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Film... (TV programme)
Film... (TV programme)
Film... (TV programme)
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Film...
GenreFilm review
Directed byStephen Neal
Presented byJacky Gillott/Joan Bakewell/Iain Johnstone/Barry Norman/Frederic Raphael and others (1971–1972)
Barry Norman (1972–1998)
Iain Johnstone (1982)
Jonathan Ross (1999–2010)
Claudia Winkleman (2010–2016)
Danny Leigh (2010–2017)
Clara Amfo/Zoe Ball/Edith Bowman/Charlie Brooker/Ellen E Jones/Al Murray/Antonia Quirke and others (2017–2018)
Theme music composerBilly Taylor
Opening theme"I Wish I Knew How It Would Feel to Be Free" by Billy Taylor (1963)
Country of originUnited Kingdom
Original languageEnglish
Production
Executive producerJanet Lee
Production locationsStudio V, Broadcasting House
Running time30 minutes
Production companyBBC Studios
Original release
NetworkBBC One
Release16 November 1971 (1971-11-16) –
28 March 2018 (2018-03-28)
Related
The Film Review

Film '71 – Film 2018 is a British film review television programme, which was usually broadcast on BBC One. The title of the show changed each year to incorporate the year of broadcast until its cancellation in December 2018.[1]

Presenters and critics

[edit]

Early years

[edit]

The show was first broadcast on 16 November 1971 but it was only shown in the South East area of the UK under the title Film '71.[2] It was eventually shown in all areas of the UK in March 1976. The show was first hosted by several presenters, including Jacky Gillott, Joan Bakewell, Frederic Raphael, Iain Johnstone, and Barry Norman.[3]

Barry Norman (1972–1998)

[edit]
Barry Norman

Barry Norman became permanent host of the series in 1972.[3] For his first episode on Film 72, his first film review was of The Last Picture Show, while his first studio interviewees were Charlton Heston and James Stewart.[4] For much of his time on the show, "with Barry Norman" was appended to the show's title.[5]

Norman remained as host until 1998, except for a few months in 1982, when he was busy with other projects and Iain Johnstone returned as temporary host. Norman eventually left the show after signing a contract with BSkyB, with his last appearance being at the end of June 1998 hosting Film '98.[6]

With the series now described as the BBC's flagship cinema review, Norman's departure to Sky was said by The Guardian in 2002 to have been "seismic", and due to its nature and timing, his exit was described as being acrimonious. Norman said of the departure, "I honestly believe that if they had said to me, 'We would like you to work out your contract but then we don't want you any more,' they would have given me quite a big send off – at least they would have had a drinks party. But because I left at a time that was not convenient for them I became a non-person. Even on the last day, nobody called up to say, 'Good luck in your future life,' or even 'drop dead'." Of his reviewing style Norman said: "I always knew that nobody's right and nobody's wrong in criticism. The only thing I could do was to make sure that whatever I said was what I really believed."[7]

Jonathan Ross (1999–2010)

[edit]
Jonathan Ross

Jonathan Ross was chosen as the next host, and presented the show from 1999 until March 2010. Reflecting the change in host, the phrase "with Jonathan Ross" was appended to the show's title.

Ross began presenting the show as Film '99 in March 1999, on a contract reportedly worth £500,000 a year. Ross, described by the BBC as a long-time film buff and fan of cult movies, stated that he had dreamt of doing the job since childhood.[8]

To mark the turn of the millennium, the viewers of Film 99 voted in a poll to name their favourite film of the century, with the top 100 published by the BBC and with Star Wars coming top overall.[9] Following the millennium, the show switched from the two-digit format to using the full year in the title, i.e. Film 2000, Film 2001...

Film 2008 was briefly removed from the schedules during Ross's 12-week suspension from all BBC activities following the Sachsgate controversy.[10]

Ross presented the programme for the last time on 17 March 2010.[3][11] This came after he announced in January 2010 that he would not be renewing his BBC contract, with his BBC One chat show and BBC Radio 2 show both also finishing in July 2010.[12]

Claudia Winkleman (2010–2016)

[edit]
Claudia Winkleman

In October 2010, Claudia Winkleman took over as host of Film 2010 in a revamped format.[13] This saw the adoption of a live studio format and the introduction of a co-presenter, film journalist Danny Leigh. The first episode of Film 2010 with Claudia Winkleman aired on Wednesday 13 October at 10:45 pm.

