, serving as the audio soundtrack to their 1994 concert film Vieuphoria.[1][2]
Originally distributed as a limited-edition promotional CD in October 1994, limited to 1,000 copies worldwide, the album compiles live recordings from the band's 1993–1994 tours, featuring electric and acoustic performances of songs from their early albums Gish (1991) and Siamese Dream (1993), as well as tracks from the Lull EP (1991).[3][4][1]
The full 15-track collection, running 76 minutes, includes staples like "Today," "Disarm," "Cherub Rock," and an extended "Silverfuck," alongside interstitial audio from home videos and spoken-word segments such as "Why Am I So Tired?"[5][1][6]
Following the band's disbandment in December 2000, a commercial reissue appeared in November 2002 via Virgin Records, capitalizing on the DVD rerelease of Vieuphoria and offering fans previously rare material from the group's commercially successful era.[7][6]
Critically, Earphoria is valued for preserving the Smashing Pumpkins' dynamic live sound and alternate arrangements, though it is primarily recommended for dedicated listeners rather than newcomers due to its archival nature and inclusion of non-musical ephemera.[1]
Background
The Smashing Pumpkins' early success
The Smashing Pumpkins formed in Chicago in 1988 when singer and guitarist Billy Corgan met guitarist James Iha at a record store in Chicago where Corgan worked, bonding over shared musical interests in progressive rock and heavy metal.[8] Soon after, they recruited bassist D'arcy Wretzky after meeting her at a bar in Chicago and inviting her to audition and drummer Jimmy Chamberlin, a jazz percussionist whose dynamic style added intensity to their sound.[9] The band quickly developed a reputation in the local underground scene, playing frequent shows at venues like Cabaret Metro while honing a raw, ambitious style influenced by shoegaze and punk. Their debut album, Gish, arrived on May 28, 1991, via Caroline Records, marking the band's entry into the alternative rock landscape with tracks like "Siva" and "Rhinoceros" that showcased swirling psychedelia and aggressive riffs.[10] Though it initially charted modestly at number 195 on the Billboard 200, Gish built a cult following through relentless touring and word-of-mouth, establishing the Pumpkins as a force in the burgeoning grunge-adjacent scene.[11] The album's success laid the groundwork for their major-label breakthrough. Siamese Dream, released in July 1993 on Virgin Records, propelled the band to stardom, debuting at number 10 on the Billboard 200 and eventually selling over 4 million copies in the United States alone, earning quadruple-platinum certification from the RIAA.[12] Produced by Butch Vig, the album refined their signature alternative rock sound—blending thunderous heavy guitars, ethereal psychedelia, and Corgan's confessional, emotionally charged lyrics—into a polished yet visceral statement that resonated amid the grunge explosion.[13] Hits like "Today" and "Cherub Rock" dominated MTV rotation, amplifying their visibility and solidifying their place alongside peers like Nirvana and Pearl Jam.[14] The ensuing 1993-1994 world tour in support of Siamese Dream, dubbed the Rock Invasion, spanned over 200 dates across North America, Europe, and Australia, delivering high-energy performances fueled by the band's technical prowess and Corgan's onstage intensity.[15] However, the grueling schedule exacerbated internal tensions, including substance abuse issues and interpersonal conflicts, even as their fame surged in the post-grunge era.[15] Key milestones included headlining the 1994 Lollapalooza festival after Nirvana's withdrawal, where they captivated massive crowds with extended sets blending aggression and melody.[16] Their frequent MTV appearances, such as live sessions on 120 Minutes and Most Wanted in 1993, further boosted their profile, creating demand for a comprehensive live recording to capture their explosive stage presence.[17] This era's momentum directly informed projects like Vieuphoria, serving as a vital document of their rapid ascent.Development of Vieuphoria
