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Geneva Mitchell
Geneva Mitchell
Geneva Mitchell
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Geneva Doris Mitchell (February 3, 1908 – March 10, 1949) was an American actress.[1] After beginning her entertainment career as a chorus girl at the age of twelve, she became more well known for her roles in several Hollywood films.

Key Information

Early years

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Mitchell was born in Medaryville, Indiana.[2] Her mother, Verna Mitchell Foss, danced in the Ziegfeld Follies.[3]

Career

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Mitchell started her career on the stage in a musical comedy. At age 17, she was in the choruses of Sally and the Ziegfeld Follies of 1921.[4]

She signed a contract with Warner Brothers in October 1929, and with Columbia Pictures in June 1934. Modern viewers will recognize Mitchell from her appearances in the Three Stooges 1935 films Restless Knights, Pop Goes the Easel, and particularly Hoi Polloi. In Hoi Polloi, Mitchell plays a dance instructor who directs the Stooges to "do exactly as I do." Before she begins her dance, a bumblebee lands on her bare back, and then crawls under her dress. She becomes alarmed. Naturally, the Stooges mimic her every startled move. This hilarious footage was to be reused six years later in In the Sweet Pie and Pie.

Death

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Poor health curtailed Mitchell's career after 1936, as she appeared in only one film throughout the 1940s. She died in Los Angeles, California on March 10, 1949, at age 41.[5]

Personal life

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Mitchell's circumstances often made the news. In March 1922,[6] when she was 14, she married Robert Savage, the son of a millionaire, in Milford, Connecticut. Five days later, she returned his ring and said, "I'm too young to be a wife."[7] On October 15, 1935, she married financier Harry J. Bryant in Yuma, Arizona.[8]

Partial filmography

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References

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Geneva Mitchell

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Geneva Mitchell is an American actress and stage performer known for her early work as a Ziegfeld Follies showgirl and her appearances in over seventy Hollywood films between 1929 and 1946. She began her career as a teenager in Broadway musicals and Ziegfeld productions before transitioning to motion pictures, where she was often cast in comedic and supporting roles, including features and shorts for studios such as Warner Bros. and Columbia Pictures. Born February 3, 1908, in Medaryville, Indiana, Mitchell moved into show business early, performing in the Ziegfeld Follies of 1921 and serving as an understudy in the Broadway production of Sally. She appeared in other Broadway shows including Yours Truly and Take the Air before signing with Warner Bros. in 1929 and making her film debut in the short Adam's Eve. Her career included notable roles in films such as Morning Glory (1933) and several comedy shorts with the Three Stooges, as well as westerns in the mid-1930s. By the late 1930s, Mitchell's screen work declined amid struggles with severe alcoholism, and she retired after her final appearance in the 1946 short Andy Plays Hookey. She died on March 10, 1949, in Los Angeles from acute pancreatitis and cirrhosis of the liver related to alcoholism, at the age of 41.

Early life

Childhood and family background

Geneva Doris Mitchell was born on February 3, 1908, in Medaryville, Indiana (also spelled Medarysville). Her mother, Verna Mitchell Foss, was a dancer who performed in the Ziegfeld Follies. Raised primarily by her mother in the Midwest, Mitchell's upbringing was shaped by these family circumstances prior to her entry into show business.

Entry into show business

Geneva Mitchell began her career in show business as a chorus girl at the age of twelve. Her mother, Verna Mitchell, had previously performed as a chorus girl with the Ziegfeld Follies, offering a natural pathway for her daughter's early introduction to the stage. She appeared in stage productions as a young teenager, including engagements with the Ziegfeld organization starting in 1921 at age 13. She developed a specialty in dancing early on, earning the nickname "The Pogo Girl" from her distinctive act featuring pogo stick routines in the Ziegfeld Midnight Frolic. In March 1922, at age fourteen, Mitchell entered a brief marriage to Robert Savage, son of a millionaire, in Milford, Connecticut; the marriage ended quickly in separation, and the union was annulled in early 1923.

