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Ernest Tidyman
Ernest Ralph Tidyman (January 1, 1928 – July 14, 1984) was an American author and screenwriter, best known for his novels featuring the African-American detective John Shaft. His screenplay for The French Connection garnered him an Academy Award for Best Adapted Screenplay, as well as a Golden Globe Award, a Writers Guild of America Award, and an Edgar Award. In 1971, he also co-wrote the screenplay for the film version of Shaft with John D. F. Black.
Tidyman was born in Cleveland, Ohio, the son of Kathryn (Kascsak) and Benjamin Ralph Tidyman, a crime reporter for The Plain Dealer. He was of Hungarian and British descent. He began his career as a copyboy in Cleveland when he was 14 years old, having dropped out of school in grade seven.
Tidyman enlisted in the U.S. Army in 1946, serving in public relations. He worked as a journalist and crime reporter for the next two decades in a number of cities, including a stint as editor of Diners Club magazine, and writing for The New York Times (1960–66), New York Post (1957–60), male magazines and black newspapers. In 1968 he wrote his first novel, Flower Power about hippies. He then decided to write about a black detective, Shaft.
He later said about writing Shaft, "Reading black fiction, you see that the central figure is either super hero or super victim, as in [William] Styron's book. The blacks I knew were smart and sophisticated, and I thought, what about a black hero who thinks of himself as a human being, but who uses his black rage as one of his resources, along with intelligence and courage."
His novel Shaft was read by Philip d'Antoni, who hired him to write The French Connection. According to that film's director, William Friedkin, "We think he has the potential to be a better than average thriller writer. [...] He writes people so that an audience can define characters quickly, but then complications begin to set in." Friedkin said he rewrote much of the script "But Tidyman's name will be first" on the credits. Friedkin's rewriting and credit grab annoyed Tidyman, who downplayed the director's contribution.
The dual success of Shaft and French Connection made Tidyman one of the top screenwriters in the business. "Tidyman from a standing start suddenly looks like a one man resuscitator for the movie as public entertainment", wrote The Los Angeles Times. Tidyman was one of the few filmmakers to speak up for the much-maligned James T. Aubrey, president of MGM, who financed Shaft. "Nobody ever lied to me at MGM or told me they were going to do something they didn't do", he said.
However, he was not happy with the final films, particularly Shaft, and decided to move into producing as well, establishing Ernest Tidyman Productions in 1971. Ernest Tidyman Productions was changed to Ernest Tidyman International, Ltd., in 1971 and back to Ernest Tidyman Productions in 1979. Tidyman also established Shaft Productions in 1972 to handle Shaft's sequels, Pilgrim Productions to handle Big Bucks, and Family Trouble Productions to produce an unmade film Family Trouble.
"You have to hyphenate", he said. "If you've got an idea, you'd better write it, and then you'd better produce it, so you can control it. This town depends more on the men who write, on the storytellers, than on anybody else, and it doesn't begin [...] to know how to deal with them rightly."
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Ernest Tidyman
Ernest Ralph Tidyman (January 1, 1928 – July 14, 1984) was an American author and screenwriter, best known for his novels featuring the African-American detective John Shaft. His screenplay for The French Connection garnered him an Academy Award for Best Adapted Screenplay, as well as a Golden Globe Award, a Writers Guild of America Award, and an Edgar Award. In 1971, he also co-wrote the screenplay for the film version of Shaft with John D. F. Black.
Tidyman was born in Cleveland, Ohio, the son of Kathryn (Kascsak) and Benjamin Ralph Tidyman, a crime reporter for The Plain Dealer. He was of Hungarian and British descent. He began his career as a copyboy in Cleveland when he was 14 years old, having dropped out of school in grade seven.
Tidyman enlisted in the U.S. Army in 1946, serving in public relations. He worked as a journalist and crime reporter for the next two decades in a number of cities, including a stint as editor of Diners Club magazine, and writing for The New York Times (1960–66), New York Post (1957–60), male magazines and black newspapers. In 1968 he wrote his first novel, Flower Power about hippies. He then decided to write about a black detective, Shaft.
He later said about writing Shaft, "Reading black fiction, you see that the central figure is either super hero or super victim, as in [William] Styron's book. The blacks I knew were smart and sophisticated, and I thought, what about a black hero who thinks of himself as a human being, but who uses his black rage as one of his resources, along with intelligence and courage."
His novel Shaft was read by Philip d'Antoni, who hired him to write The French Connection. According to that film's director, William Friedkin, "We think he has the potential to be a better than average thriller writer. [...] He writes people so that an audience can define characters quickly, but then complications begin to set in." Friedkin said he rewrote much of the script "But Tidyman's name will be first" on the credits. Friedkin's rewriting and credit grab annoyed Tidyman, who downplayed the director's contribution.
The dual success of Shaft and French Connection made Tidyman one of the top screenwriters in the business. "Tidyman from a standing start suddenly looks like a one man resuscitator for the movie as public entertainment", wrote The Los Angeles Times. Tidyman was one of the few filmmakers to speak up for the much-maligned James T. Aubrey, president of MGM, who financed Shaft. "Nobody ever lied to me at MGM or told me they were going to do something they didn't do", he said.
However, he was not happy with the final films, particularly Shaft, and decided to move into producing as well, establishing Ernest Tidyman Productions in 1971. Ernest Tidyman Productions was changed to Ernest Tidyman International, Ltd., in 1971 and back to Ernest Tidyman Productions in 1979. Tidyman also established Shaft Productions in 1972 to handle Shaft's sequels, Pilgrim Productions to handle Big Bucks, and Family Trouble Productions to produce an unmade film Family Trouble.
"You have to hyphenate", he said. "If you've got an idea, you'd better write it, and then you'd better produce it, so you can control it. This town depends more on the men who write, on the storytellers, than on anybody else, and it doesn't begin [...] to know how to deal with them rightly."