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Fielder Cook
Fielder Cook
from Wikipedia

Fielder Cook (March 9, 1923 – June 20, 2003) was an American television and film director, producer, and writer whose 1971 television film The Homecoming: A Christmas Story spawned the series The Waltons.

Key Information

Biography and career

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Born in Atlanta, Georgia, Cook graduated with honor with a Bachelor of Arts degree in Literature from Washington and Lee University, then studied Elizabethan Drama at the University of Birmingham in England. He returned to the United States and began his career in the early days of television, directing many episodes of such anthology series as Lux Video Theater, The Kaiser Aluminum Hour, Playhouse 90, Omnibus, and Kraft Television Theatre. In later years, he directed the television movies Judge Horton and the Scottsboro Boys, A Love Affair: The Eleanor and Lou Gehrig Story, Gauguin the Savage, Family Reunion, I Know Why the Caged Bird Sings, Will There Really Be a Morning?, and others; adaptations of The Philadelphia Story, Harvey, Brigadoon, Beauty and the Beast, The Price, Miracle on 34th Street, and The Member of the Wedding; and episodes of Ben Casey, The Defenders, and Beacon Hill.

Cook's credits for feature films include A Big Hand for the Little Lady, How to Save a Marriage and Ruin Your Life (1968), Prudence and the Pill (1968, co-director), From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973), Eagle in a Cage, and Seize the Day.

Cook died in Charlotte, North Carolina from complications from a stroke.[citation needed]

Selected filmography

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Awards and nominations

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  • 1959 9th Berlin International Film Festival Golden Bear Award (Home Is the Hero, nominee)[1]
  • 1963 Emmy Award for Outstanding Directorial Achievement in Drama (Big Deal in Laredo on The DuPont Show of the Month, nominee)
  • 1967 Emmy Award for Outstanding Directorial Achievement in Variety or Music (Brigadoon, winner)
  • 1967 Emmy Award for Outstanding Musical Program (Brigadoon, winner)
  • 1969 Emmy Award for Outstanding Directorial Achievement in Drama (Teacher, Teacher on Hallmark Hall of Fame, nominee)
  • 1971 Emmy Award for Outstanding Directorial Achievement in Drama (The Price on Hallmark Hall of Fame, winner)
  • 1972 Emmy Award for Outstanding Directorial Achievement in Drama (The Homecoming: A Christmas Story, nominee)
  • 1976 Emmy Award for Outstanding Directing in a Drama Series (Beacon Hill, nominee)
  • 1977 Emmy Award for Outstanding Directing in a Special Program (Judge Horton and the Scottsboro Boys, nominee)
  • 1987 Sundance Film Festival Grand Jury Prize for Drama (Seize the Day, nominee)

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Fielder Cook (March 9, 1923 – June 20, 2003) was an American television and film director known for his influential work in early live television drama and acclaimed television movies. He began his career in the early days of television in 1950, directing for Lux Video Theatre and becoming a prominent figure in anthology series such as Kraft Television Theatre, Playhouse 90, and The United States Steel Hour, where he earned a reputation as one of the medium's most respected craftsmen. Born James Fielder Cook in Atlanta, Georgia, he grew up in Tampa, Florida, graduated from Washington and Lee University, and served as an officer in the Navy before transitioning to directing. His Emmy-winning contributions extended to notable television films including The Homecoming: A Christmas Story—the pilot for The Waltons—and various Hallmark Hall of Fame presentations, alongside feature films that showcased his versatile storytelling. Cook's work bridged the golden age of live TV and the era of made-for-television movies, leaving a lasting impact on American broadcasting until his death on June 20, 2003, at age 80.

Early life and education

Early years and background

James Fielder Cook was born on March 9, 1923, in Atlanta, Georgia, to Dr. George Lindsey Cook and Marion Fielder Cook. He was a graduate of The McCallie School in Chattanooga, Tennessee. He was raised in Tampa, Florida. Limited information is available about his early childhood experiences or specific family influences during this period.

Education

Fielder Cook graduated cum laude with a Bachelor of Arts degree in Literature from Washington and Lee University. After completing his university education, he served as an ensign in the United States Navy during World War II.

Career

Entry into television directing

Fielder Cook entered television directing in the early 1950s after returning from England, where he studied Elizabethan drama at the University of Birmingham following his World War II service in the U.S. Navy. Choosing the emerging medium of television over traditional theater, he began his professional directing career with Lux Video Theatre in 1950, marking his initial entry into live television production. He soon directed episodes for prominent live anthology series such as Kraft Television Theatre and The Kaiser Aluminum Hour, contributing to the golden age of live dramatic programming in New York City. These early assignments established his reputation in the industry, where the fast-paced rehearsal and broadcast cycle mirrored theatrical production. Cook's foundational work in these programs led to opportunities on more prestigious anthologies like Playhouse 90.

