George Margo

George Margo (October 26, 1915 – January 9, 2002) was an American actor born in New York City, known for his prolific career in British films and television from the 1950s to the early 1970s, where he was frequently typecast in tough, physically imposing "brawn over brains" roles. ^[1] He served in the United States Army during World War II, stationed in Germany toward the end of the war before transferring to the United Kingdom. ^[2] After the war, he trained at the Royal Academy of Dramatic Art in London, graduating in 1948, which launched his professional acting career in British productions. ^{[1] [3]} He appeared in numerous British films and TV series, including playing Blackbeard in The Buccaneers (1956), the Second Assassin in Joe MacBeth (1955), the Sheriff in Captain Apache (1971), and guest roles in shows such as The Man from U.N.C.L.E., Jason King, and The Bionic Woman. ^[1] Occasionally credited as George Marco, Margo returned to the United States in the mid-1970s and continued his career with appearances in American television series including Baretta, Cannon, and The Feather and Father Gang before retiring. ^[1] He died of cancer in Malibu, California. ^{[1] [3]} His work bridged American and British entertainment, reflecting his transatlantic experiences from military service to acting. ^[1]

Early life

Birth and background

George Margo was born on October 26, 1915, in New York City, New York, USA.^[1] He was American by birth and nationality.^[3] No detailed information is available regarding his family origins, ethnic background, or early childhood and education in New York. In his late teens, around age 18 in approximately 1933, Margo responded to an advertisement seeking someone to drive a car to California and took the job, relocating across the country.^[3] He subsequently began acting in San Francisco, marking the start of his adult life in the United States prior to his World War II military service and later relocation to the United Kingdom.^[3]

Relocation to the United Kingdom

George Margo first arrived in London during World War II after being transferred there while serving in the United States Army.^[1] Following the end of the war, he chose to remain in the United Kingdom rather than return to the United States.^[3] He settled in London, where he trained at the Royal Academy of Dramatic Art (RADA), graduating in 1948.^[3] Margo made London his permanent home for decades thereafter, establishing himself as a long-term resident of the city.^[3][1]

Acting career

Entry into British film and television

George Margo entered the British acting scene after his acceptance into the Royal Academy of Dramatic Art (RADA) in 1948, following his wartime transfer to the United Kingdom, marking the beginning of his professional performing career there. ^[1] He began appearing in British films and television in the early 1950s, with early roles including uncredited parts in Circle of Danger (1951) and Hell Is Sold Out (1951), and a credited role as a reporter in the British musical Lilacs in the Spring (1954). ^{[4] [5] [6]} Over the following years, Margo established himself as a character actor in British film and television, often typecast in tough-guy roles embodying the "brawn over brains" archetype, frequently portraying Americans or similar rugged figures in British productions. ^[1] His early credits in the mid-1950s, including appearances in films such as Joe MacBeth (1955) and Who Done It? (1956), helped solidify his presence in the industry as a reliable supporting player. ^[5] This period reflected his transition from stage training to consistent work in British screen media. ^[1]

Film roles

George Margo's film career primarily featured supporting and often uncredited roles in British productions during the 1950s and 1960s, where he was frequently typecast as American characters or minor authority figures. ^{[5] [7]} These appearances typically involved brief but distinctive parts as soldiers, officers, reporters, or tough individuals, reflecting his American background in British-set stories. Among his early credits, Margo appeared in Lilacs in the Spring (1954), Joe MacBeth (1955), Who Done It? (1956), A Touch of the Sun (1956), and Windom's Way (1957), in which he played Police Officer Lansang. ^{[5] [7]} He also had a role in The Red Beret (1953) as an American crewman. ^[7] One of his more recognizable parts came in the comedy The Mouse That Roared (1959), where he portrayed O'Hara (uncredited). ^[8] Later in his career, Margo played the sheriff in the Western Captain Apache (1971). ^[7] His film work remained consistent in scale, focusing on character roles rather than leading parts.

Television roles

George Margo became a familiar face on British television during the 1950s and 1960s, primarily through guest appearances in anthology dramas, crime series, and adventure programs. ^[1] He frequently portrayed minor characters, often Americans or foreigners, capitalizing on his distinctive accent in supporting roles. ^[1] He appeared in multiple episodes of BBC Sunday-Night Theatre between 1955 and 1959, taking on varied roles including Maish Rennick, Carl Bannister, and Joe. ^[1] His early credits also included Colonel March of Scotland Yard (1955) as Rogers, Rheingold Theatre (1955) as Paul Shipley, and Nom-de-Plume (1956) in two episodes as Doroteo Arango and Mr. Laird. ^[1] Margo played Blackbeard in two episodes of the adventure series The Buccaneers (1956), one of his more prominent early television parts. ^[1] Throughout the late 1950s, he continued with single-episode guest spots in shows such as ITV Television Playhouse (1956) as Marvin Hudgens, The Errol Flynn Theatre (1957) as Dino Fosti, Aggie (1957) as Abdullah, The New Adventures of Martin Kane (1957) in two episodes as Domino, Armchair Theatre (1958) in two episodes as Charlie and Pike, Dial 999 (1958) as Bluey, Television Playwright (1958) as Tony Venucci, and Murder Bag (1958). ^[1] He also appeared in Interpol Calling (1959) as Creedy and the TV movie The Offshore Island (1959) as Sergeant Bayford. ^[1] In the 1970s, Margo added further guest credits in British television, including Mogul (1970) as Joshua Berton, From a Bird's Eye View (1971) as 1st Gardia, Jason King (1972) as Malazza, BBC Play of the Month (1972) as Papa Gonzales in the episode "Summer and Smoke," and the TV movie The Gangster Show: The Resistible Rise of Arturo Ui (1972) as Prosecutor. ^[1] These roles typically involved brief but memorable character parts in ITC and other independent productions. ^[1] George Margo resided in London from 1948, when he was accepted into the Royal Academy of Dramatic Art following his military service, until 1975. During this period, he established his acting career primarily in British film, television, theatre, and radio, making the city his long-term home base.^[1] In 1975, a domestic crisis forced his return to the United States, his native country, and he never returned to London thereafter.^[3] After returning, he continued working in American television with his last credited acting roles in 1977 and also directed plays including The Evolution of the Blues in San Francisco, J.F.K. Lives in Los Angeles, and Bird of Paradise in New York.^[3] He spent his later years in Malibu, California, until his death there from cancer on January 9, 2002.^[1] He was married at least three times and was survived by his wife, three children from his second marriage, and three stepchildren from his third marriage. No sources document details of hobbies or other personal pursuits.^[3]

Death

Circumstances and burial

George Margo died of cancer on January 9, 2002, at the age of 86. ^[3] His death occurred in Malibu, California. ^[1] His death was first revealed in an obituary in The Stage, as reported in Playbill. ^[3] He was survived by his wife, three children from his second marriage, and three stepchildren from his third marriage. ^[3] No further details about the specific circumstances surrounding his final illness or any funeral arrangements are provided in contemporary reports. ^[3] Information regarding his burial location or memorial is not documented in available sources.

Posthumous recognition

Obituaries were published in Playbill on April 19, 2002, and in Variety on June 2, 2002. ^{[3] [2]} The Playbill obituary described him as an American-born actor who distinguished himself in film, television, and stage roles in London and had found a home in the city. ^[3] No major awards, memorials, or retrospectives appear in available reputable sources following his death. His contributions continue to be preserved primarily through entries in film and television databases.