Regular contributors also included film critics Catherine Bray, Chris Hewitt and Antonia Quirke.[14][15]

BBC Radio 5 Live's Mark Kermode had been tipped as a likely successor to Ross for the show.[3][12] However, in March 2010, Kermode said that he han't been contacted about hosting the show which he said "requires a mainstream sensibility",[16] and instead Winkleman was announced as a surprise choice for the presenter's role.[17][18]

Damon Wise of Empire feared that Winkleman's appointment represented a rejection of film knowledge as a requirement of a host for the show, and that it might foretell the demise of the series in the same manner as Top of the Pops, "another flagship BBC show that was allowed to slide out of existence."[19]

The Guardian stated, through her recent hosting of Sky Television's coverage of the Oscars, Winkleman had "proved both a passionate and engaging advocate of cinema," while her husband Kris Thykier is a film producer with credits on several mainstream releases.[3] She also presents a weekly arts show on BBC Radio 2 on Friday nights, which covers film.

When the programme returned for a new series in November 2012, it began being referred to in the titles as Film 2012 with Claudia Winkleman and Danny Leigh with Leigh now co-host alongside Winkleman.

Rotating presenters (2016–2018)

[edit]

In September 2016, Winkleman announced that she would be leaving the show.[20]

Following her departure, the show was hosted on rotation. Clara Amfo, Zoe Ball, Edith Bowman, Charlie Brooker, Al Murray and Antonia Quirke have all hosted at least twice.

Danny Leigh served as the resident film critic from 2010 to 2017. Following Leigh's departure, recurring critic Ellen E Jones became the new resident critic.[21]

Each show, the presenter and resident critic were joined by another established screenwriter or critic. These included: Peter Bradshaw, Rhianna Dhillon, Chris Hewitt, Larushka Ivan-Zadeh, Tim Robey, and Jason Solomons.

In December 2018 the BBC dropped the show and, despite a spokesperson promising "an enhanced offer for lovers of film", fans were still dismayed by the change.[22]

Music

[edit]

The theme music of the show was I Wish I Knew by Billy Taylor, which is also known in its vocal version I Wish I Knew How It Would Feel to Be Free, popularised by Nina Simone in a 1967 release. During short sequences of films being shown, incidental music would be played, often from a light jazz music style, known as hard bop.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Film... (TV programme)

View on Grokipedia
from Grokipedia
Film... is a British television programme dedicated to reviews and discussions, originally broadcast on BBC One from 1971 to 2018 and annually retitled to reflect the current year, such as Film 2018. The show featured weekly episodes covering new releases, interviews with actors and directors, and insights into the industry, initially airing late at night in the London area before achieving national screening. Launched as Film '71, the programme quickly became a staple of BBC arts programming under the long-term hosting of , who presented it for 26 series from Film 72 to Film 98, except for Film 82, bringing a relaxed and candid style to reviews and celebrity interviews. After Norman's departure to host a rival show on , the programme continued with a series of high-profile presenters, including for 11 years and for six years starting in 2010, alongside guest hosts like Zoë Ball and . By its final season in 2018, the show had reduced to five episodes amid fewer major cinematic releases, with the last edition presented by comedian . The cancelled Film... in late as part of a broader overhaul of its coverage, citing the need for a format better suited to the evolving landscape of cinema and streaming services, and announced plans for a new, multi-platform offering in 2019. Over its 46-year run, the programme played a key role in shaping public discourse in the UK, evolving from a traditional format to incorporate diverse voices and contemporary trends.

History

Launch and early years (1971–1972)

The British film review television programme Film... premiered on 16 November 1971 as a regional broadcast on , initially limited to the London and South East region of under the title Film '71. Aired weekly on Tuesday evenings, the show occupied a 30-minute slot dedicated to previewing and reviewing new cinematic releases, marking the BBC's entry into structured programming for a general audience. The debut episode, introduced by journalist and novelist Jacky Gillott, featured discussions on contemporary films, setting a tone of accessible analysis without academic pretension. In its inaugural season, Film '71 employed a rotating roster of hosts to bring diverse perspectives, with Gillott handling several early episodes that included interviews with actors and directors such as , , and , alongside other presenters such as . , a , joined as the primary presenter for Film '72 in 1972, bringing his straightforward critiques to the show. This multi-host approach allowed for varied styles, from Gillott's literary-inflected commentary to Norman's straightforward critiques, helping to build viewer engagement in the experimental phase. Production for the early episodes occurred in regional in , utilizing basic sets and film clips sourced from distributors to keep costs low while testing audience interest before any national rollout. The title Film '71, incorporating the broadcast year, established a longstanding convention that persisted through subsequent iterations, reflecting the programme's focus on timely releases. By the end of 1972, following its national expansion that year, the series had solidified its core elements as a national staple in BBC programming.

