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Fender Telecaster Custom
Fender Telecaster Custom
Fender Telecaster Custom
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The Fender Telecaster Custom is a model of electric guitar made by Fender.[1] The Custom debuted at the 1959 NAMM Convention as a more ornate alternative to the standard Telecaster, with binding, a sunburst finish, and a rosewood fretboard option.[2] Following the introduction of Fender's Wide Range humbucker pickup, the Custom was redesigned to feature that new humbucker, rather than the single-coil, in the neck position, and new tone and volume controls for each pickup. This new version was launched alongside the similar Telecaster Deluxe in 1972 and found notable players including Keith Richards and Peter Buck, but neither guitar was popular and both were discontinued in 1981. Fender has since reissued the two models multiple times to take advantage of renewed interest in them that began in the 1990s.[2]

Key Information

History

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Original model (1959-1972)

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In 1958, Fender sought to add a more ornate version of the Telecaster to its lineup. The brand added binding to the body and offered a sunburst finish and rosewood fretboard as options, but otherwise maintained the original's core design. Fender debuted their new guitar model as the "Telecaster Custom" at the 1959 NAMM Convention.[2]

By the late 1960s, however, the popularity of single-coil pickups began to wane as rock music became heavier and guitarists increasingly favored humbucker pickups popularized by Gibson's guitars. Fender responded by hiring P.A.F. creator and former Gibson employee Seth Lover to design what would become Fender's Wide Range humbucker, which first appeared in the brand's semi-hollowbody Thinline model in 1971.[2]

Redesign (1972-1981)

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A popular modification of the Telecaster, especially among rock guitarists, was to route the body and alter the pickguard to accept a Gibson humbucker in the neck position, something popularized by Keith Richards with his own Telecaster, Micawber. Fender chose to replicate this mod with a revised Telecaster Custom model, using a Wide Range in the neck position and adding separate volume and tone controls for each pickup, along with a three-position toggle for pickup selection on the guitar's upper bout. This brought the Telecaster design closer to that of Gibson's popular Les Paul model.[2]

Fender launched their new Telecaster Custom in 1972 alongside the similar Telecaster Deluxe, which sported Wide Range humbuckers in both positions—making it even more similar to the Les Paul—and had a larger, CBS-era Stratocaster-style headstock. Few well-known players of the time picked up on the Custom, although Keith Richards (who used one as his main guitar from 1975 until 1983) and Peter Buck in the early years of R.E.M. were fans.[2]

Reissues

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Like the Deluxe, the Custom was subject to renewed interest among guitarists beginning in the 1990s. Fender Japan was the first to release a reissue of the Custom. Following the Japanese re-issue, Fender moved production to its Ensenada facility in Mexico. The higher-end Factory Special Run (FSR) editions of the guitar are made at the U.S.-based Fender Custom Shop. Both the Mexican and the Japanese versions featured a reissued version of the Fender Wide Range humbucking pickup, each of which differs fundamentally in construction from the original and results in a darker-sounding reissue pickup.

In 2010, the Fender Custom Shop released a limited issue of thirty '72 Telecaster Custom relics models, although substantial differences from the original remained. Fender released the American Vintage reissue '72 Telecaster Custom the following year, replicating the original '72 design features such as the three-bolt neck and the classic look, with improved construction and quality.

Squier also has a Telecaster Custom model as part of their Vintage Modified series. It is essentially an affordable hybrid design that takes features from both the Telecaster Custom and Telecaster Deluxe. The Squier Telecaster Custom II uses two Seymour Duncan-designed P-90 pickups instead of humbuckers.

