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Elizabeth Poston
Elizabeth Poston (24 October 1905 – 18 March 1987) was an English composer, pianist, organist, and writer.
Poston was born in Highfield House in Pin Green, which is now the site of Hampson Park in Stevenage. In 1914 she moved with her mother, Clementine Poston, to nearby Rooks Nest House where E. M. Forster had lived as a child. Poston and Forster subsequently became good friends. After attending Queen Margaret's School, York and studying piano with Harold Samuel and organ with Sir Stanley Marchant, she attended the Royal Academy of Music (RAM) in London, where both Peter Warlock and Ralph Vaughan Williams encouraged her talents and where she studied composition with Julius Harrison. She won a prize from the RAM for her one movement Violin Sonata, which was subsequently broadcast by the BBC on 9 July 1928, with Antonio Brosa as soloist and Victor Hely-Hutchinson piano.
When she graduated from the RAM in 1925 seven of her songs were published, and in 1928 she published five more. Poston went abroad between 1930 and 1939, where she studied architecture and collected folksongs in Central Europe. She was also a respected performer, premiering Walter Leigh’s Concertino for harpsichord and strings in 1934.
When she returned to England at the beginning of World War II Poston joined the BBC and became director of music in the European Service. During the war she is said to have carried out secretive work as an agent, using contacts she had made over her past decade of travel. At the BBC she apparently used gramophone records to send coded messages to allies in Europe. Poston's discussion with Julius Harrison, composer of Bredon Hill which is "witness to the eternal spirit of England", was aired by the BBC in 1942. She also played the piano at the National Gallery lunchtime concerts organised by Myra Hess.
Poston left the BBC briefly in 1945, but returned in 1946 at the invitation of Douglas Cleverdon to advise on the creation of the BBC Third Programme. She subsequently became one of the youngest composers to be represented on the network at its opening, with her incidental music for John Milton's Comus.
Poston composed scores for radio and television productions – over 40 for radio alone – and collaborated with C. S. Lewis, Dylan Thomas, Terence Tiller and other writers. She wrote the score for the 1970 BBC television production of Howards End (broadcast on 26 December 1970 as Play of the Month, now lost) while living in Rooks Nest House, which was the setting for the novel.
Her carols, especially Jesus Christ the Apple Tree (1967) and The Boar's Head Carol (1960), remain widely performed. The Nativity (1950), a sequence of newly composed carols and adaptations from folk songs or Medieval manuscripts retelling the Christmas Story, was premiered as a radio feature produced by Terence Tiller, but had an afterlife as a choral work for concert performance. It's one of two extended choral works of hers to have been recorded. The other is An English Day Book, a 20-minute sequence of sacred and profane poetry settings relating to different times of the day and year. This work includes a setting of Sweet Suffolk Owl by Thomas Vautor that has achieved separate popularity. A new recording was issued in 2024. There are also anthems, mostly dating from the 1950s, such as the four movement Song of Wisdom (1956), written for Yardley Grammar School in Birmingham.
The Concertino da camera on a Theme of Martin Peerson (1957) is a significant example of her music for chamber ensembles, and has been recorded. A Swiss radio broadcast of her 1960 Trio for flute, viola and harp can be heard on YouTube, and a new recording of the Trio by the Korros Ensemble was released in 2021. A six-minute work for string orchestra, Blackberry Fold: Requiem for a Dog, received its first broadcast in February 1976.
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Elizabeth Poston
Elizabeth Poston (24 October 1905 – 18 March 1987) was an English composer, pianist, organist, and writer.
Poston was born in Highfield House in Pin Green, which is now the site of Hampson Park in Stevenage. In 1914 she moved with her mother, Clementine Poston, to nearby Rooks Nest House where E. M. Forster had lived as a child. Poston and Forster subsequently became good friends. After attending Queen Margaret's School, York and studying piano with Harold Samuel and organ with Sir Stanley Marchant, she attended the Royal Academy of Music (RAM) in London, where both Peter Warlock and Ralph Vaughan Williams encouraged her talents and where she studied composition with Julius Harrison. She won a prize from the RAM for her one movement Violin Sonata, which was subsequently broadcast by the BBC on 9 July 1928, with Antonio Brosa as soloist and Victor Hely-Hutchinson piano.
When she graduated from the RAM in 1925 seven of her songs were published, and in 1928 she published five more. Poston went abroad between 1930 and 1939, where she studied architecture and collected folksongs in Central Europe. She was also a respected performer, premiering Walter Leigh’s Concertino for harpsichord and strings in 1934.
When she returned to England at the beginning of World War II Poston joined the BBC and became director of music in the European Service. During the war she is said to have carried out secretive work as an agent, using contacts she had made over her past decade of travel. At the BBC she apparently used gramophone records to send coded messages to allies in Europe. Poston's discussion with Julius Harrison, composer of Bredon Hill which is "witness to the eternal spirit of England", was aired by the BBC in 1942. She also played the piano at the National Gallery lunchtime concerts organised by Myra Hess.
Poston left the BBC briefly in 1945, but returned in 1946 at the invitation of Douglas Cleverdon to advise on the creation of the BBC Third Programme. She subsequently became one of the youngest composers to be represented on the network at its opening, with her incidental music for John Milton's Comus.
Poston composed scores for radio and television productions – over 40 for radio alone – and collaborated with C. S. Lewis, Dylan Thomas, Terence Tiller and other writers. She wrote the score for the 1970 BBC television production of Howards End (broadcast on 26 December 1970 as Play of the Month, now lost) while living in Rooks Nest House, which was the setting for the novel.
Her carols, especially Jesus Christ the Apple Tree (1967) and The Boar's Head Carol (1960), remain widely performed. The Nativity (1950), a sequence of newly composed carols and adaptations from folk songs or Medieval manuscripts retelling the Christmas Story, was premiered as a radio feature produced by Terence Tiller, but had an afterlife as a choral work for concert performance. It's one of two extended choral works of hers to have been recorded. The other is An English Day Book, a 20-minute sequence of sacred and profane poetry settings relating to different times of the day and year. This work includes a setting of Sweet Suffolk Owl by Thomas Vautor that has achieved separate popularity. A new recording was issued in 2024. There are also anthems, mostly dating from the 1950s, such as the four movement Song of Wisdom (1956), written for Yardley Grammar School in Birmingham.
The Concertino da camera on a Theme of Martin Peerson (1957) is a significant example of her music for chamber ensembles, and has been recorded. A Swiss radio broadcast of her 1960 Trio for flute, viola and harp can be heard on YouTube, and a new recording of the Trio by the Korros Ensemble was released in 2021. A six-minute work for string orchestra, Blackberry Fold: Requiem for a Dog, received its first broadcast in February 1976.