Hubbry Logo
Frank EytonFrank EytonMain
Open search
Frank Eyton
Community hub
Frank Eyton
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Frank Eyton
Frank Eyton
Frank Eyton
View on Wikipedia
from Wikipedia

Frank Eyton (30 August 1894 – 11 November 1962) was an English popular music lyricist best known for co-writing the lyrics of Johnny Green's "Body and Soul" (1930) with Edward Heyman and Robert Sour.[1]

Most of Eyton's work was collaborations with Noel Gay and Billy Mayerl in London-based musical theatre. With Mayerl as composer, Eyton co-wrote with Desmond Carter the lyrics for the celebrated sequence "Side by Side" from Over She Goes (filmed 1938). His most successful play was the 1948 musical farce, Bob's Your Uncle, written in collaboration with Gay.[2]

With Gay, Eyton wrote the popular song "All Over The Place" for the 1940 film Sailors Three and the songs for the 1942 film Let the People Sing. He was also one of the soundtrack writers of Body and Soul, a successful boxing film from 1947.[2]

Notes

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Frank Eyton

View on Grokipedia
from Grokipedia
''Frank Eyton'' is a British lyricist best known for co-writing the lyrics to the jazz standard "Body and Soul." Active primarily during the 1930s and 1940s, he focused much of his career on London's West End theater scene, where he collaborated with composers such as Billy Mayerl and Noel Gay on musical productions and songs. Eyton co-wrote "Body and Soul" in 1930 with Edward Heyman, Robert Sour, and composer Johnny Green, a work that became one of the most recorded jazz standards despite his broader output remaining more regionally centered in British musical theater. His collaborations included songs for West End shows such as Nippy (with Mayerl) and the long-running farce Bob’s Your Uncle (with Gay, 1948), as well as contributions to early sound films like Alfred Hitchcock's Blackmail (1929, featuring "Miss Up-to-Date") and the 1942 production Let the People Sing. The song "Body and Soul" was featured in the 1947 American film of the same name. Eyton remains a relatively obscure figure outside his signature contribution to "Body and Soul," with limited personal biographical details available beyond his birth in London on 30 August 1894 and death on 11 November 1962. His work exemplifies the transatlantic flow of popular song in the era, though his primary impact lay in British stage and film music.

Early life

Birth and background

Frank Eyton was born on 30 August 1894 in London, England. He was English by nationality, with London as his place of origin and the primary location associated with his life and work. Little is documented about his family, education, or early years before he entered the field of popular music lyric writing, rendering him a relatively obscure figure in biographical terms.

Career

Collaborations with Billy Mayerl

Frank Eyton collaborated extensively with British composer and pianist Billy Mayerl during the late 1920s and early 1930s, contributing lyrics to several London-based musical theatre productions and related works that reflected the era's popular dance-band and West End theatre styles. One notable early joint effort was the song "Miss Up-to-Date," with music by Mayerl and lyrics by Eyton, which appeared in the sound version of Alfred Hitchcock's 1929 film Blackmail. In 1930, Eyton supplied lyrics for Mayerl's music in the West End musical comedy Nippy, including the song "It Must Be You," performed in the London stage production by Binnie Hale and Clifford Mollison. Eyton also co-wrote lyrics with Desmond Carter for Mayerl's "I Breathe on Windows," a song first recorded by the Casani Club Orchestra in 1937. These projects exemplified Eyton's focus on the lively, syncopated output of London's musical theatre circuit during this period.

Work with Noel Gay

Frank Eyton formed a significant and enduring partnership with composer Noel Gay (real name Richard Armitage) that spanned the 1930s and 1940s, focusing on lyrics for British dance-band songs, film musical numbers, and West End productions. This collaboration represented a major phase in Eyton's career following his earlier West End work with Billy Mayerl. Their joint output included popular songs often written for films and performed by dance orchestras of the era. Among their notable co-written songs were "The Moon Remembered But You Forgot" (music by Noel Gay, lyrics by Frank Eyton), featured in the 1939 comedy film Let's Be Famous. They also collaborated on "All over the Place" (music by Noel Gay, lyrics by Frank Eyton) for the 1940 film Sailors Three. With lyricist Ian Grant, Eyton and Gay contributed to "You've Done Something to My Heart" and "Let the People Sing," the latter written for the 1942 film Let the People Sing. The pinnacle of their partnership was the musical farce Bob's Your Uncle, which opened in London's West End in 1948 with music by Noel Gay, lyrics co-written by Eyton, and book by Eyton and Austin Melford. This production proved their most successful, running for 363 performances.

Other songwriting and film contributions

Frank Eyton occasionally extended his songwriting to films, contributing lyrics to songs used in British productions in the 1940s. In 1942, he co-wrote lyrics for the title song in the British film Let the People Sing. This work represented one of his engagements with cinema during that period.

Notable works

"Body and Soul"

"Body and Soul" is a jazz standard written in 1930, with music by Johnny Green and lyrics co-authored by Frank Eyton, Edward Heyman, and Robert Sour. Green composed the piece while working in London, specifically intending it for the actress and singer Gertrude Lawrence, who performed it on a radio program but did not make a commercial recording. The song's first commercial recording was by Jack Hylton and His Orchestra, featuring vocalist Pat O'Malley, on February 7, 1930. It gained widespread popularity in the United States after Paul Whiteman's orchestra recorded it in September 1930, leading to significant chart success. "Body and Soul" has since become one of the most recorded jazz standards, with 1,734 documented versions on SecondHandSongs. For Eyton, whose career centered primarily on London's West End theatre scene, this collaboration represents his principal achievement in the American popular music and jazz markets.

Other songs and adaptations

Frank Eyton created English lyrics for several adaptations of foreign-language songs, though these works received far less attention than his signature contribution to "Body and Soul". These include "Take Me to Your Heart Again" (from the French "La Vie en Rose") and "Tell Me Tonight" (from the German "Heute Nacht oder nie"). Other verified adaptations include "Imagine" (from "Imaginez") and "An Old Spanish Tango" (from the German "Ein spanischer Tango und ein Mädel wie du"). These songs have seen limited coverage and fewer recordings compared to his primary fame resting on "Body and Soul".

Death

Later years and death

Frank Eyton spent his later years in London, England, the city where he had lived for most of his life. After his collaborations with Noel Gay in the 1940s, including the musical farce Bob's Your Uncle in 1948, no major professional activities or songwriting contributions are documented in available sources. He died on 11 November 1962 in London at the age of 68.

Legacy

Influence and recognition

Frank Eyton remains a somewhat shadowy figure in the history of popular music and songwriting, his name primarily associated with his contribution to the lyrics of the enduring jazz standard "Body and Soul." Most of his professional output centered on London's West End theater scene, where he collaborated with composers such as Billy Mayerl and Noel Gay on musical comedies and revues. This focus on British theatrical productions, rather than the American jazz and popular song traditions that elevated "Body and Soul" to international prominence, has left Eyton as a relatively obscure figure despite the song's lasting impact as a cornerstone of the jazz repertoire. Limited biographical details about his life further underscore his overshadowed status, with recognition largely confined to his association with this one highly successful composition.
Add your contribution
Related Hubs
User Avatar
No comments yet.