Notes

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References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Fender Telecaster Custom

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from Grokipedia
The Fender Telecaster Custom is a solid-body model produced by Fender Musical Instruments Corporation, first introduced in 1959 as an upscale variant of the iconic Telecaster featuring a bound body, fingerboard, and three-ply pickguard for enhanced aesthetics and playability. Priced at $229.50 upon release—compared to $199.50 for the standard Telecaster—it was designed to appeal to players seeking a more refined instrument while retaining the Telecaster's legendary twangy tone from its single-coil pickups. In 1972, following the discontinuation of the original model, Fender reintroduced the Telecaster Custom with significant upgrades, including a Lover-designed Wide Range humbucking pickup in the neck position alongside the traditional single-coil bridge pickup, four skirted black control knobs, and an elongated pickguard for greater tonal versatility that blended classic Tele snap with thicker, humbucker-driven sustain. This evolution addressed the growing demand in the and 1970s for guitars capable of handling and styles, incorporating a bullet for improved stability, a three-screw neck plate with tilt adjustment, and gloss urethane finishes on a slab body. The 1972 version remained in production until 1981, after which it saw various reissues, including Fender Japan's 1986 model and the Classic Series ’72 Telecaster Custom in 1999, with modern iterations like the American Vintage II 1977 Telecaster Custom featuring an body, round-laminated rosewood fingerboard, Pure Vintage '77 single-coil bridge pickup, and CuNiFe Wide-Range for authentic period tone. The Telecaster Custom's significance lies in its role as a bridge between the utilitarian Telecaster design and more luxurious, versatile instruments like Gibson's Les Paul, influencing genres from rock to country through its hybrid electronics and ergonomic updates such as the 25.5-inch scale length and "C"-shaped maple neck profile. Notable players have included Keith Richards of the Rolling Stones, who favored its punchy humbucker for rhythm work; The Edge of U2, utilizing its clarity in layered soundscapes; Peter Buck of R.E.M.; and Win Butler of Arcade Fire, underscoring its enduring appeal across decades of music history. Today, Fender continues to produce Custom Shop and reissue versions, such as the Jason Isbell signature model with a double-bound body and mid-'60s "C" neck, maintaining its status as a collector's favorite and stage staple priced from around $1,499 to over $2,500 depending on the edition.

Design and Features

Body and Construction

The Fender Telecaster Custom features a solid-body construction that closely mirrors the standard Telecaster design but includes distinctive refinements for enhanced aesthetics and durability. In its original iteration from 1959 to 1972, the body was typically crafted from alder, selected for its balanced tonal properties and workability, though ash was used for models with translucent finishes like blonde to showcase the wood's grain. This two-piece body construction maintained the classic slab shape with minimal contours, measuring approximately 17 inches in length, 13 inches in width at the lower bout, and 1.75 inches in depth, ensuring a familiar ergonomic profile for players. A key distinguishing feature was the introduction of cream or white binding along the top and back edges in 1959, applied to protect against wear and add visual elegance, setting the Custom apart from the unbound standard Telecaster, along with a three-ply mint green pickguard. The primary finish was 3-Tone , applied in a gloss that highlighted the binding and provided a premium appearance, though custom opaque colors were available upon request. This bound design slightly increased the body's overall weight—typically around 7 to 8 pounds when fully assembled—contributing to a stable, balanced feel during play without compromising the guitar's renowned lightweight playability and resonance. The 1972 redesign shifted to an unbound slab body, retaining or as the core materials for consistency in tone and construction while simplifying production, along with an elongated pickguard. Finishes expanded to include and alongside the standard , all in gloss urethane for added durability and a smoother surface. These changes preserved the original dimensions and contours, ensuring comparable weight distribution and ergonomic comfort, with the absence of binding resulting in a marginally lighter body that emphasized the Telecaster's straightforward, player-focused design.