National expansion and title evolution (1973–1998)

Following its initial regional launch, the programme expanded to a national audience on in 1972. This shift allowed it to reach viewers across the , building on the foundation laid in the London and South East regions. By the mid-1970s, it had solidified its place in the national schedule, airing regularly on the main channel. The title evolved annually during this period, changing from Film '73 to Film '98 to incorporate the year of broadcast and convey a sense of currency and relevance. This rebranding practice, which began with the show's , helped maintain viewer interest by aligning the programme's identity with the passing years, while the core format of film reviews, , and interviews remained consistent. Barry Norman served as the primary presenter from 1972 onward, establishing a signature style that combined accessible analysis with enthusiasm for cinema. The sole exception occurred in 1982, when Norman was unavailable due to his commitments presenting the arts series Omnibus, and producer Iain Johnstone stepped in as host for the year. Johnstone, who had helped develop the programme, brought a producer's perspective to the screen during this interlude. Under Norman's stewardship, the show experienced growing viewership and cemented its status as the BBC's flagship film review programme. Its weekly broadcasts became a staple for audiences seeking informed commentary on new releases and industry developments, contributing to its enduring popularity through the late .

Final decades and cancellation (1999–2018)

Following the departure of long-time presenter in 1998, the programme continued its tradition of annual titling with Film '99, hosted initially by , and maintained this format through to Film 2018, adapting to changing landscapes while reviewing contemporary cinema releases. The series evolved amid multiple host transitions, which influenced its presentation style but preserved its core focus on and industry news. In 2018, the programme's final season consisted of just five episodes, airing weekly in March and covering select major releases such as and , before concluding on 28 March. This shortened run reflected broader shifts in BBC scheduling priorities, with the series having spanned 47 years since its 1971 debut as Film '71. On 28 December 2018, the announced the cancellation of the programme, stating it would not return for Film 2019 as part of a wider overhaul of its output. The broadcaster cited the need for alternative film review formats to better integrate with online platforms and radio content, aiming for a more consistent and multi-channel approach to coverage. This decision marked the end of a flagship series that had become a staple of British television .

Format and production

Programme structure and content

The BBC's Film... programme dedicated the core of each instalment to in-depth reviews of two to three new theatrical releases. These reviews were presented in a structured sequence, beginning with clips from the films followed by the presenter's analysis, ensuring a focused exploration of current cinema offerings. Episodes typically incorporated additional segments on , such as industry updates and trends, alongside interviews with directors, actors, and other key figures to provide insights into production processes and creative decisions. Occasional retrospectives on films offered historical context, highlighting influential works and their enduring impact on the medium. The critical approach prioritised balanced analysis that weighed against audience appeal and broader cultural significance, while strictly avoiding plot spoilers to respect viewers' experiences. Episodes were typically 30 minutes long, especially in later years. By , the series had reduced to five episodes, reflecting fewer major releases.

Broadcasting and technical production

The programme was produced by , with filming taking place at BBC facilities in , during its final seasons from to . Earlier production in the occurred at BBC Television Centre in . In the late and , production occurred at , which included a small TV studio for the programme. In later years, Film... occupied a Wednesday evening broadcast slot on , usually airing around 23:15 for its standard runtime, providing a late-night segment following prime-time programming. Occasional specials, such as Oscar previews or end-of-year compilations, led to schedule adjustments, sometimes shifting to earlier evening times or extended durations on or . Technical production relied on licensing short film clips from major distributors including Warner Bros., , and Universal, obtained through agreements that permitted their use for critical under provisions in . During the 2000s, the programme shifted from analogue tape-based recording—previously using formats like —to fully digital workflows, enabling faster and higher-quality integration of clips and graphics. This transition aligned with broader adoption of standards, reducing physical tape handling and improving turnaround times for weekly episodes.

