The Magazine of Fantasy & Science Fiction
The Magazine of Fantasy & Science Fiction
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The Magazine of Fantasy & Science Fiction

The Magazine of Fantasy & Science Fiction (usually referred to as F&SF) is a U.S. fantasy and science-fiction magazine, first published in 1949 by Mystery House, a subsidiary of Lawrence Spivak's Mercury Press. Editors Anthony Boucher and J. Francis McComas had approached Spivak in the mid-1940s about creating a fantasy companion to Spivak's existing mystery title, Ellery Queen's Mystery Magazine. The first issue was titled The Magazine of Fantasy, but the decision was quickly made to include science fiction as well as fantasy, and the title was changed correspondingly with the second issue. F&SF was quite different in presentation from the existing science-fiction magazines of the day, most of which were in pulp format: it had no interior illustrations, no letter column, and text in a single-column format, which in the opinion of science-fiction historian Mike Ashley "set F&SF apart, giving it the air and authority of a superior magazine".

F&SF quickly became one of the leading magazines in the science-fiction and fantasy fields, with a reputation for publishing literary material and including more diverse stories than its competitors. Well-known stories that appeared in its early years include Richard Matheson's "Born of Man and Woman", and Ward Moore's Bring the Jubilee, a novel of an alternative history in which the South has won the American Civil War. McComas left for health reasons in 1954, but Boucher continued as sole editor until 1958, winning the Hugo Award for Best Magazine that year, a feat his successor, Robert Mills, repeated in the next two years. Mills was responsible for publishing Flowers for Algernon by Daniel Keyes, Rogue Moon by Algis Budrys, Starship Troopers by Robert Heinlein, and the first of Brian Aldiss's Hothouse stories. The first few issues mostly featured cover art by George Salter, Mercury Press's art director, but other artists soon began to appear, including Chesley Bonestell, Kelly Freas, and Ed Emshwiller.

In 1962, Mills was succeeded as editor by Avram Davidson. When Davidson left at the end of 1964, Joseph Ferman, who had bought the magazine from Spivak in 1954, took over briefly as editor, though his son Edward soon began doing the editorial work under his father's supervision. At the start of 1966, Edward Ferman was listed as editor, and four years later, he acquired the magazine from his father and moved the editorial offices to his house in Connecticut. Ferman remained editor for over 25 years, and published many well-received stories, including Fritz Leiber's "Ill Met in Lankhmar", Robert Silverberg's "Born with the Dead", and Stephen King's The Dark Tower series. In 1991, he turned the editorship over to Kristine Kathryn Rusch, who began including more horror and dark fantasy than had appeared under Ferman. In the mid-1990s, circulation began to decline; most American magazines were losing subscribers and F&SF was no exception. Gordon Van Gelder replaced Rusch in 1997, and bought the magazine from Ferman in 2001, but circulation continued to fall, and by 2011 it was below 15,000. Charles Coleman Finlay took over from Van Gelder as editor in 2015. Sheree Renée Thomas succeeded Charles Coleman Finlay, becoming the magazine's 10th editor in the fall of 2020.

The Magazine of Fantasy & Science Fiction was purchased in February 2025, along with Asimov's Science Fiction and Analog Science Fiction, by Must Read Books Publishing.

The first magazine dedicated to fantasy, Weird Tales, appeared in 1923; it was followed in 1926 by Amazing Stories, the first science fiction (sf) magazine. By the end of the 1930s, the genre was flourishing in the United States, nearly twenty new sf and fantasy titles appearing between 1938 and 1941. These were all pulp magazines, which meant that despite the occasional high-quality story, most of the magazines presented badly written fiction and were regarded as trash by many readers. In 1941, Ellery Queen's Mystery Magazine appeared, edited by Fred Dannay and focusing on detective fiction. The magazine was published in digest format, rather than pulp, and printed a mixture of classic stories and fresh material. Dannay attempted to avoid the sensationalist fiction appearing in the pulps, and soon made the magazine a success.

In the early 1940s Anthony Boucher, a successful writer of fantasy and sf and also of mystery stories, got to know Dannay through his work on the Ellery Queen radio show. Boucher also knew J. Francis McComas, an editor who shared his interest in fantasy and SF. By 1944 McComas and Boucher became interested in the idea of a fantasy companion to Ellery Queen's Mystery Magazine, and spoke to Dannay about it. Dannay was interested in the idea, but paper was scarce because of World War II. The following year Boucher and McComas suggested that the new magazine could use the Ellery Queen name, but Dannay knew little about fantasy and suggested instead that they approach Lawrence Spivak, the owner of Mercury Press, which published Ellery Queen's Mystery Magazine.

In January 1946, Boucher and McComas went to New York and met with Spivak, who let them know later in the year that he wanted to go ahead. At Spivak's request they began acquiring material for the new magazine, including a new story by Raymond Chandler, and reprint rights to stories by H.P. Lovecraft, John Dickson Carr, and Robert Bloch. Spivak initially planned the first issue (for which Boucher and McComas were proposing the title Fantasy and Horror) for early 1947, but repeatedly delayed the launch because of poor newsstand sales of digest magazines. He also suggested that it should be priced at 35 cents an issue, which was higher than the original plan, to provide a financial buffer against poor sales. In May 1949 Spivak suggested a new title, The Magazine of Fantasy, and in August a press release announced that the magazine would appear in October. On October 6, 1949, Spivak, Boucher and McComas held a luncheon at the Waldorf-Astoria in New York City to commemorate the 100th anniversary of the death of Edgar Allan Poe and to launch "a new fantasy anthology periodical". Invitees included Carr, Basil Rathbone, and Boris Karloff.

The first issue, published by Fantasy House, a subsidiary of American Mercury, sold 57,000 copies, which was less than Spivak had hoped for, but in November he gave Boucher and McComas the go-ahead for another issue. The title was changed to The Magazine of Fantasy and Science Fiction (almost always abbreviated to F&SF by both fans and science fiction historians) to reflect the contents. Sales of the second issue were strong enough for Spivak to commit further, and the magazine's future became more assured, despite the difficulties caused by the fact that both Boucher and McComas lived on the west coast, whereas the magazine's publishing offices were in New York. The publishing schedule moved to bimonthly with the December 1950 issue. The pay rate for the early issues was two cents per word, or $100 for short pieces, which was competitive with Astounding Science Fiction, the leading sf magazine of the day. By 1953 the rates had changed to three-and-a-half cents per word for stories under 3,000 words.

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