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Gordon Dooley
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Gordon Dooley
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Gordon Dooley and Edward Kimball in the comedy film A Rag, a Bone and a Hank of Hair (1917)

Gordon Dooley (13 August 1898 - 23 January 1930) was an American vaudeville comedian and eccentric dancer.[1]

He was born in Altoona, Pennsylvania, to Robert Roger Dooley (originally Dool), a circus performer, and his wife, Mary, both emigrants from Scotland. His two brothers, William (1882-1921), and Johnny (1887-1928), and his sister, Ray, were all performers.[1]

Gordon Dooley suffered a nervous breakdown in May 1929.[1] He died of pneumonia in Philadelphia, Pennsylvania, the next year at age 31, and was buried in Holy Cross Cemetery in Yeadon, Pennsylvania.[1]

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Gordon Dooley

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Gordon Dooley was an American vaudeville comedian, singing comedian, and eccentric dancer known for his acrobatic performances, burlesque routines, and appearances in Broadway musical revues during the 1910s and 1920s. Born in Altoona, Pennsylvania, on August 13, 1898, Dooley grew up in a performing family that relocated to Camden, New Jersey, and included his father Robert Rogers Dooley, a circus performer, as well as brothers William Dooley and Johnny Dooley, and sister Ray Dooley, all of whom pursued careers in vaudeville and musical comedy. He began his stage career as part of the Dooley Brothers act with brother William, specializing in acrobatic and stunt comedy, before continuing solo and in other ensembles after William's death in 1921. Dooley later formed a successful vaudeville duo with his wife, performer Martha Morton, whom he married in 1922, billing themselves as Dooley and Morton and appearing in various comedy acts. His Broadway credits included roles in musical revues and comedies such as Words and Music (1917), Monte Cristo, Jr. (1919), George White's Scandals (1925), Honeymoon Lane (1926), and Earl Carroll's Vanities (1928), where he performed notable burlesques of marathon dancing and slow-motion film techniques. He also appeared in a handful of silent short films and features during the early 1920s. His career ended prematurely when, after suffering a nervous breakdown in 1929, he died of pneumonia on January 24, 1930, at age 31 in Bywood, Pennsylvania, the last of three brothers who had been favorites in vaudeville and musical comedy.

Early life

Family background and origins

Gordon Dooley was born around 1898 or 1899 in Altoona, Pennsylvania, USA. He was the youngest child of immigrants from Scotland (his father originally born in Ireland), Robert Rogers Dooley (originally Dool), a circus performer and clown, and Mary Dooley (née Daugherty). His older siblings—brothers William "Billy" Dooley (1882–1921) and Johnny Dooley (1887–1928), and sisters Rachel "Ray" Dooley (1891–1984) and May Dooley (1892–1947)—were born in Glasgow, Scotland, making Gordon the only sibling born in the United States. The family initially resided in Altoona following their immigration to the United States, before moving to the Philadelphia area and later settling in Camden, New Jersey.

Childhood and entry into performance

Gordon Dooley was the youngest of the Dooley siblings in a family already involved in performance through their father's work as a circus clown and vaudeville entertainer. As children, Gordon and his brothers performed in family vaudeville acts managed by agent H. Bart McHugh and billed variously as the 20th Century Minstrels and the Metropolitan Minstrels. These early family shows featured the siblings working together in vigorous routines that emphasized acrobatic comedy, with Gordon specializing alongside his brothers in physical slapstick and stunts that demanded considerable athleticism and coordination. The demanding nature of the acrobatic slapstick placed significant physical strain on the young performers, contributing to the overall toll such high-impact comedy took on family members in their acts. By his teenage years, the family group transitioned toward sibling pairs, allowing Gordon to continue developing his acrobatic comedy skills in more focused team configurations with his brothers as vaudeville opportunities evolved. This early exposure established the foundation for his later career in eccentric dance and knockabout comedy.

Vaudeville career

Family acts and early partnerships

Gordon Dooley began performing in vaudeville as part of his family's various sibling and parent-child acts, building on the foundations established in his childhood. His primary early partnership was with his brother Billy, forming a duo known for acrobatic comedy and eccentric dance that combined physical feats with slapstick humor. Billed as Billy and Gordon Dooley or similar variations, the brothers' routines featured energetic acrobatics, eccentric dancing, and comedic timing that made them popular on the vaudeville circuit during the 1910s and early 1920s. Dooley also collaborated occasionally with his sister Ray and brother Johnny in sibling pairs or mixed family groupings, as well as in father-son combinations alongside their father Robert Dooley. These acts maintained a similar style of slapstick comedy intertwined with acrobatic and eccentric dance elements, emphasizing physical prowess and visual gags. Billy remained Dooley's main partner until his passing in 1921, after which Dooley continued in other configurations before transitioning later in his career.

