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Fender Twin AI simulator
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Fender Twin AI simulator
(@Fender Twin_simulator)
Fender Twin
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone.[citation needed]
The Twin has seen a number of revisions since its introduction, both internal and external, with its designs sometimes varying greatly from one year to the next. Several variations on the amp's original design have been produced through the years, including the Twin Reverb, the Super Twin, the Twin Reverb II, the Twin Reverb '65 Reissue and the Twin Reverb 68’ Custom Reissues. The Cyber Twin, which combined a tube amp with a digital processor, was introduced in January 2001.
Many notable musicians have used Fender Twin amplifiers, including Mark Knopfler, David Gilmour, Chuck Berry, Buddy Holly, George Tomsco of The Fireballs, Mike Oldfield, The Beatles (1968 Twin Reverb amps using the AC568 circuit), Jimi Hendrix, Eric Clapton, Peter Green, Jeremy Spencer, Danny Kirwan, Keith Richards, Mick Taylor, Steve Jones (Sex Pistols), Jerry Garcia (Grateful Dead), Eric Johnson, Joe Bonamassa, Junior Brown, Kurt Cobain and Tommy Emmanuel.
The Fender Twin has gone through a number of changes over the years, both cosmetically and electronically.
The original version was an all-tube combo amplifier with dual 12" speakers and two 6L6 tubes for a rated output of 25 watts.
After the preceding looks of the early 1950s (TV front from 1950 to 51/2; wide panel '52–54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.
The early models of the larger "narrow-panel" tweeds are also remarkable for their refined electronics whose circuit design incorporated dual 5U4 rectifiers in the Twin and Bassman models, another improvement given Fender's quest for a louder, cleaner amplifier. The entire line of Fender amplifiers from 1955 to 1959 (later for smaller models and Bassman) was uniform in this look—tweed or "airline linen" covering with a maroon with gold stripe woven saran grill cloth. The 1×12 Deluxe-Amp, the 1×15 Pro-Amp and the 3×10 Bandmaster are exceptional in dynamics and tone.
Like its predecessors, the narrow panel tweed Fender amplifiers used Jensen Alnico V Concert Series Speakers, for the most part. By the end of the decade, a JBL 15" speaker was available on special order for the Pro model.
Fender Twin
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone.[citation needed]
The Twin has seen a number of revisions since its introduction, both internal and external, with its designs sometimes varying greatly from one year to the next. Several variations on the amp's original design have been produced through the years, including the Twin Reverb, the Super Twin, the Twin Reverb II, the Twin Reverb '65 Reissue and the Twin Reverb 68’ Custom Reissues. The Cyber Twin, which combined a tube amp with a digital processor, was introduced in January 2001.
Many notable musicians have used Fender Twin amplifiers, including Mark Knopfler, David Gilmour, Chuck Berry, Buddy Holly, George Tomsco of The Fireballs, Mike Oldfield, The Beatles (1968 Twin Reverb amps using the AC568 circuit), Jimi Hendrix, Eric Clapton, Peter Green, Jeremy Spencer, Danny Kirwan, Keith Richards, Mick Taylor, Steve Jones (Sex Pistols), Jerry Garcia (Grateful Dead), Eric Johnson, Joe Bonamassa, Junior Brown, Kurt Cobain and Tommy Emmanuel.
The Fender Twin has gone through a number of changes over the years, both cosmetically and electronically.
The original version was an all-tube combo amplifier with dual 12" speakers and two 6L6 tubes for a rated output of 25 watts.
After the preceding looks of the early 1950s (TV front from 1950 to 51/2; wide panel '52–54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.
The early models of the larger "narrow-panel" tweeds are also remarkable for their refined electronics whose circuit design incorporated dual 5U4 rectifiers in the Twin and Bassman models, another improvement given Fender's quest for a louder, cleaner amplifier. The entire line of Fender amplifiers from 1955 to 1959 (later for smaller models and Bassman) was uniform in this look—tweed or "airline linen" covering with a maroon with gold stripe woven saran grill cloth. The 1×12 Deluxe-Amp, the 1×15 Pro-Amp and the 3×10 Bandmaster are exceptional in dynamics and tone.
Like its predecessors, the narrow panel tweed Fender amplifiers used Jensen Alnico V Concert Series Speakers, for the most part. By the end of the decade, a JBL 15" speaker was available on special order for the Pro model.
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