The conception of Vieuphoria emerged in 1993–1994, shortly after the commercial breakthrough of the band's album Siamese Dream, as a means to document their dynamic live performances and extend the album's reach into visual media.[18] Frontman Billy Corgan played a key role in shaping the project's creative vision, including coining the portmanteau title "Vieuphoria" to evoke a blend of vitality and euphoria reflective of the band's stage energy.[19] The initiative aimed to bridge the gap between the band's meticulously crafted studio recordings and their raw, improvisational concert experiences, providing fans with an authentic glimpse into their touring life during the Siamese Dream promotional cycle.[18] To balance the intensity of the live footage, the project incorporated diverse non-performance segments designed to reveal the band's personalities and offstage dynamics, such as mock therapy sessions addressing interpersonal tensions, comedic skits like "Meet the Frogs" featuring band members in absurd roles, behind-the-scenes glimpses including a day in the life of guitarist James Iha's dog, and fan interviews.[20][21] These elements, narrated in part by Corgan over archival footage tracing the band's history, were intended to humanize the group and contrast their ferocious onstage presence with more vulnerable, humorous moments. The production involved a small crew, with direction credited to Modi (a collaborative pseudonym for band-affiliated filmmakers), emphasizing a DIY aesthetic through handheld camerawork and amateurish effects to maintain an intimate, unpolished feel.[21] Filming was greenlit to occur alongside the Siamese Dream tour schedule, capturing global shows while adhering to the era's home video trends by targeting an initial VHS release.[18] Complementing the video, the band decided to include a promotional audio CD compiling the live tracks—serving as an early version of Earphoria—to offer a standalone listening experience and enhance the overall package for fans.[22] However, distribution was intentionally restricted to promo copies due to concerns over rampant bootlegging, which quickly proliferated unauthorized versions of the material.[23] This approach reflected the band's cautious navigation of the growing live music piracy issue in the mid-1990s.Production
Tour performances and filming
The filming for Vieuphoria, the live video release accompanied by the Earphoria soundtrack, took place primarily during The Smashing Pumpkins' Siamese Dream tour from mid-1993 to mid-1994, capturing the band's high-energy performances amid a grueling schedule of over 100 shows across multiple countries.[3][24][25] The production utilized a portable multi-camera setup to document stage footage, allowing the crew—led by director Modi and executive producer Devin Sarno—to follow the tour and record full songs such as "Quiet" at Center Stage in Atlanta on November 10, 1993, and "Today" at the Aragon Ballroom in Chicago on December 9, 1993.[21][3] Additional key footage was shot in London, including "Disarm" at BBC Studios in September 1993 and "Soma" along with an extended "Silverfuck" (featuring improvisational medleys of "Over the Rainbow" and "Jackboot") at the Astoria Theatre on February 26, 1994, highlighting the band's dynamic live improvisations during intense sets.[3] International venues contributed to the global scope, integrating the tour's diverse locales into the visual narrative.[3] The crew faced logistical hurdles from the tour's demanding pace, including band exhaustion and internal pressures that strained performances, yet these elements added raw authenticity to the captured moments.[24] Off-stage skits, such as band member-led comedy bits, were filmed between shows to provide interstitial content, blending scripted humor with the live energy.[26] Vieuphoria also incorporates select footage from earlier tours and promotional TV appearances spanning 1991–1994.[27] Audio capture occurred simultaneously with video shoots, employing soundboard and audience microphones to record raw live mixes for potential soundtrack inclusion, with efforts focused on the 1993-1994 tour peak alongside some earlier material from 1992–1993.[3] Tracks like "Geek U.S.A." from Munich's Alabamahalle on September 3, 1993, exemplify the comprehensive on-site recording approach during the tour, preserving the band's sonic intensity without post-tour alterations at this stage.[3] This dual video-audio documentation emphasized full song renditions and spontaneous elements, such as extended jams, to reflect the tour's chaotic vitality.[24]Compilation of audio tracks
