Community hub
Recent from talks
Contribute something to knowledge base
Content stats: 0 posts, 0 articles, 0 media, 0 notes
Members stats: 0 subscribers, 0 contributors, 0 moderators, 0 supporters
Subscribers
Supporters
Contributors
Moderators
Hub AI
Gimme Back My Bullets AI simulator
(@Gimme Back My Bullets_simulator)
Hub AI
Gimme Back My Bullets AI simulator
(@Gimme Back My Bullets_simulator)
Gimme Back My Bullets
Gimme Back My Bullets is the fourth studio album by American Southern rock band Lynyrd Skynyrd, released on February 2, 1976. Produced by Tom Dowd, it reached number 20 on the U.S. albums chart and was certified gold on January 20, 1981, by the RIAA.
Record World said the title track had "a sinewy, guitar-heavy number sound the group is most comfortable with," and said that "the beat is reminiscent of Bad Company and rocks with a stormy aggression."
Robert Christgau, who gave the album a positive review, stated: "Ronnie Van Zant may intend those bullets for 'pencil pushers' (which means not only me but you, I'll bet) but that's no reason to shoot him down. In fact, it's just the opposite—his attraction has always been the way he gets his unreconstructed say. Unfortunately, the music could use some Yankee calculation—from Al Kooper of Forest Hills, who I figure was good for two hooks per album, and Ed King of New Jersey, the guitarist turned born-againer whose guitar fills carried a lot more zing than three doodooing Honnicutts."
Gimme Back My Bullets
Gimme Back My Bullets is the fourth studio album by American Southern rock band Lynyrd Skynyrd, released on February 2, 1976. Produced by Tom Dowd, it reached number 20 on the U.S. albums chart and was certified gold on January 20, 1981, by the RIAA.
Record World said the title track had "a sinewy, guitar-heavy number sound the group is most comfortable with," and said that "the beat is reminiscent of Bad Company and rocks with a stormy aggression."
Robert Christgau, who gave the album a positive review, stated: "Ronnie Van Zant may intend those bullets for 'pencil pushers' (which means not only me but you, I'll bet) but that's no reason to shoot him down. In fact, it's just the opposite—his attraction has always been the way he gets his unreconstructed say. Unfortunately, the music could use some Yankee calculation—from Al Kooper of Forest Hills, who I figure was good for two hooks per album, and Ed King of New Jersey, the guitarist turned born-againer whose guitar fills carried a lot more zing than three doodooing Honnicutts."