Presenters

Barry Norman era (1972–1998)

joined the BBC's Film... programme as a presenter in 1972, initially co-hosting with others before taking over as the sole presenter from 1973 onwards. His review style blended a folksy, laid-back charm with authoritative insight, delivering critiques in an unpretentious manner that demystified cinema for mainstream viewers without condescension. This approach, characterized by his relaxed delivery and emphasis on entertainment value over elitism, helped establish the programme as a weekly staple for film enthusiasts across the . Norman's tenure saw only one interruption in 1982, when he was unavailable due to commitments on other projects, such as Omnibus; producer Iain stepped in to host Film 82 for the full year. Johnstone, a seasoned journalist, maintained the programme's format but brought a more straightforward presenting style during this period. A hallmark of Norman's on-screen persona was his signature phrase "And why not?", which originated as a satirical attribution by the ITV puppet show Spitting Image but was later adopted by Norman himself as an amiable nod to the implausible elements often found in films. This catchphrase, delivered with wry humour, underscored his accessible take on film criticism, encouraging audiences to embrace cinema's escapist joys. Over his 26-year run, Norman's influence extended beyond reviews, popularizing film discourse in British households and inspiring a generation to engage with movies critically yet enjoyably. Norman's departure in stemmed from a high-profile contract dispute with the during salary renegotiations, where BSkyB lured him with a more lucrative offer reportedly worth £350,000 annually; despite the BBC's efforts to retain him as a key figure, he accepted the move to launch a rival programme on the satellite channel. His final episode aired on 21 June , featuring a compilation of career and farewells that marked the end of an era for the show.

Jonathan Ross tenure (1999–2010)

assumed hosting duties for the BBC's long-running film review programme starting with the premiere episode of Film 99 on 24 March 1999, succeeding in a role that introduced a more humorous and accessible approach to . Known for his quick wit and populist appeal, Ross shifted the show's tone toward lighter, entertainment-focused segments, incorporating celebrity interviews and comedic commentary to engage a broader while reviewing new releases and industry trends. This style emphasized rapport with high-profile guests from the film world, often blending insightful discussions with playful banter, which helped revitalize the programme's viewership during awards seasons. Throughout his tenure, the programme maintained its tradition of annual title updates, evolving from Film 99 to Film 2010, while expanding coverage of major events like the Oscars and BAFTAs, including live red-carpet reports and behind-the-scenes glimpses that highlighted Ross's charismatic on-location presence. Comedic elements became a hallmark, with Ross frequently employing self-deprecating humor and satirical skits to dissect films, such as his mock reenactments of movie scenes or exaggerated critiques of blockbusters, fostering a more relaxed atmosphere compared to previous eras. These features not only entertained but also drew in younger viewers, solidifying the show's role as a key platform for film discourse in the UK. Ross's run faced a significant interruption in late 2008 due to the Sachsgate scandal, where he and left explicit voicemail messages on actor Andrew Sachs's phone during a Radio 2 broadcast; the suspended Ross without pay for 12 weeks starting 30 October 2008, causing him to miss several Film episodes until his return in January 2009. The incident, which sparked widespread media backlash and an investigation, led to stricter editorial guidelines at the but did not derail his overall hosting period. In January 2010, Ross announced his departure from the , stating the decision was motivated by a desire for new challenges rather than financial reasons, with his final episode airing on 17 March 2010 as part of Film 2010. The farewell broadcast featured reflective segments on his 11-year stint, underscoring his contributions to modernizing the programme through humor and engagement.

Claudia Winkleman period (2010–2016)

