Esther Friesner
Esther Friesner
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Esther Friesner

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Esther Mona Friesner-Stutzman (née Friesner; born July 16, 1951) is an American science fiction and fantasy author. She is also a poet and playwright.[1] She is best known for her humorous style of writing, both in the titles and the works themselves. This humor allows her to discuss with broader audiences issues like gender equality and social justice.[2]

Key Information

Life

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Friesner attended the Hunter College High School, a public magnet high school in New York City, as well as Vassar College. At Vassar, she completed A.B.s in both Spanish and Drama. While at Vassar, she became friendly with Paula Volsky and Jane Bishop. Together they wrote at least one film script for student production, "Lavinia: a Girl of the Street", which demonstrated Esther's trademark tongue-in-cheek style. She holds a Ph.D. in Spanish and was a college Spanish professor at Yale University before becoming a writer.[citation needed] She currently resides with her husband in Connecticut.[1]

Career

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During her early career as a writer, Friesner penned an advice column entitled "Ask Auntie Esther" for Pulphouse Magazine. Her first short story, "The Stuff of Heroes" was sold in 1982.[2]

In addition to short stories, Friesner has published a number of novels and is a prolific editor of anthologies. "Thunderbolt," a short story in Random House's Young Warriors anthology lead to creation of her recent books Nobody's Princess, which takes the Greek legend of Helen of Sparta and gives it a new beginning, and its sequel, Nobody's Prize.[1]

Alien Pregnant By Elvis was her first effort as an anthology editor as part of a collection of tabloid science fiction for DAW books in conjunction with Martin H. Greenberg. She also collaborated with Greenberg on an Amazonian comedy anthology for Baen Books entitled Chicks In Chainmail and a vampire anthology for Donald I Fine, Inc. called Blood Muse.

She is a frequent guest of honor at science fiction conventions, having appeared at Bubonicon, Arisia, Boskone, Baycon and Albacon in the 1990s and in the 21st century. Her story "Love's Eldritch Ichor" was featured at one of these conventions, the World Fantasy convention, in 1990.

Friesner is credited as one of the founders of a parody movement in the 1980s called cyberprep.[3]

Awards

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Friesner was named Outstanding New Fantasy Writer by Romantic Times in 1986.[citation needed] She won the Skylark Award in 1994.[4] She has been nominated a number of times for the Hugo and Nebula awards, winning the Nebula Award for Best Short Story in 1995 and 1996 for, respectively, "Death and the Librarian" and "A Birthday". "A Birthday" was additionally a Hugo Award finalist in 1996. Her short story, "All Vows" was also a finalist for the Nebula in 1994 and took second place in Asimov's SF Magazine Readers' Poll in 1993.

Friesner's Star Trek: Deep Space Nine novel, Warchild, also made the USA TODAY bestseller list.

Nebula Awards and Nominations

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Source:[5]

  • 1993- “All Vows”, published by Asimov’s Magazine, Nominated for Best Short Story
  • 1995- “Jesus at the Bat” published by The Magazine of Fantasy and Science Fiction, Nominated for Best Novelette 1995
  • 1995- “Death and the Librarian” published by Asimov’s Magazine, Winner, Best Short story
  • 1996- “A Birthday” published by The Magazine of Fantasy and Science Fiction, Winner, Best Short Story
  • 1999- “How to Make Unicorn Pie” published by The Magazine of Fantasy and Science Fiction, Nominated for Best Novelette
  • 2001- Toastmaster for World Science Fiction Convention 2001
  • 2006- “Helen Remembers the Stork Club”, published by The Magazine of Fantasy and Science Fiction, Nominated for Best Short Story of 2006

Locus Awards

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Source:[6]

 Locus Awards — for SF/F/H works, polled by readers of Locus Magazine (10 nominations)

  • 2006: “The Fraud” (Asimov's Mar 2005) — novelette — 24th place
  • 2006: “Last Man Standing” (F&SF Jan 2005) — novelette — 17th place
  • 2006: “Helen Remembers the Stork Club” (F&SF Oct/Nov 2005) — short story — 15th place
  •  2000: “How to Make Unicorn Pie” (F&SF Jan 1999) — novelette — 14th place
  • 1999: “Brown Dust” (Starlight 2) — novelette — 16th place
  • 1996: “A Birthday” (F&SF Aug 1995) — short story — 4th place
  • 1996: Chicks in Chainmail (Baen) — anthology — 19th place
  • 1993: “All Vows” (Asimov's Nov 1992) — short story — 17th place
  • 1989: Druid's Blood (NAL Signet) — fantasy novel — 13th place
  • 1987: New York by Knight (Signet) — fantasy novel — 19th place

Other Awards and Nominations

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Source:[6]