The compilation of audio tracks for Earphoria drew from extensive live recordings captured during The Smashing Pumpkins' tours from 1991 to 1994, resulting in a 15-track album that served as the soundtrack to the Vieuphoria video release. Billy Corgan and the band's producers reviewed numerous hours of footage and audio tapes to select setlist staples alongside rarities, such as live renditions from concerts in Atlanta (1993), London (1994), Chicago (1993), and Barcelona (1993), as well as TV broadcasts in Japan (1992), Germany (1993), and the UK. High-fidelity soundboard sources were prioritized to capture the band's dynamic performances with clarity, while studio outtakes and demos like "Pulseczar" (from the Gish sessions) were incorporated for added variety.[28][3][29] Post-production editing focused on refining the raw live captures, including the removal of excessive crowd noise to balance audience energy with musical detail, and splicing segments to preserve medleys intact—for instance, extending "Silverfuck" into covers of "Over the Rainbow" and an original jam titled "Jackboot" from the February 26, 1994, Astoria Theatre show in London, which contrasted with the trimmed version in the Vieuphoria visuals. These edits aimed to maintain the chaotic essence of the performances while ensuring listenability on audio formats. The process also involved decisions to omit certain widely circulated bootlegged recordings to differentiate the official release from fan tapes.[30] Mixing was handled by Butch Vig, Billy Corgan, and James Iha, who worked to achieve a raw yet polished live sound emphasizing layered guitars and dynamic shifts, with sessions occurring in 1994 for the initial promotional CD (limited to about 1,000 copies) and revisited in 2002 for the full commercial album. The final product clocks in at a total runtime of 75:41, encapsulating the band's early-to-mid-period evolution without overlapping extensively with prior live bootlegs.[31][3][32]Release
Initial 1994 video and promo CD
Vieuphoria was initially released on VHS on October 4, 1994, by Virgin Records in the United States.[33] The video compilation captured live performances, interviews, and short films from the band's early career, primarily drawn from their 1993 tours supporting the Siamese Dream album.[34] Accompanying the VHS was a limited promotional CD titled Earphoria, functioning as an audio soundtrack with selections from the video's performances, including live recordings from 1992 to 1994.[3] Approximately 1,000 copies of the CD (catalog number DPRO-12694) were produced as a promo-only item on the Virgin label, distributed mainly to radio stations alongside the VHS to promote the band's live energy ahead of further touring.[3][34] The VHS came in a standard slipcase featuring black-and-white photographs of the band members, emphasizing their raw, alternative rock aesthetic.[33] In contrast, the Earphoria promo CD was issued as a plain white-label disc without custom artwork or jewel case inserts, a common format for industry promos at the time, which contributed to its scarcity and appeal among collectors.[3] This targeted distribution approach aimed to generate media and fan interest without broad commercial saturation, aligning with the band's strategy during their rising popularity in the mid-1990s alternative scene.[34] The limited run quickly fostered underground circulation through fan trading and bootlegs, building anticipation and cementing Earphoria as an early collector's item for dedicated Smashing Pumpkins enthusiasts.[3]2002 DVD and album release
In 2002, Virgin Records reissued Vieuphoria on DVD and issued the first commercial edition of Earphoria as a standalone CD, providing fans with official access to the live audio tracks accompanying the video after years of limited availability. The releases occurred on November 26, 2002.[32] The Earphoria CD, clocking in at 75:41, was presented in a standard jewel case format with cover artwork incorporating black-and-white tour photographs from the band's 1993–1994 performances.[2] The DVD edition of Vieuphoria expanded on the original 1994 VHS by incorporating bonus materials, including the short film "The Unbearable Likeness of Manny" and selections from the "Lost '94 Tapes," accessible via interactive menus.[35] Unlike the restricted promotional CD distributed in 1994, the 2002 Earphoria CD achieved broad commercial distribution to meet ongoing demand for the material, which had circulated primarily through unofficial channels in the interim.[1] This dual release served as an archival offering during the Smashing Pumpkins' post-hiatus phase following their 2000 disbandment, aligning with the era's surge in DVD adoption for enhanced home video experiences. The initial formats were confined to CD for Earphoria and DVD for Vieuphoria, with no vinyl pressing produced at launch.[2]Music
Overview and style