assumed the role of host for Film 2010 on 13 October 2010, succeeding in a revamped format that introduced live studio broadcasts and co-hosting with film critic Danny Leigh. This partnership emphasized team dynamics, with Leigh providing critical insights alongside Winkleman's engaging presence, marking the first time the programme featured dual hosts to facilitate more conversational analysis. Winkleman, the first female presenter in the show's history, brought a distinctive approach that balanced high-energy enthusiasm for mainstream blockbusters with thoughtful, in-depth explorations of film narratives. Under Winkleman's leadership, the programme incorporated more female-led perspectives in its discussions and reviews, reflecting her own background and broadening the conversational tone to include diverse viewpoints on character-driven stories and industry trends. The format also expanded to feature a wider array of film selections, including greater attention to international cinema, such as reviews of acclaimed foreign releases alongside Hollywood fare, enhancing the show's scope beyond traditional -centric content. This evolution fostered a lively atmosphere, with live interviews and guest critics contributing to dynamic segments that highlighted global cinematic developments. Winkleman's tenure concluded after six years, with her departure announced on 3 September 2016 due to scheduling conflicts arising from her expanding commitments on other programmes, notably co-hosting . She expressed reluctance in leaving, noting the show deserved a host able to devote full attention amid her busy workload. Her final episode aired in 2016, closing a chapter that revitalized the programme's appeal through innovative presentation and inclusive content.

Rotating hosts (2016–2018)

Following Claudia Winkleman's departure after six years as host, the BBC introduced a rotating lineup of guest presenters for the programme starting later in Film 2016, aiming to inject variety into the format by drawing on established figures from across its radio and television schedules. This experimental approach continued into Film 2017, where presenters included , , and , all prominent hosts known for their work on stations like Radio 2 and Radio 1. Guest critics such as those from the popular podcast, including , occasionally joined resident critic Danny Leigh to provide commentary, blending established film expertise with the new hosting dynamic. The rotation was intended to bring fresh perspectives to the weekly reviews, features, and interviews, leveraging the diverse backgrounds of the hosts to appeal to broader audiences amid evolving viewing habits. For instance, Amfo, a Radio 1 presenter, hosted episodes focusing on contemporary releases like and , while Laverne, from 6 Music, covered films such as Loving and . Ball kicked off the year with discussions on Jackie, , and Split, emphasizing emotional and biographical narratives. This setup allowed the programme to highlight voices from BBC's music and entertainment output, though it marked a departure from the single-host stability of previous eras. The format persisted into Film 2018, its final season, which consisted of only five episodes aired in March without a lead host, concluding on 28 March 2018. Presenters like and guests continued the rotation, reviewing titles including and , but the abbreviated run limited coverage to post-Oscars releases ahead of the summer blockbuster period. Critics noted challenges in sustaining viewer engagement and a unified tone due to the lack of a permanent presenter and a late-night slot, contributing to the programme's eventual cancellation after 47 years.

Critics and contributors

Early and regular critics

In the 1970s and 1980s, the programme featured occasional panelists and guest critics who contributed to discussions on contemporary cinema, with Alexander Walker, the long-time Evening Standard film critic, appearing in debate segments on episodes such as Film 88 to offer pointed commentary on films like horror titles. These early contributions helped establish the show's tradition of critical analysis beyond the host's reviews. From 2010 to 2017, Danny Leigh served as a regular critic and co-host, bringing analytical depth to segments alongside presenters like , drawing on his background as a and journalist for outlets including and . His tenure emphasized thoughtful dissections of film narratives and cultural contexts. Ellen E. Jones joined as a regular critic in 2018, focusing her reviews on social issues such as representation and diversity in cinema, informed by her writing for and her book Screen Deep: How Film and TV Can Solve Racism and Save the World. Throughout its run, the programme's critics played a key role in assigning star ratings to new releases to gauge quality and appeal, while facilitating debate segments that explored controversies and in films.

Guest appearances and interviews

Throughout its run, the BBC's Film... programme distinguished itself through guest appearances and interviews that provided audiences with exclusive behind-the-scenes perspectives on cinema, often focusing on creative processes and career reflections rather than formal reviews. These segments featured prominent directors and actors, offering insights into the artistry and challenges of across various eras of the show. In the Barry Norman era (1972–1998), the programme regularly included extended interviews with influential filmmakers. A notable example was the 1990 Film 90 special, where Norman engaged Steven Spielberg in a discussion about his rise to prominence and directorial techniques in films like E.T. the Extra-Terrestrial and Indiana Jones and the Last Crusade. This was followed by another dedicated special in 1998 during Film 98, in which Spielberg reflected on his evolving style and the impact of blockbusters on the industry. Such appearances highlighted the programme's role in demystifying Hollywood production for British viewers. Jonathan Ross's tenure (1999–2010) amplified these interactions with A-list talent, emphasizing personal anecdotes and promotional exclusives. was a frequent guest, appearing in a 2004 half-hour special where Ross explored her portrayal of a political figure in remake, alongside broader reflections on her four-decade career and versatility in roles from drama to comedy. returned in 2009 for Episode 13 of Film 2009, discussing her lead role in and the scarcity of sophisticated, food-centric narratives in mainstream Hollywood, which catered to mature audiences. These interviews underscored guests' contributions to illuminating narrative innovation without delving into critique. In the later periods under (2010–2016) and rotating hosts (2016–2018), the programme maintained this focus on transient high-profile contributors, incorporating special guests who offered contextual depth. Overall, these appearances reinforced the show's commitment to insightful, non-evaluative exchanges that connected viewers directly to cinematic creators.

