Fires in the Mirror: Crown Heights, Brooklyn and Other Identities (1992) is a one-person play by Anna Deavere Smith, an African-American playwright, author, actress, and professor. It explores the Crown Heights riot (which occurred in Crown Heights, Brooklyn in August 1991) and its aftermath through the viewpoints of African-American and Jewish people, mostly based in New York City, who were connected directly and indirectly to the riot.

Fires in the Mirror is composed of monologues taken directly by Smith from transcripts of the interviews she conducted with the people whom she portrays in the play. She interviewed more than 100 individuals in the course of creating this play. It is considered a pioneering example of the genre known as verbatim theatre. It received the Drama Desk Award for Outstanding One-Person Show.

Anna Deavere Smith's play Fires in the Mirror is a part of her project On the Road: A Search for the American Character. It is a series of monologues which she has created from interviews. Fires in the Mirror chronicles the Crown Heights riot in Brooklyn, New York in August 1991. In that racially divided neighborhood, populated largely by African Americans and Chabad Hasidic Jews, a car driven by a Jewish man veered onto a sidewalk and struck two children, killing Gavin Cato, a 7-year-old Caribbean-American boy. The death, and what the African-American community perceived as a delayed response of city emergency medical personnel, sparked protests by them in the neighborhood. During these, a group of black youths attacked and fatally injured Yankel Rosenbaum, a Jewish student visiting from Australia. Days of rioting ensued, exposing to national scrutiny the depth of the racial divisions in Crown Heights. The rioting resulted in 190 injuries, 129 arrests, and an estimated one million dollars in property damage.

Smith interviewed residents of Crown Heights, including participants in the disturbances, as well as leading politicians, writers, musicians, religious leaders, and intellectuals. From this material, she chose which figures to highlight and speeches to use in the monologues of her play. Through the words of 26 different people, in 29 monologues, Smith explores how and why these people signaled their identities, how they perceived and responded to people different from themselves, and how barriers between groups can be breached. "My sense is that American character lives not in one place or the other", Smith writes in her introduction to the play, "but in the gaps between the places, and in our struggle to be together in our differences." The title of the play suggests a vision of art as a site of reflection where the passions and fires of a specific moment can be examined from a new angle, contemplated, and better understood.

The play is a series of monologues based on interviews conducted by Smith with people involved in the Crown Heights crisis, both directly and as observers and commentators. Each scene is titled with the person's name and a key phrase from that interview. There are a total of 29 monologues in Fires in the Mirror and each one focuses on a character's opinion and point of view of the events and issues surrounding the crisis. Most characters have one monologue; the Reverend Al Sharpton, Letty Cottin Pogrebin and Norman Rosenbaum have two monologues each.

Fires in the Mirror is divided into themed sections. The themes include elements of personal identity, differences in physical appearance, differences in race, and the feelings toward the riot incidents. The overall arc of the play flows from broad personal identity issues, to physical identity, to issues of race and ethnicity, and finally ending in issues relating to the Crown Heights riot.

The play is structured as follows:

Fires in the Mirror is a collection of multiple voices and points of view. It is a hybrid of theater and journalism.