Anthology series and early television work

Fielder Cook emerged as one of the key directors during the Golden Age of Television, particularly in the realm of live anthology dramas of the 1950s and early taped productions into the 1960s. He began his directing career in 1950 with episodes of Lux Video Theatre and went on to helm productions for Kraft Television Theatre and The Kaiser Aluminum Hour. A landmark early achievement was his direction of Rod Serling's Patterns on Kraft Television Theatre in January 1955, a live broadcast that explored corporate power struggles and received critical praise for its superb performances and Cook's fluid staging. This production helped solidify his reputation in live television. Cook contributed to several prominent anthology series, directing episodes of Playhouse 90, including the 1960 Rod Serling drama In the Presence of Mine Enemies, which was commended for its sustained suspense and compassionate handling of a sensitive wartime story. He also directed for Omnibus during this period. In the 1960s, his work extended to ongoing dramatic series, where he directed episodes of the medical drama Ben Casey and the courtroom series The Defenders. He directed the 1959 television adaptation of Philip Barry's The Philadelphia Story. Cook also directed the 1966 ABC television adaptation of Brigadoon, serving as both director and producer for the musical special. Later in the 1970s, he directed episodes of the dramatic series Beacon Hill. Many of these productions earned industry recognition, including Emmy Awards for specific works.

Major television movies and specials

Fielder Cook established himself as a prominent director of made-for-television movies and high-profile specials, with several prestigious entries in the Hallmark Hall of Fame anthology series. He helmed Teacher, Teacher (1969) and The Price (1971), both Hallmark Hall of Fame productions, earning an Emmy nomination for the former and winning an Emmy Award for outstanding directing on the latter, an adaptation of Arthur Miller's play. One of his most influential works was the 1971 CBS special The Homecoming: A Christmas Story, a heartwarming family drama that served as the backdoor pilot for the long-running series The Waltons. In the 1970s, Cook continued with notable adaptations, including Miracle on 34th Street (1973), Judge Horton and the Scottsboro Boys (1976, earning an Emmy nomination for directing), and Beauty and the Beast (1976). His later television movies frequently drew from biographical and literary sources, such as A Love Affair: The Eleanor & Lou Gehrig Story (1978), I Know Why the Caged Bird Sings (1979, based on Maya Angelou's autobiography), Gauguin the Savage (1980), Family Reunion (1981), Will There Really Be a Morning? (1983, depicting the life of actress Frances Farmer), and his final directing credit, The Member of the Wedding (1997), a remake of Carson McCullers' novel starring Anna Paquin and Alfre Woodard.

Feature films

Fielder Cook directed a limited number of theatrical feature films during his career, which otherwise focused primarily on television. His theatrical work included adaptations and original stories, often featuring prominent actors, though it remained secondary to his extensive television output. He directed A Big Hand for the Little Lady (1966), a comedy-Western adapted from a teleplay, starring Henry Fonda as a gambler drawn into a high-stakes poker game in a frontier town, alongside Joanne Woodward and Jason Robards. In 1968, Cook helmed How to Save a Marriage and Ruin Your Life, a romantic comedy starring Dean Martin as a man whose attempts to help a friend backfire. That same year, he co-directed Prudence and the Pill with Ronald Neame, a British comedy about a contraceptive mix-up affecting multiple couples, featuring Deborah Kerr and David Niven. Cook's later feature credits included Eagle in a Cage (1972), a historical drama depicting Napoleon Bonaparte's exile on Saint Helena, with John Gielgud in the lead role. He also directed From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973), an adaptation of E. L. Konigsburg's novel about children discovering secrets in a museum, starring Ingrid Bergman.

Awards and recognition

Emmy Awards

Fielder Cook won two Primetime Emmy Awards in 1967 for his direction of the ABC television production of Brigadoon. He received the award for Outstanding Directorial Achievement in Variety or Music, recognizing his work in directing the musical special. The production also earned Outstanding Musical Program that same year, with Cook credited as director. In 1971, Cook earned another Emmy for Outstanding Directorial Achievement in Drama for his direction of The Price, presented as part of the Hallmark Hall of Fame anthology series on NBC. This award highlighted his skill in adapting Arthur Miller's play for television, featuring strong performances from George C. Scott and others. These wins underscored Cook's prominence in directing both musical and dramatic television specials during the 1960s and 1970s.

Other nominations and honors

Fielder Cook received several nominations from the Primetime Emmy Awards for his directing in television productions. He earned a nomination for Outstanding Directorial Achievement in Drama for the episode "Big Deal in Laredo" on The DuPont Show of the Week in 1963. In 1969, he was nominated in the same category for Teacher, Teacher on Hallmark Hall of Fame. Cook received another nomination for Outstanding Directorial Achievement in Drama for The Homecoming: A Christmas Story in 1972. He was nominated for Outstanding Directing in a Drama Series for Beacon Hill in 1976. In 1977, Cook earned a nomination for Outstanding Directing in a Drama Series for Judge Horton and the Scottsboro Boys. Beyond television, Cook's work garnered recognition at international film festivals. His 1959 feature film Home Is the Hero received a nomination for the Golden Bear at the 9th Berlin International Film Festival. His 1986 film Seize the Day was nominated for the Grand Jury Prize in the Dramatic category at the 1987 Sundance Film Festival.

Personal life and death

Personal life

Fielder Cook was raised in Tampa, Florida. He spent most of his adult life residing in New York City. In his later years, Cook lived in Charlotte, North Carolina. He was married to Katherine Belle Cook. He had two daughters, Rebecca Pitts of Suffern, New York, and Lindsey Roth of Dorset, England, as well as a sister named Mary. He was also survived by four grandchildren.

Death

Fielder Cook died on June 20, 2003, in Charlotte, North Carolina, at the age of 80. His death resulted from complications from a stroke. Obituaries noted that he had suffered a stroke prior to his passing, with family members confirming the cause to news outlets.

References

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