Stage career

Ziegfeld Follies and Broadway work

Geneva Mitchell gained prominence on the New York stage through her association with Florenz Ziegfeld, performing in the chorus of the Ziegfeld Follies of 1921, which ran from June 21 to October 1, 1921. This followed her earlier chorus beginnings at age 12 in 1920 in the musical The Girl in the Spotlight (July 12 – August 28, 1920, Knickerbocker Theatre), laying the foundation for her career as a dancer and performer. She worked as a specialty dancer on stage prior to transitioning to Hollywood. In early 1922, Mitchell served as understudy to Marilyn Miller in the long-running Broadway musical Sally. She later appeared in the Broadway production Yours Truly, which ran from January 25 to May 14, 1927. Mitchell continued her Broadway work in the musical comedy Take the Air, performing the role of Gloria from November 22, 1927, to May 19, 1928.

Film career

Hollywood debut and early roles

Geneva Mitchell transitioned to Hollywood following her stage success, signing a contract with Warner Brothers in October 1929. Her early film work focused on small parts in the emerging talkie era, where her prior experience in musical theater and revues provided a foundation for performing in sound pictures. Her initial screen appearances included roles in the musical comedy Safety in Numbers (1930) and the farce Her Wedding Night (1930), the latter featuring her alongside Clara Bow. She continued with supporting parts in Night World (1932) and portrayed Gwendolyn Hall in the drama Morning Glory (1933). In June 1934, Mitchell signed a contract with Columbia Pictures, marking a shift to that studio for her subsequent work.

Peak years in the 1930s

Geneva Mitchell experienced the most productive phase of her film career during the mid-1930s, appearing in a high volume of productions at Columbia Pictures, many in supporting or uncredited roles, as part of her overall total of 87 acting credits. She is best remembered for her appearances in three 1935 Three Stooges shorts: Restless Knights, Pop Goes the Easel, and Hoi Polloi. In Hoi Polloi, Mitchell portrayed a dance instructor who directs the Stooges to mimic her every move, only for a bumblebee to fly under her dress and cause her to panic in comedic fashion; the Stooges imitate her frantic efforts to remove the insect, leading to acrobatic chaos before she jumps out a window, with the trio following. This scene became one of the most iconic in the Stooges' filmography and was reused as stock footage in their 1941 short In the Sweet Pie and Pie. Beyond the Stooges collaborations, Mitchell appeared in other 1935–1936 releases, including Western Courage as Gloria Hanley, Lawless Riders as Edith Adams, The Crime Patrol as Mary Prentiss, She Married Her Boss in an uncredited saleswoman role, 15 Maiden Lane as Miss Guthrie (uncredited), and various additional B-films and shorts. During her early Hollywood years, she was the fiancée of actor and director Lowell Sherman, though their engagement was repeatedly postponed until his death in December 1934.

Decline and retirement

Geneva Mitchell's screen work declined sharply after 1936 as severe alcoholism significantly curtailed her career. This contrasted with her more active period in the mid-1930s, when she appeared in numerous films. She made only one appearance in the 1940s, playing Mrs. Clyde in the 1946 comedy short Andy Plays Hookey. Due to ongoing health issues related to severe alcoholism, Mitchell retired from acting in 1946.

Personal life

Marriages and relationships

Geneva Mitchell's earliest known marriage took place in March 1922 at age 14, when she wed Robert Savage in a brief elopement. The union lasted only five days before separation and was subsequently annulled. This occurred amid her teenage entry into show business as a chorus performer. Later, she became engaged to actor and director Lowell Sherman, though the couple never proceeded to marriage despite repeated reports of their close relationship. On October 15, 1935, Mitchell married financier Harry J. Bryant in Yuma, Arizona.

Health struggles and alcoholism

In her later years, Geneva Mitchell struggled with severe alcoholism, which was a primary contributing factor to her health decline. Poor health curtailed her acting career after 1936, with Mitchell appearing in only one film during the 1940s before retiring in 1946.

Death

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