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Gary Graffman

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Gary Graffman

Gary Graffman (born October 14, 1928) is an American classical pianist, teacher and administrator.

Graffman was born in New York City to Russian-Jewish parents. Having started piano at age 3, Graffman entered the Curtis Institute of Music at age 7 in 1936 as a piano student of Isabelle Vengerova. After graduating from Curtis in 1946, he made his professional solo debut with conductor Eugene Ormandy and the Philadelphia Orchestra. From 1946 to 1948, he studied at Columbia University. In 1949, Graffman won the Leventritt Competition. He then furthered his piano studies with Rudolf Serkin at the Marlboro Music Festival and informally with Vladimir Horowitz. In 1954, he returned to Columbia to perform Edward MacDowell's Piano Concerto No. 2 under Leopold Stokowski at the university's bicentennial concert.

Upon graduation he played with numerous orchestras and performed concerts and recitals internationally. Over the next three decades, he toured and recorded extensively, performing solo and with orchestras around the globe. He revived the Tchaikovsky 2nd and 3rd Piano Concertos, recorded by CBS with Eugene Ormandy and the Philadelphia Orchestra, and several of his students play these works. In 1964, he recorded Sergei Rachmaninoff's Rhapsody on a Theme of Paganini with Leonard Bernstein conducting the New York Philharmonic. He also made a classic recording of Sergei Prokofiev's Third Piano Concerto with George Szell and the Cleveland Orchestra in 1966; it was reissued on CD as part of Sony Classical's "Great Performances" series in 2006. In the 1970s, Graffman appeared with the Guarneri Quartet and the Juilliard String Quartet in performances of chamber music.

Probably Graffman's best known recorded performance was for the soundtrack of the 1979 Woody Allen movie Manhattan in which he played George Gershwin's Rhapsody In Blue, accompanied by the New York Philharmonic. Portions of the Philharmonic/Graffman version have been featured countless times in TV and movies over the last quarter century.

In 1977, he sprained the ring finger of his right hand. Because of this injury he began re-fingering some passages for that hand in such a way as to avoid using the affected finger. This altered technique appeared to aggravate the problem, ultimately forcing him to stop performing with his right hand altogether by around 1979. Thereafter, Graffman pursued his other interests such as writing, photography, and Oriental art. In 1980, he joined the faculty at the Curtis Institute of Music, where his career had begun. He took over as the school's director in 1986, and added the title of President in 1995, serving in both capacities through May 2006. He has also served on the piano faculty of the Manhattan School of Music.

Graffman's finger sprain may have been a trigger for focal dystonia, a neurological disorder that causes loss of function and uncontrollable curling in the fingers. The pianist Leon Fleisher, a close friend of Graffman, also had the disorder.

Shortly after joining the Curtis faculty, he published a memoir, I Really Should Be Practicing.

In 1985 he gave the UK premiere of Erich Wolfgang Korngold's Piano Concerto in C-sharp for the Left Hand. Paul Wittgenstein had commissioned the work in the 1920s and played it many times, but it later slipped from the repertoire.

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