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El General
Edgardo Armando Franco (born 27 September 1969), better known as El General, is a Panamanian former rapper considered by some to be one of the fathers of reggae en Español.
During the early 1990s, he was one of the artists who initiated the Spanish-language dancehall variety of reggae music. Early examples of this were the international and somewhat mainstream songs, "Te Ves Buena" and "Tu Pum Pum". “Tu Pum Pum" emerged after a friend of El General invited him to collaborate with a Jamaican producer that was searching for a “different sound in Panama." Both songs, performed in Spanish deejaying style, were very successful in North America. After getting his foot in the door of the commercial market, many other Spanish-language dancehall reggae artists became famous in the mainstream as well. He has a unique, easy to listen to style of dance music and has produced many well-known songs all over Latin America.
El General retired from music in 2004 and became one of Jehovah's Witnesses.
El General began singing and composing songs at the age of 12 in his home in Río Abajo, Panama. El General is of Jamaican descent.
Jamaicans, Bajans, Trinidadians and other West Indians moved to Panama to fill the need of labor for the construction of the Panama Canal. As laborers on the Canal they were met with harsh conditions like low wages and terrible living conditions. Black Panamanians of Caribbean descent (antillanos) were also mistreated and segregated based on their Caribbean ancestry and were unable to assimilate to national Panamanian culture.
While El General was growing up Spanish Reggae as a genre began to rise in Panama. In the 1980s, Spanish Reggae in Panama was the use of riddims that were popular in Jamaica and the rapping/singing of direct translations on the same beat. As Panamaians of Caribbean descent the use of Jamaican riddims was anti-establishment and enforced what Wayne Marshall says, “ ‘provides a telling set of examples of how the meanings of Jamaican reggae continue to resonate in Panama, even after translation into Spanish’ ” The use of Caribbean sounds in Spanish Reggae made the genre anti-establishment and a form of resistance to a country that denied Panamanians of Caribbean descent.
Describing himself as a “restless child,” El General would use different objects such as buckets, flutes, and anything in front of him to serve as an instrument. Musically influenced by Bob Marley and Burro Banton growing up, El General recounts in an interview his love for reggae. When he was younger, he was a part of a group called Renato and the Four Stars, which is when he got his nickname, “El General,” where they would sing reggae in Spanish.
He then received a scholarship, the young artist moved to the United States to study business administration, and became a professional accountant. While studying, he was also an MC for parties and opened up for dancehall and hip-hop musical acts. His connection to Black diasporic communities in New York both influenced his music and led to his music being spread across the Americas including the US, Panama, and Puerto Rico. This led to extreme popularity in the 90s with his first song “Tu Pum Pum,”
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El General
Edgardo Armando Franco (born 27 September 1969), better known as El General, is a Panamanian former rapper considered by some to be one of the fathers of reggae en Español.
During the early 1990s, he was one of the artists who initiated the Spanish-language dancehall variety of reggae music. Early examples of this were the international and somewhat mainstream songs, "Te Ves Buena" and "Tu Pum Pum". “Tu Pum Pum" emerged after a friend of El General invited him to collaborate with a Jamaican producer that was searching for a “different sound in Panama." Both songs, performed in Spanish deejaying style, were very successful in North America. After getting his foot in the door of the commercial market, many other Spanish-language dancehall reggae artists became famous in the mainstream as well. He has a unique, easy to listen to style of dance music and has produced many well-known songs all over Latin America.
El General retired from music in 2004 and became one of Jehovah's Witnesses.
El General began singing and composing songs at the age of 12 in his home in Río Abajo, Panama. El General is of Jamaican descent.
Jamaicans, Bajans, Trinidadians and other West Indians moved to Panama to fill the need of labor for the construction of the Panama Canal. As laborers on the Canal they were met with harsh conditions like low wages and terrible living conditions. Black Panamanians of Caribbean descent (antillanos) were also mistreated and segregated based on their Caribbean ancestry and were unable to assimilate to national Panamanian culture.
While El General was growing up Spanish Reggae as a genre began to rise in Panama. In the 1980s, Spanish Reggae in Panama was the use of riddims that were popular in Jamaica and the rapping/singing of direct translations on the same beat. As Panamaians of Caribbean descent the use of Jamaican riddims was anti-establishment and enforced what Wayne Marshall says, “ ‘provides a telling set of examples of how the meanings of Jamaican reggae continue to resonate in Panama, even after translation into Spanish’ ” The use of Caribbean sounds in Spanish Reggae made the genre anti-establishment and a form of resistance to a country that denied Panamanians of Caribbean descent.
Describing himself as a “restless child,” El General would use different objects such as buckets, flutes, and anything in front of him to serve as an instrument. Musically influenced by Bob Marley and Burro Banton growing up, El General recounts in an interview his love for reggae. When he was younger, he was a part of a group called Renato and the Four Stars, which is when he got his nickname, “El General,” where they would sing reggae in Spanish.
He then received a scholarship, the young artist moved to the United States to study business administration, and became a professional accountant. While studying, he was also an MC for parties and opened up for dancehall and hip-hop musical acts. His connection to Black diasporic communities in New York both influenced his music and led to his music being spread across the Americas including the US, Panama, and Puerto Rico. This led to extreme popularity in the 90s with his first song “Tu Pum Pum,”