Neck and Fretboard

The Fender Telecaster Custom employs a bolt-on neck design, providing a characteristic snap and clarity to its tone while allowing for straightforward maintenance and replacement. This construction was consistent across all production eras of the model. The scale length measures 25.5 inches (648 mm), a standard specification for Fender Telecaster guitars that contributes to the instrument's balanced string tension and playability. Fretboard options for the original 1959–1972 model included , either as a slab board for early examples or a veneer over the maple in later variants, offering a bright, responsive feel under the fingers. was introduced as a fretboard material in 1959 specifically for the Telecaster Custom, prized for its smoother surface and slightly warmer tonal response compared to maple. These boards were typically slab-cut in the initial years, enhancing durability and visual appeal with their distinct grain patterns. The 1972 redesign retained these fretboard choices but shifted toward more consistent or veneers to align with evolving Fender production standards. The guitar features 21 frets as standard throughout its production, enabling access to higher notes without compromising the compact Telecaster body design. In the original era, frets were typically vintage-style with a narrower profile for a feel, while the 1972–1981 redesign adopted medium jumbo frets, which provided greater durability and ease of bending for players adapting to heavier string gauges. The maintains the iconic small, asymmetrical Telecaster shape, decorated with a "Fender" logo in various scripts over time—from block lettering in the late to more stylized versions by the . Serial numbers evolved from stamped formats on the four-screw neck plate in the original model to similar plating in the redesign, with occasional headstock decals appearing in transitional years for tracking. For neck stability, the original 1959–1972 Telecaster Custom used a four-screw bolt-on joint with access via a nut at the end, allowing adjustments from the playing position. The 1972 redesign introduced a three-screw plate with micro-tilt adjustment capability, paired with a bullet-style accessible at the , which improved setup precision and resistance to environmental changes. These and specifications ensured reliable intonation and action across varying humidity levels common to the era's manufacturing.

Pickups and Electronics

The original Fender Telecaster Custom featured two single-coil pickups, both utilizing V magnets, with the bridge pickup equipped with an ashtray-style cover for protection and tonal damping. These pickups delivered the classic Telecaster snap and clarity, with the 3-way toggle switch allowing selection of bridge, both, or positions, complemented by two controls (one for each pickup) and a shared tone control to enable blending and shaping. The electronics employed standard 250kΩ potentiometers and a 0.047µF tone , contributing to a responsive circuit with moderate suited for bright, articulate tones. In the 1972 redesign, the bridge retained its single-coil configuration for continuity, while the neck position was upgraded to a , which incorporated CuNiFe magnets to minimize hum and provide a fuller, more versatile sound compared to traditional single-coils. This hybrid setup offered expanded tonal options, with the bridge pickup maintaining its signature bright, twangy character—ideal for country and rock leads—while the neck added warmth and sustain for work and jazz-inflected playing. The wiring scheme shifted to separate volume and tone controls for each pickup, paired with a 3-way toggle switch, allowing independent adjustment and reducing interaction between elements for cleaner signal paths; the same 250kΩ pots and 0.047µF were retained as standard components. Overall, these electronics emphasized the guitar's evolution toward greater versatility without sacrificing its core Telecaster bite.

Hardware and Controls

The bridge on the Fender Telecaster Custom is a fixed string-through-body design typical of Telecaster models, featuring three saddles for basic intonation adjustment across all strings. These saddles are typically made of rods, providing a bright, twangy tone characteristic of the instrument, with the bridge plate constructed from stamped for and transfer. Tuning machines on the original Telecaster Custom models employed Kluson-style open-gear tuners, often stamped with an "F" logo, offering reliable 18:1 gear ratios for precise tuning while maintaining a aesthetic. In later iterations of the redesign period, these evolved to include sealed tuners for improved stability and reduced slippage under string tension. The control plate configuration in the redesigned Telecaster Custom features a four-knob layout mounted directly on the black pickguard, consisting of separate volume and tone controls for the and bridge pickups, complemented by a three-way toggle switch for pickup selection. This setup allows for versatile blending and tonal shaping, with the plate itself serving primarily as the mounting point for the output jack in a rear-positioned . The nut is constructed from synthetic bone or plastic material, measuring 1.65 inches (42 mm) in width to accommodate standard tuning and comfortable playability across the fretboard. This dimension supports the model's slim neck profile without compromising string spacing or action stability. Strap buttons are positioned in a standard Telecaster arrangement, with the lower button near the bridge for secure attachment and the upper button at the neck heel to promote balanced weight distribution during performance. The output jack is located on the rear control plate, facilitating easy cable connection while minimizing interference with playing ergonomics.