  • James Tiptree Jr Memorial Award — for SF/F that explores and expands the roles of women and men, juried (1 nomination)
    • 1999: “In the Realms of Dragons” (Asimov's Feb 1998) — long list
  • Asimov's Reader Poll — for stories, poems, and art published by Asimov's, polled by readers (4 nominations)
    • 2001: “The Shunned Trailer” (Asimov's Feb 2000) — short story — 10th place
    • 1995: “Death and the Librarian” (Asimov's Dec 1994) — short story — 2nd place
    • 1994: “'White!' Said Fred” (Asimov's Oct 1993) — short story — 3rd place (tie)
    • 1993: “All Vows” (Asimov's Nov 1992) — short story — 2nd place
  • ·Gaylactic Spectrum Awards — for SF/F/H on GLBT themes, voted by members of Gaylactic Network (1 nomination)
    • 2000: “Chanoyu” (Asimov's Mar 1999) — short fiction — nomination
  • HOMer Awards — for SF/F works, voted by members of SF/F forum on CompuServe (2 nominations)
    • 2000: “Chanoyu” (Asimov's Mar 1999) — novelette — nomination
    • 2000: “How to Make Unicorn Pie” (F&SF Jan 1999) — novelette — nomination

Bibliography

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References

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Esther Friesner

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Esther Friesner is an American science fiction and fantasy author known for her humorous and satirical works that frequently subvert traditional genre tropes, particularly those involving gender roles and female characters in fantasy settings. [1] She has published more than thirty novels and over 150 short stories, earning recognition as a Nebula Award winner and establishing herself as a prominent voice in lighthearted yet incisive speculative fiction. [2] Born in New York City, Friesner earned bachelor's degrees in Spanish and drama from Vassar College before pursuing advanced studies at Yale University. [3] Her academic background in literature and theater informs her versatile writing style, which spans adult fantasy, young adult historical fantasy, and media tie-in novels including contributions to the Star Trek franchise. [4] Notable works include the Nobody's series featuring retellings of mythological figures like Helen of Troy, as well as her influential role as editor of the Chicks in Chainmail anthology series, which celebrates strong, witty women in fantastical contexts. [5] Friesner's writing often draws on mythology, history, and feminist themes, blending comedy with sharp social commentary to challenge stereotypes in speculative literature. [1] Her prolific career also encompasses poetry and playwriting, reflecting her broad creative interests and enduring impact on the science fiction and fantasy community. [2]

Early life and education

Birth and family background

Esther Mona Friesner was born on July 16, 1951, in New York City, New York. [6] [7] [8] She is the daughter of David R. Friesner, a teacher, and Beatrice Friesner, also a teacher. [6] Friesner was born and raised in Brooklyn, New York, where she spent her early years in a family environment shaped by her parents' careers in education. [9]

Education and academic work

Esther Friesner attended Hunter College High School in New York City. [10] She went on to Vassar College, where she earned a B.A. cum laude in Spanish and drama in 1972. [9] She continued her studies at Yale University, receiving an M.A. in Spanish in 1975 and a Ph.D. in Spanish in 1977, with a specialization in classical Spanish literature and the works of playwright Lope de Vega. [9] Friesner served as an instructor in Spanish at Yale University from 1977 to 1979 and again in 1983. [9] Her academic background in Spanish literature and drama preceded her transition to full-time writing. [1] [9]

Literary career

Entry into publishing and early short fiction

Esther Friesner's entry into professional publishing began with her first short story sale, "The Stuff of Heroes," in 1982. [8] During the 1980s, she established herself as a contributor to science fiction and fantasy magazines, becoming credited as one of the founders of the cyberprep parody movement—a lighthearted response to cyberpunk that emerged around 1986. [11] Her early short fiction developed a distinctive humorous tone that frequently explored themes of gender equality and social justice, often through satirical or whimsical lenses. Among her notable early short stories are "All Vows" (1992), which earned a Nebula Award nomination for Best Short Story. [12] "Death and the Librarian" (1994) won the Nebula Award for Best Short Story in 1995, [13] while "Jesus at the Bat" (1994) received a Nebula nomination for Best Novelette in 1995. [14] "A Birthday" (1995) secured the Nebula Award for Best Short Story in 1996 and was also a Hugo Award finalist. [12] In addition to her fiction, Friesner contributed the humorous advice column "Ask Auntie Esther" to Pulphouse Magazine during the early 1990s. [15] By the mid-1980s, she had begun transitioning to novel-length works. [8]

