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Gene Howard
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This article needs additional citations for verification. (September 2025) |
Gene Howard (born December 22, 1946) is an American former professional football cornerback in the National Football League (NFL). He was selected by the New Orleans Saints in the seventh round of the 1968 NFL/AFL draft. He played college football at Langston University.[1]
Key Information
Howard also played for the Los Angeles Rams.
References
[edit]- ^ Baker, Hugh (September 17, 1971). "Getaway Expert Howard a Bargain". The Daily Breeze. Retrieved September 18, 2025.
Gene Howard
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''Gene Howard'' is an American singer and photographer known for his work as a big band vocalist in the 1940s and early 1950s and for anonymously recording the pioneering 1960 album ''Love Is a Drag'', widely regarded as one of the earliest full-length recordings featuring a man singing love songs to other men. [1] [2]
Born Gene Howard Johnston on July 14, 1920, in Atlanta, Georgia, Howard died in 1993. Howard initially worked as a big-band copyist and arranger before transitioning to performing as a vocalist with prominent orchestras, including those led by Gene Krupa and Stan Kenton. [1] During his time with Kenton, he achieved a Top 10 hit with the song “How Many Hearts Have You Broken?” He retired from singing in 1951 due to vocal strain from performing over loud brass sections and shifted to publicity work, representing artists such as Stan Kenton, Nat King Cole, and Les Paul. [1]
Howard later co-founded Garrett/Howard Inc., a photography and album-cover studio with Murray Garrett, which produced artwork for Liberty Records artists including Julie London. [1] His involvement in ''Love Is a Drag'' came through his partnership with Garrett, who produced the album for Edison International; Howard provided sincere baritone renditions of standards like “Lover Man” and “Mad About the Boy” with male pronouns, backed by a jazz quartet. [1] [2] Released without crediting the artist, the album gained cult status in gay cultural circles and was later reissued, highlighting its historical significance in LGBTQ+ music. [1]