History

Original Model (1959–1972)

The Fender Telecaster Custom debuted in 1959 as a premium iteration of the standard Telecaster, designed to target an upscale market with enhanced aesthetics while preserving the model's core simplicity and tonal character. Introduced in mid-1959, it featured a double-bound alder body in a three-tone sunburst finish, a rosewood fretboard, and a three-ply mint green pickguard—innovations that marked the first use of binding and rosewood on a Telecaster platform. Priced at $229.50 upon launch, the Custom was positioned $30 above the standard Telecaster's $199.50 list price, justifying its elevated status through handcrafted details assembled at Fender's facility. Its design drew inspiration from the bound-body aesthetics of Gibson models, adding elegant white binding to the body edges for a more refined appearance without altering the Telecaster's straightforward construction or two single-coil pickup configuration. Production remained limited throughout its run from 1959 to 1972, resulting in a relatively small number of units that contributed to the model's rarity today. The Telecaster Custom received positive market reception as a sophisticated upgrade to the utilitarian standard model, appealing particularly to session musicians who valued its polished look alongside the instrument's signature bright, versatile tone. This combination of visual appeal and unaltered Telecaster performance helped it carve a niche among professionals seeking distinction on stage and in studios during the late 1950s and 1960s.

Redesign (1972–1981)

In 1972, Fender launched a redesigned Telecaster Custom as a solidbody equipped with the innovative Wide Range pickup in the position, alongside the introduction of the Telecaster Deluxe, to directly compete with the thicker, humbucking tones of Gibson models like the . The Wide Range , developed by former Gibson engineer and utilizing unique CuNiFe magnets, aimed to blend Fender's signature clarity and twang with reduced hum and greater sustain. Manufactured at Fender's factory under ownership—which had acquired the company in —the redesigned Custom reflected the era's push for higher production volumes to capitalize on expanding demand for electric guitars amid the rock boom. The model retained the traditional single-coil bridge pickup but introduced significant updates, including an elongated pickguard that covered both pickups, a four-knob control setup with independent volume and tone controls for each pickup, and a three-way toggle switch relocated to the upper bout for easier access. Finish options expanded to include , , , and , with the latter providing a transparent-like depth over the body. The redesign achieved modest commercial success, with production continuing through 1981 and gaining visibility through endorsements by prominent rock artists such as of . However, integrating the Wide Range into the Telecaster's architecture posed technical challenges, including the lack of coil-splitting functionality—which limited versatility between single-coil and humbucking modes—and difficulties in fully replicating the warm, midrange-heavy response of Gibson's PAF humbuckers, leading some players to favor the model's single-coil heritage over its hybrid ambitions.

Discontinuation and Legacy

The Fender Telecaster Custom was discontinued in 1981, along with the Telecaster Deluxe, as part of broader changes during the era that emphasized cost-cutting and streamlined production. This decision reflected shifting market preferences toward Stratocasters and the rising popularity of designs, which offered greater versatility for the and metal scenes emerging in the late 1970s and early , diminishing demand for humbucker-equipped Telecaster variants like the Custom. In the 1980s, as Fender's overall quality reputation declined under ownership—marked by cost-saving measures such as altered materials and manufacturing processes— Telecaster experienced a surge in value among collectors seeking authentic pre-decline instruments. These guitars became prized for their and superior build relative to later output, with original 1970s models commanding premium prices in the burgeoning market. Culturally, the Telecaster Custom symbolized the instrument's evolution from its twang origins to rock versatility, blending the classic single-coil bridge tone with warmth to bridge genres and influence hybrid guitar designs. Its adoption by rock icons highlighted this transition, paving the way for Telecasters to expand beyond traditional applications into broader innovation. Prior to reissues, many players modified Telecaster Customs by retrofitting aftermarket humbucking pickups, particularly in the neck position, to enhance sustain and reduce hum for stage use. The model's discontinuation also impacted Fender's lineup by solidifying the integration of humbuckers into Telecaster designs, as seen in parallel developments like the semi-hollow Thinline (with a single humbucker in the neck) and the solid-body Deluxe (with dual humbuckers).

