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George Litto
George Litto
George Litto
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George Litto (December 9, 1930 – April 29, 2019[1]) was an American film producer and talent agent. His production credits included Robert Altman's Thieves Like Us (1974), Jonathan Kaplan's cult film Over the Edge (1979), and three Brian De Palma thrillers, Obsession (1976), Dressed to Kill (1980) and Blow Out (1981).

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George Litto

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George Litto (December 9, 1930 – April 29, 2019) was an American film producer and talent agent known for representing blacklisted writers and directors during the Hollywood blacklist era and for producing influential films in the 1970s and 1980s. He began his career in 1954 at the William Morris Agency in New York before founding his own agency in 1965, where he specialized in writers affected by the blacklist and packaged major productions including Robert Altman's MASH* (1970), McCabe & Mrs. Miller (1971), and Nashville (1975), as well as other notable films such as Midnight Cowboy (1969). Litto also negotiated distribution deals for independent projects, including Melvin Van Peebles' Sweet Sweetback’s Baadasssss Song (1971) and Brian De Palma's Sisters (1972). Transitioning to producing, Litto financed and produced several key films, most prominently Brian De Palma's thrillers Obsession (1976), Dressed to Kill (1980), and Blow Out (1981), alongside Robert Altman's Thieves Like Us (1974) and Jonathan Kaplan's cult classic Over the Edge (1979). He later served as chairman of Filmways from 1980 to 1982, restructuring the company before its acquisition by Orion Pictures, and founded George Litto Pictures in 1998 to develop further projects.

Career

Talent agent

George Litto began his career as a talent agent at the William Morris Agency in New York City, starting in the mailroom in 1954 before quickly advancing to agent status within nine months, where he initially focused on booking summer stock theater. His first client was Mae West, whom he successfully booked to star in the play Come on Up (Ring Twice). After relocating to Los Angeles and working at several boutique agencies, he established his own firm, The George Litto Agency, in 1965, specializing in writers, directors, and producers. Litto became known for representing blacklisted writers during a period when such advocacy carried significant professional risk in Hollywood, helping them secure work and, in some cases, emerge from pseudonyms. Among his notable clients were blacklisted writers Dalton Trumbo and Waldo Salt, with Salt—then using the pseudonym Mel Davenport—able to work under his own name on Midnight Cowboy (1969) thanks to Litto's efforts. He also represented director Robert Altman during a challenging time after Altman was fired from television work and believed unhireable; Litto helped secure his assignment to direct MASH* (1970), which marked a turning point in Altman's career and later led to collaboration as a producer. Additionally, Litto represented actor Ossie Davis and collaborated with him in an agent capacity, including on Davis's directorial debut Cotton Comes to Harlem (1970). He further collaborated with filmmaker Melvin Van Peebles, negotiating distribution for Sweet Sweetback’s Baadasssss Song (1971) with Cinemation and providing financial support to help complete the production.

Film producer

George Litto transitioned from talent agent to film producer in the early 1970s, building directly on his established relationships with key directors. His first major producing credit was as executive producer on Thieves Like Us (1974), directed by Robert Altman, one of his longtime clients from his agency days. By the mid-1970s, Litto committed more fully to production, personally financing Brian De Palma's Obsession (1976) by mortgaging his house to bring the project to completion. This marked the start of an important collaboration with De Palma, whom Litto had represented as an agent and supported through earlier projects. He produced the cult film Over the Edge (1979), directed by Jonathan Kaplan, which has since gained a following for its raw portrayal of teenage rebellion. Litto then reteamed with De Palma on two additional thrillers: Dressed to Kill (1980) and Blow Out (1981), both of which highlighted his ability to support bold, genre-driven work. His producing decisions were frequently shaped by his agent experience, which provided him with deep familiarity with directors' visions and enabled him to assemble and finance projects with trusted collaborators.

Filmography

Produced films

George Litto's credits as a film producer include Thieves Like Us (1974), directed by Robert Altman. He also produced Obsession (1976), directed by Brian De Palma. Litto then produced Over the Edge (1979), directed by Jonathan Kaplan, a film that has attained cult status. His collaborations with De Palma continued with the thrillers Dressed to Kill (1980) and Blow Out (1981), both directed by Brian De Palma.

Death

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