Novels and series

Esther Friesner's novels frequently combine humor with fantasy and mythological elements, often exploring themes of gender equality and social justice through strong female protagonists who challenge traditional tropes.[1] Her early career featured several comedic fantasy series that established her distinctive voice in the genre.[7] She launched with the Chronicles of the Twelve Kingdoms series (1985–1989), a four-book sequence beginning with Mustapha and His Wise Dog and concluding with The Water King's Laughter, blending adventure and whimsical storytelling.[7] This was followed by the New York by Knight trilogy (1986–1989), the Demons series (1988–1990), the Gnome Man's Land trilogy (1991–1992), and the Majyk series (1993–1995), each delivering satirical takes on fantasy conventions with lighthearted escapades and mythological underpinnings.[7] Among her standalone and collaborative novels are Druid's Blood (1988), Yesterday We Saw Mermaids (1992), and Split Heirs (1993, co-authored with Lawrence Watt-Evans).[7] Friesner also wrote the Star Trek: Deep Space Nine novel Warchild (1994), which appeared on the USA Today bestseller list, and the Star Trek: The Next Generation novel To Storm Heaven (1997).[5][7] In the 2000s and 2010s, she focused on young adult fiction with the Princesses of Myth series, comprising eight novels that reimagine the lives of historical and mythological women who assert agency over their fates.[7] The series includes the Helen of Troy duology (Nobody's Princess and Nobody's Prize, 2007–2008), the Nefertiti duology (Sphinx's Princess and Sphinx's Queen, 2009–2010), the Himiko duology (Spirit's Princess and Spirit's Chosen, 2012–2013), and the Maeve duology (Deception's Princess and Deception's Pawn, 2014–2015).[7][2] These works highlight empowering narratives that blend historical detail with themes of self-determination and resistance to societal constraints.[1]

Tie-in and media-related writing

Esther Friesner has occasionally ventured into tie-in and media-related writing, primarily through licensed novels for established franchises rather than original screenplays or adaptations. Her contributions to the Star Trek series include Warchild (1994), the seventh installment in the Deep Space Nine line, which reached the USA Today bestseller list. [16] She later wrote To Storm Heaven (1997), the forty-sixth novel in the Star Trek: The Next Generation numbered series, published by Pocket Books. [17] In 2002, Friesner authored the official novelization of the feature film Men in Black II, adapting the screenplay into prose for Del Rey Books. [18] During her undergraduate years at Vassar College, Friesner co-wrote a film script titled "Lavinia: a Girl of the Street" with fellow students Paula Volsky and Jane Bishop for a non-professional student production, representing her earliest known engagement with scriptwriting. Friesner has not produced any scripts for film or television, and none of her original literary works have been adapted into media. [19]

Editorial work

Chicks in Chainmail series

The Chicks in Chainmail series is a collection of humorous fantasy anthologies edited by Esther Friesner and published by Baen Books, celebrated for its subversive take on traditional fantasy tropes through comedy and parody. [20] The anthologies feature stories of fierce female warriors—sword-swinging amazons and barbarian babes—who engage in light-hearted adventures, poking fun at the chainmail bikini stereotype and emphasizing laughter over solemn drama. [20] By presenting these characters as capable and humorous rather than mere male fantasy figures, the series challenges gender conventions in the genre while remaining firmly entertaining. [20] The series launched with Chicks in Chainmail in 1995. [7] It continued with Did You Say Chicks?! (1998), Chicks 'n Chained Males (1999), The Chick is in the Mail (2000), Turn the Other Chick (2004), and Chicks and Balances (2015, co-edited with John Helfers). [7] In 2010, Baen released the omnibus Chicks Ahoy!, which collected the first three volumes. [20] Through its multiple volumes, the series popularized a distinctive style of subversive humor in fantasy, blending strong female protagonists with parody and proving enduringly appealing to readers. [7] This editorial project stands as one of Friesner's most prominent contributions to the field.

Other anthologies and collections

Esther Friesner co-edited two anthologies with Martin H. Greenberg during the 1990s. [7] The first, Alien Pregnant by Elvis, was published in 1994 by DAW Books as an original anthology featuring speculative fiction stories with unconventional, often humorous premises. [21] The second, Blood Muse: Timeless Tales of Vampires in the Arts, followed in 1995 from Donald I. Fine, collecting vampire-themed stories connected to artistic and creative themes. [22] Later in her editorial career, Friesner served as the sole editor for the Supernatural Suburbia series published by Baen Books, which focused on light-hearted and humorous fantasy stories involving supernatural elements in suburban settings. [7] The series began with Witch Way to the Mall in 2009, an original anthology emphasizing witches and related tropes in everyday environments. [23] It continued that same year with Strip Mauled, maintaining the series' comedic subversion of genre conventions. [24] The third volume, Fangs for the Mammaries, appeared in 2010 and concluded the series with similar humorous explorations of supernatural suburbia. [25] These projects reflect Friesner's recurring interest in blending humor with speculative fiction to challenge traditional genre expectations. [7]

Awards and honors

Personal life

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