Reissues and Variants

Japanese and International Reissues

initiated the revival of the Telecaster Custom outside the with the introduction of the Telecaster Custom '72 in , marking the first reissue of the model and closely adhering to the original 1972 specifications under licensed production. This version featured a solid body, a bolt-on neck with a choice of or fingerboard, a 7.25-inch radius, 21 frets, and the signature electronics including a Wide Range in the position paired with a single-coil bridge pickup, along with an elongated black pickguard, four skirted control knobs, a three-way toggle switch, and a three-screw plate with a bullet . Production continued through 1998, emphasizing affordability and accessibility for international markets while maintaining the model's distinctive humbucker-equipped tone for versatile playability. Building on the Japanese efforts, Fender Mexico expanded the reissue lineup with the Classic Series '72 Telecaster Custom starting in 1999, produced at the Ensenada factory to further democratize the design for global audiences. This model utilized an body for tonal balance, a bolt-on neck with options for , pau ferro, or fretboards, a 7.25-inch radius, 21 medium jumbo frets, and the same SH pickup configuration featuring the faithful Wide Range and single-coil setup, complemented by a string-through three-saddle bridge and gloss polyester finish. Available in finishes like three-color , , and walnut stain, it was manufactured from 2000 to 2018, offering enhanced modern playability through consistent quality control while using cost-effective materials to keep retail prices accessible, typically in the range that broadened the model's appeal beyond premium U.S. offerings. These international reissues played a key role in sustaining the Telecaster Custom's legacy, introducing its bold, humbucker-driven sound to diverse players worldwide at entry-to-mid-level price points without compromising core design elements.

Custom Shop and Modern Versions

The has produced '72 Telecaster Custom reissues, featuring finishes and aged hardware to replicate the vintage aesthetic and playability of the original 1972 model. These models emphasize handcrafted details, including a select body and a neck with a 'U'-shaped profile, commanding prices exceeding $3,000 due to their relic treatment and premium materials. In 2011, Fender's American Vintage series offered an accurate recreation of the 1972 Telecaster Custom, incorporating period-correct specifications such as an body, a with a 7.25-inch , and the iconic Wide Range in the position paired with a single-coil bridge pickup. This model replicated the solid-body design of the era while providing modern reliability, with the Wide Range delivering a balanced tone blending single-coil clarity and humbucking warmth. Contemporary updates to the Telecaster Custom from 2004 include the Custom Telecaster FMT HH, with ongoing production and refinements into the 2020s, which features a body topped with a carved veneer, cream binding, and dual '59 humbuckers for versatile humbucking tones with coil-tap options. Collection in 2025 extended Custom elements to high-end Telecasters, such as the Prestige Custom Telecaster incorporating exotic wood tops and custom aging for enhanced resonance and visual appeal, priced at $12,675 MSRP. Production innovations in modern Telecaster Customs emphasize stability and reduced noise, including roasted pine bodies that undergo thermal processing to minimize moisture absorption and improve resistance to environmental changes. Some hybrid variants integrate to eliminate hum while preserving classic tone in configurations blending Custom-style electronics with contemporary bodies. In the American Vintage II series, the 1972 Telecaster Custom reissue features an alder body, 'U'-shaped maple neck, and CuNiFe Wide-Range humbucker for authentic tone. Limited editions enhance the collectibility of modern Telecaster Customs, exemplified by the 2025 Chicago Special, a Custom Shop exclusive with super-aged finishes, specialized shellac-potted pickups, and NOS hardware, typically fetching $4,000 to $6,000 on the due to its low production run and dealer-specific detailing.