Later vaudeville work and style

Gordon Dooley was widely recognized as a singing comedian and eccentric dancer in vaudeville. In his later career, he formed the vaudeville double act Dooley and Morton with his wife Martha Morton following their 1922 marriage. The team specialized in acrobatic comedy and eccentric dance routines that built on the physical humor and versatility of his earlier family acts. Several months before his death, Dooley and Morton were scheduled to appear in a sound short for Columbia Pictures, with filming planned in Camden, New Jersey, in late 1929 or early 1930, but Dooley's serious illness the day before shooting prevented the production from proceeding. Reports on the cause of his final illness varied, with Variety noting tuberculosis while other accounts, including The New York Times, cited pneumonia.

Broadway appearances

Key productions and roles

Gordon Dooley had a modest but consistent Broadway career, appearing in five productions between 1917 and 1929, primarily in musical revues, extravaganzas, and comedies that allowed him to showcase his skills as a versatile performer. These appearances often featured the fast-paced, variety-style entertainment common to revues, reflecting the overlap with his established vaudeville background. He made his Broadway debut in the musical revue Words and Music, performing the roles of Whirlwind and Inbad during its run from December 24, 1917, to January 12, 1918. In 1919, Dooley appeared in the musical extravaganza Monte Cristo, Jr., portraying Wilbur and A Grizette from February 12 to October 4, 1919. In the mid-1920s, Dooley was a performer in George White's Scandals , which ran from June 22 to November 14, 1925. He next took the role of Matty Pathe in the musical comedy Honeymoon Lane, which enjoyed an extended engagement from September 20, 1926, to July 23, 1927. His final Broadway credit came as a performer in Earl Carroll's Vanities , presented from August 6, 1928, to February 2, 1929.

Film appearances

Known credits and roles

Gordon Dooley's known film credits are limited to three minor appearances in silent era productions during the late 1910s and early 1920s. He first appeared in the 1917 short comedy "A Rag, a Bone and a Hank of Hair," where he was part of the cast in a comedic role. In 1921, he performed in the short "Palm Missed," appearing alongside his brother William Dooley in this comedy. His final known screen credit came in 1922 with an uncredited role as the Doll in the charade scene of the Marion Davies feature "Beauty's Worth." These brief and peripheral film roles marked Dooley's limited engagement with motion pictures, all within the silent film period.

Personal life

Marriage to Martha Morton

Gordon Dooley married vaudeville performer Martha Morton, a member of the Four Mortons family act, in July 1922. The marriage occurred shortly before the death of Dooley's father later that year. Martha Morton had previously performed with her family in vaudeville before the marriage. Following their wedding, the couple formed a successful vaudeville partnership under the name Dooley and Morton, combining their talents in comedy and performance routines. Their professional collaboration extended to Broadway, where they appeared together in notable productions including George White's Scandals in 1925, Honeymoon Lane (1926), and Earl Carroll's Vanities in 1928. This partnership strengthened both their personal bond and their stage presence during the 1920s.

Death

Illness, final years, and passing

Gordon Dooley suffered a nervous breakdown in May 1929. Despite his physician's advice to stop, he continued performing for several weeks in Earl Carroll's Vanities, where he presented burlesques of marathon dancing and slow-motion movies, until collapsing one night in his dressing room. Dooley died on January 24, 1930, at age 31 at his mother's home in Bywood, Pennsylvania, a suburb of Philadelphia. The primary cause of death was reported as pneumonia. A Variety obituary cited tuberculosis as the cause. He was the last of the three performing Dooley brothers, preceded in death by Billy Dooley and Johnny Dooley. His sister Ray Dooley left her role in Follow Thru to be at his bedside when his condition became critical. Dooley was survived by his wife, Martha Morton, his sister Ray, another sister Mrs. George Vaughan, and other family members. Funeral services were held at the Dooley home in Bywood, followed by burial in Holy Cross Cemetery, Yeadon, Pennsylvania, after a solemn requiem mass at St. Laurence's Church in Highland Park.
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