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Gregorio Vardanega
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Gregorio Vardanega
Gregorio Vardanega (21 March 1923 – 7 October 2007) was an artist of Italian origins who worked in Argentina and France. Vardanega and Martha Boto, his companion, created the term "chromocinetism" to describe their artistic research.
Vardanega was born in Possagno, Italy.
Vardanega's family migrated to Argentina when he was three years old. He attended the Escuela Nacional de Bellas Artes in Buenos Aires from 1939 to 1946.
Vardanega at a young age showed enthusiasm for space, questioned its form and its elements, what this achieves in the world.
Gregorio Vardanega inquired in the direction of light, in relation to color, movement and space, adding electronics in his artistic work
He used electric and transparent colors, color spaces, diffraction and light transmission in solid liquids and gases.
Vardanega was a member of Nouvelle Tendance together with Luis Tomasello, Enrico Castellani, Enzo Mari among others, who had as an end in common the exchange and develop projects.
In 1946 Vardanega began working in acrylic glass, and also produced structures using overlapping wires. In the same year, when he was studying at the National Academy of Fine Arts, he participated in exhibitions in 1946 where he made overlapping glass or plexiglass plates.
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Gregorio Vardanega
Gregorio Vardanega (21 March 1923 – 7 October 2007) was an artist of Italian origins who worked in Argentina and France. Vardanega and Martha Boto, his companion, created the term "chromocinetism" to describe their artistic research.
Vardanega was born in Possagno, Italy.
Vardanega's family migrated to Argentina when he was three years old. He attended the Escuela Nacional de Bellas Artes in Buenos Aires from 1939 to 1946.
Vardanega at a young age showed enthusiasm for space, questioned its form and its elements, what this achieves in the world.
Gregorio Vardanega inquired in the direction of light, in relation to color, movement and space, adding electronics in his artistic work
He used electric and transparent colors, color spaces, diffraction and light transmission in solid liquids and gases.
Vardanega was a member of Nouvelle Tendance together with Luis Tomasello, Enrico Castellani, Enzo Mari among others, who had as an end in common the exchange and develop projects.
In 1946 Vardanega began working in acrylic glass, and also produced structures using overlapping wires. In the same year, when he was studying at the National Academy of Fine Arts, he participated in exhibitions in 1946 where he made overlapping glass or plexiglass plates.
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