Notable Users and Cultural Impact

Classic Players

of adopted a 1975 black Fender Telecaster Custom as his primary standard-tuning guitar starting during the band's 1975 Tour of the Americas, using it extensively for rhythm parts on the 1978 album and subsequent tours through the early 1980s. The guitar's Wide Range in the neck position provided the warmth and sustain Richards sought for rock rhythms, blending the Telecaster's signature twang with fuller, Les Paul-like tones that suited the Stones' evolving sound. On stage, Richards often modified his setup for playability, incorporating custom adjustments by Ted Newman Jones, though he retained the stock electronics for their versatile output. The Edge of U2 has utilized Fender Telecaster Customs, including 1960s models, for their clear, articulate tones in layered guitar arrangements, notably during tours and recordings in the 1980s and beyond, contributing to U2's signature atmospheric soundscapes. Peter Buck, guitarist for R.E.M., relied on a black 1970s Fender Telecaster Custom during the band's formative years, notably for the clean, jangly arpeggios that defined the 1983 album Murmur and helped shape alternative rock's sonic landscape. Buck favored the guitar's stock configuration, pairing its single-coil bridge pickup with the neck humbucker to achieve bright, chiming tones through Fender amps, avoiding heavy modifications to preserve its unadorned clarity. This approach amplified the Telecaster Custom's role in indie and college rock scenes, where its hybrid voicing supported intricate, atmospheric riffing. In the 1970s, session virtuoso incorporated the Telecaster Custom into his studio work, leveraging its dual-pickup setup for hybrid tones that merged country fingerpicking precision with rock drive during recordings with artists like and . Lee's use highlighted the model's adaptability for professional sessions, where the humbucker's warmth complemented the bridge pickup's bite for versatile, high-fidelity performances. The endorsements and applications by Richards, , Buck, and during the 1970s and 1980s expanded the Telecaster Custom's reputation beyond its origins, establishing it as a credible instrument for rock and alternative genres through its tonal flexibility and stage reliability.

Modern Players and Influence

In the 21st century, the Fender Telecaster Custom has maintained its relevance through adoption by influential guitarists across diverse genres, from to Americana and , often leveraging reissues and signature models for their blend of classic tone and updated ergonomics. of the has continued to employ his 1960 Fender Telecaster Custom extensively in the and 2020s, particularly for melodic solos that integrate seamlessly with effects pedals like overdrive and delay to produce ethereal, layered sounds in live settings and studio recordings. Custom Shop reissues inspired by Frusciante's instrument, such as heavy relic versions from the , have popularized this setup among players seeking similar vintage-inspired versatility. In the 2020s, the model's ergonomic updates and tonal flexibility have appealed to experimental artists, exemplified by its use in setups that push boundaries with unconventional pedal chains and amplified textures. of has incorporated the Telecaster Custom for its versatile tones in the band's indie rock arrangements, enhancing their dynamic live performances and recordings. Meanwhile, Jason Isbell's 2021 Fender Custom Shop signature Telecaster Custom—featuring a road-worn chocolate burst finish and mid-'60s neck profile—has become a staple in modern Americana, enabling nuanced phrasing in solo work and band performances with the 400 Unit. The Telecaster Custom's influence has expanded into punk revival and modern country realms; for instance, of has used it for driving rhythms and solos in contexts. In country, prominently wielded an American Vintage II '77 Telecaster Custom for his raw, emotive rendition of "The Star-Spangled Banner" at in 2023, paired with a signature '62 Princeton amp to deliver piercing leads and clean articulation. Culturally, the Telecaster Custom embodies a fusion of heritage and modern innovation, as highlighted in the 2025 Masters of the Telecaster guitar camp and performance series, where artists like and Guthrie Trapp demonstrated its enduring appeal through workshops and concerts focused on Tele-specific techniques. This ongoing endorsement by high-profile players has elevated its collectible status, with resale values for reissues and examples rising notably since 2020 amid heightened demand on secondary markets.

References

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  45. https://www.youtube.com/watch?v=ok-5TypTtCU
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  48. https://equipboard.com/pros/alex-turner-arctic-monkeys
  49. https://todaysbestcountry.com/stapletons-secret-weapons-for-his-super-bowl-performance/
  50. https://mastersofthetelecaster.org/
  51. https://reverb.com/p/fender-telecaster-custom
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