Earphoria exemplifies the Smashing Pumpkins' alternative rock sound, blending grunge's raw aggression and emotional intensity with shoegaze's swirling, feedback-drenched guitar layers and psychedelic explorations of texture and dynamics.[1][36] The live format shifts focus from studio refinement to unbridled energy, emphasizing the band's ability to channel chaotic improvisation and crowd synergy into immersive performances.[37] The album's structure weaves together full-length songs, extended medleys, and brief instrumental intros across its runtime of roughly 75 minutes, evoking the natural ebb and flow of a concert—from subdued acoustic openings to explosive, multi-part rock crescendos that build tension and release.[2] This arrangement reflects the 1994 tour's pacing, where quiet introspection gives way to high-volume catharsis.[1] Key stylistic elements include Billy Corgan's emotive, wailing vocals and heavily distorted, feedback-saturated guitars, which drive the songs' emotional core; Jimmy Chamberlin's dynamic drumming, marked by intricate fills and propulsive rhythms; and James Iha's melodic riffs that add harmonic depth amid the sonic assault.[1][37][38] Thematically, the recordings echo the Siamese Dream era's preoccupations with alienation, romantic longing, and fleeting euphoria, rendered more viscerally through live delivery.[39][40] Unlike the meticulously layered production of their studio albums, Earphoria foregrounds amplified audience participation—cheers, chants, and spontaneous extensions—along with on-stage improvisations, showcasing the band's commanding presence and technical prowess at their 1994 zenith.[1][37]Notable elements and performances
One of the standout moments in Earphoria is the extended 13-minute rendition of "Silverfuck," recorded live in London in 1994, which serves as a tour de force of the band's noise rock prowess through its incorporation of a medley featuring a brief cover of "Over the Rainbow" and the improvisational jam "Jackboot."[1][3] This performance demonstrates the evolution of the band's setlists during the Siamese Dream tour era, blending original material with unexpected covers and extended jams that highlight guitarist Billy Corgan's penchant for sonic experimentation, ending in a short but intense guitar-driven coda.[1] The compilation includes rare early tracks that provide historical depth to the band's development, such as the manic and urgent live version of "Quiet" from their 1991 debut album Gish, captured in Atlanta in 1993, and "Slunk," an aggressive outtake performed on Japanese TV in 1992.[1][41] These inclusions contrast with more polished later material, showcasing the raw, wiry energy of the Pumpkins' pre-fame sound rooted in power chords and youthful intensity. Additionally, the acoustic rendition of "Cherub Rock" from MTV Europe in 1993 offers a stripped-down alternative to the studio's heavy riffing, emphasizing lean guitar work and drummer Jimmy Chamberlin's brisk brushstrokes, while the full-band "Disarm" from English TV in 1993 delivers wrenching vocals over lurching guitars, underscoring Corgan's emotional delivery.[1][41] Performance quirks further elevate the release, including extended guitar solos in tracks like "Silverfuck" that build tension through dueling instrumentation, and robust audience participation during "Today," recorded in Chicago in 1993, where the hometown crowd's energy creates a triumphant, sing-along atmosphere amid the song's whimsical pop-rock drive.[1] The orchestral-like "Sinfony," an E-bow guitar intro snippet from Siamese Dream sessions, sets a dramatic, ethereal tone at the outset, evoking the band's atmospheric ambitions.[1][4] Overall, these elements capture the Smashing Pumpkins' emotional intensity on stage, with Corgan's playful ham acting—such as his vocal interpolation of "Over the Rainbow" in the "Silverfuck" medley—adding narrative layers and personal flair absent in studio recordings, fostering a sense of unfiltered connection between band and audience.[1]Reception and legacy
Critical reception
Upon its 2002 release, Earphoria received generally positive reviews from major music publications, with critics praising the album's capture of the Smashing Pumpkins' raw live energy during their peak 1990s tours. Pitchfork highlighted reinterpretations of tracks like "Disarm" with lurching guitars and the refreshing acoustic take on "Mayonaise," as well as the invigorated sound of "Cherub Rock," noting these elements showcased the band's wiry power.[1] Similarly, Rolling Stone described the collection as a "messy, exhilarating document of a band in their prime," emphasizing its visceral and unfiltered portrayal of the group's intensity.[42] However, reviewers also pointed to inconsistencies in the track selection and production. Pitchfork critiqued versions of "Geek U.S.A." for blowing through quiet parts and losing subtlety, while the extended "Silverfuck" included a "gruesome little singalong" and a brief jam that elicited only shrugs, contributing to an uneven feel overall.[1] Rolling Stone acknowledged the chaotic structure and lack of polish, which could overwhelm listeners despite the authenticity.[42] The original 1994 Vieuphoria video, to which Earphoria serves as a soundtrack, drew appreciation for its live footage, acoustic renditions, and behind-the-scenes visuals but faced criticism for amateurish and indulgent comedy skits, with the album later seen as enhancing the raw audio dimension of that experience.[1] Across these reviews, common themes emerged of nostalgia for the band's authentic 1990s tour era and the value of archival live material, tempered by notes on dated production quality and the absence of new content, ultimately positioning Earphoria as a solid but fan-oriented retrospective.[1][42]Commercial performance and fan response