Reception and legacy

Awards and cultural impact

During Barry Norman's tenure from 1972 to 1998, the programme earned recognition from the British Academy of Film and Television Arts (BAFTA). In 1980, Norman received the Richard Dimbleby Award for outstanding contribution to factual television, honouring his role in delivering accessible film analysis on the show. The series achieved significant viewership during the , with Norman's reviews exerting notable influence on trends, particularly for art-house and foreign-language films that benefited from his positive endorsements. This reach helped shape audience choices and highlighted lesser-known cinema amid mainstream releases. Culturally, Film... democratized in the UK by presenting knowledgeable yet unpretentious reviews to a broad audience, fostering greater public engagement with movies beyond elite circles. Norman's affable style introduced generations to cinema's excitement and depth, establishing the programme as a cornerstone of arts output and influencing ongoing discourse on appreciation. It enhanced public awareness of cinematic trends, encouraging viewers to explore diverse films and contributing to a more informed national conversation about the medium.

Cancellation aftermath and influence

The announcement of the BBC's decision to cancel the long-running Film... series in December 2018 prompted immediate backlash from critics and film enthusiasts, who decried the loss of a dedicated television platform for in-depth movie analysis. Film critics expressed frustration over the abrupt end to the programme's 46-year run, arguing that its irregular scheduling in recent years—such as the five episodes aired solely in March 2018—had already undermined its effectiveness, yet the cancellation represented a further diminishment of structured film discourse on public service broadcasting. Public reaction on platforms like highlighted widespread dismay among cinephiles, with many viewing the move as a shortsighted overhaul that prioritized fragmented content over a flagship show. In response, the BBC shifted its approach to film coverage, integrating reviews into broader news and arts programming while expanding digital offerings to maintain audience engagement. This included more consistent film segments on shows like BBC News at Six and enhanced online content through platforms such as BBC Culture, which now features regular critic-led reviews, video essays, and interviews to fill the void left by the standalone series. On BBC iPlayer, the corporation has bolstered its film ecosystem with curated collections, documentaries, and on-demand review clips, aiming for year-round accessibility rather than seasonal broadcasts. The programme's influence extended to subsequent media formats, notably shaping the careers of critics like , whose radio collaboration on —launched in 2001 and ending in 2022—drew on the analytical style honed during his regular appearances on the TV series. This radio successor provided a weekly forum for film discussion until its conclusion, reflecting the enduring demand for expert commentary post-cancellation. Following the end of their show in 2022, Kermode and Mayo continued their film reviews through the independent podcast Kermode & Mayo's Take, which remains active as of 2025. As of 2019, iPlayer content, including Kermode's earlier series Secrets of Cinema (2018–2021), continued to echo the programme's educational legacy by dissecting film techniques and genres. As a 46-year institution that evolved from Film '71 to Film 2018, the series left an indelible mark on British film journalism, often referenced in 2020s discussions of arts programming history. Retrospectives have highlighted its role in democratizing , from Barry Norman's authoritative tenure to the diverse voices of later eras, underscoring its contribution to cultural discourse even after its demise.

References

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  51. https://www.bbc.co.uk/programmes/b00mlvjm
  52. https://www.bafta.org/awards/television/richard-dimbleby-award/
  53. https://www.the-independent.com/news/media/my-life-in-media-barry-norman-764043.html
  54. https://www.telegraph.co.uk/films/0/bbcs-crazy-scheduling-may-have-killed-film-show-movie-criticism/
  55. https://www.denofgeek.com/movies/the-role-of-film-criticism-and-programming-on-the-bbc/
  56. https://www.kermodeandmayo.com/
  57. https://www.bbc.com/news/entertainment-arts-60705765
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