Earphoria achieved modest commercial performance upon its 2002 release, overshadowed by the Smashing Pumpkins' blockbuster studio albums such as Mellon Collie and the Infinite Sadness. The album did not receive RIAA certification and has no reported sales exceeding significant thresholds, reflecting its status as a niche live companion to the Vieuphoria video rather than a standalone commercial hit. In the United States, Earphoria failed to enter the Billboard 200, underscoring its limited mainstream appeal amid the band's post-hiatus output. Internationally, it fared slightly better in the UK, peaking at number 20 on the Official Albums Chart and spending one week in the Top 40, driven partly by import demand from European fans eager for archival material.[43] Among fans, Earphoria has garnered enduring appreciation for preserving the band's raw energy during their 1994 tours, a pivotal "golden era" bridging Siamese Dream and Mellon Collie. Die-hard collectors and enthusiasts particularly value its rarities, including live tracks from the original promotional VHS edition, which circulated unofficially and enhanced its cult status before the official soundtrack release.[1][6] Reviews from the era positioned it as essential for dedicated listeners, capturing the dynamic interplay of the classic lineup at peak form.[42] The album's legacy highlights the Smashing Pumpkins' transitional phase pre-Mellon Collie, offering unpolished glimpses into their evolving sound through energetic performances of early hits like "Today" and "Cherub Rock." Retrospective reviews as late as 2022 have praised it as an enjoyable compilation of live rarities from the band's 1993–1994 tours, reflecting ongoing appreciation for its historical value.[44] Despite limited modern streaming availability, its appeal persists among fan communities for these historical insights, with the accompanying Vieuphoria DVD sustaining interest through visual documentation of the era, as evidenced by discussions in 2024.[45]Credits
Track listing
Earphoria is a 15-track live and compilation album with a total runtime of 75:41.[2][46] The track listing is as follows:| No. | Title | Duration | Writer(s) | Original album/source | Recording notes |
|---|---|---|---|---|---|
| 1 | "Sinfony" | 0:55 | Billy Corgan | Siamese Dream outtake | Studio recording |
| 2 | "Quiet" (live) | 3:44 | Billy Corgan | Gish | Live in Atlanta, GA, November 10, 1993 |
| 3 | "Disarm" (live) | 2:56 | Billy Corgan | Siamese Dream | Live on The Word (BBC), London, UK, September 1993 |
| 4 | "Cherub Rock" (acoustic) (live) | 4:24 | Billy Corgan | Siamese Dream | Live on MTV Most Wanted, London, UK, June 22, 1993 |
| 5 | "Today" (live) | 3:38 | Billy Corgan | Siamese Dream | Live at Aragon Ballroom, Chicago, IL, December 9, 1993 |
| 6 | "Bugg Superstar" | 1:29 | James Iha | Unreleased (Gish era) | Studio recording |
| 7 | "I Am One" (live) | 7:55 | Billy Corgan, James Iha | Gish | Live at Sala Apolo, Barcelona, Spain, September 1993 |
| 8 | "Pulseczar" | 2:27 | Billy Corgan | Gish sessions demo/outtake | Studio recording |
| 9 | "Soma" (live) | 6:32 | Billy Corgan, James Iha | Siamese Dream | Live at Astoria Theatre, London, UK, February 26, 1994 |
| 10 | "Slunk" (live) | 2:37 | Billy Corgan | Unreleased | Live on Nippon Television, Tokyo, Japan, February 1992 |
| 11 | "French Movie Theme" | 1:50 | Billy Corgan | B-side to "Cherub Rock" single (Siamese Dream) | Studio recording |
| 12 | "Geek U.S.A." (live) | 4:49 | Billy Corgan | Siamese Dream | Live at Alabamahalle, Munich, Germany, February 21, 1994 |
| 13 | "Mayonaise" (acoustic) (live) | 4:23 | Billy Corgan, James Iha | Siamese Dream | Live outside BBC Studios, London, UK, July 3, 1993 |
| 14 | "Silverfuck" (live; medley including "Over the Rainbow" and "Jackboot") | 13:30 | Billy Corgan (Silverfuck, Jackboot); E.Y. Harburg, Harold Arlen ("Over the Rainbow") | Siamese Dream (Silverfuck) | Live at Astoria Theatre, London, UK, February 26, 1994 |
| 15 | "Why Am I So Tired?" | 15:15 | Billy Corgan | Unreleased (Gish outtake) | Studio recording |