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Henry Hobson Richardson
Henry Hobson Richardson, FAIA (September 29, 1838 – April 27, 1886) was an American architect, best known for his work in a style derived from Romanesque Revival that became known as Richardsonian Romanesque. Along with Louis Sullivan and Frank Lloyd Wright, Richardson is one of "the recognized trinity of American architecture."
Richardson was born at the Priestley Plantation in St. James Parish, Louisiana, and spent part of his childhood in New Orleans, where his family lived on Julia Row in a red brick house designed by the architect Alexander T. Wood. He was the great-grandson of inventor and philosopher Joseph Priestley, who is usually credited with the discovery of oxygen.
Richardson went on to study at Harvard College and Tulane University. Initially, he was interested in civil engineering, but shifted to architecture, which led him to go to Paris in 1860 to attend the famed École des Beaux Arts in the atelier of Louis-Jules André. He was only the second U.S. citizen to attend the École's architectural division—Richard Morris Hunt was the first—and the school was to play an increasingly important role in training Americans in the following decades.
He did not finish his training there, as family backing failed due to the U.S. Civil War.
Richardson returned to the U.S. in 1865, settling in New York that October. He found work with a builder, Charles,[who?] whom he had met in Paris. The two worked well together but Richardson was not being challenged. He had little to do and yearned for more. With no work Richardson fell into a state of poverty looking for more work. One of his first commissions was the William Dorsheimer House he built in 1868 for William Dorsheimer (1832–1888) on Delaware Ave in Buffalo, NY, which is in the style of the Second Empire with a Mansard roof. This important commission led to many other commissions. The style that Richardson developed over time, however, was not the more classical style of the École, but a more medieval-inspired style, influenced by William Morris, John Ruskin and Viollet le Duc. Richardson developed a unique and highly personal idiom, adapting in particular the Romanesque of southern France. His early works, however, were not very remarkable. "There are few hints in the mediocre work of Richardson's early years of what was to come in his maturity, when, beginning with his competition-winning design ... for the Brattle Square Church in Boston, he adopted the Romanesque."
In 1869, he designed the Buffalo State Asylum for the Insane (now known as the Richardson Olmsted Complex) in Buffalo, the largest commission of his career and the first appearance of Richardsonian Romanesque style. A massive Medina sandstone complex, it is a National Historic Landmark and, as of 2009, was being restored.
Trinity Church in Boston, designed by Richardson and built 1872–1877, solidified his national reputation and led to major commissions for the rest of his life. Although incorporating historical elements from a variety of sources, including early Syrian Christian, Byzantine, and both French and Spanish Romanesque, it was more "Richardsonian" than Romanesque. Trinity was also a collaboration with the construction and engineering firm of the Norcross Brothers, with whom the architect would work on some 30 projects.
He designed the Ames Monument, which was constructed from 1880 to 1882, and is located at the highest point of the original Transcontinental Railway (the financing of which was spearheaded by Oliver Ames Jr. and his brother Oakes Ames), east of Laramie, Wyoming. The Ames brothers and family provided generous patronage for Richardson's works, and after Oliver's death, Richardson was commissioned to design the Ames Free Library established in 1883 by a bequeath in Ames's will.
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Henry Hobson Richardson
Henry Hobson Richardson, FAIA (September 29, 1838 – April 27, 1886) was an American architect, best known for his work in a style derived from Romanesque Revival that became known as Richardsonian Romanesque. Along with Louis Sullivan and Frank Lloyd Wright, Richardson is one of "the recognized trinity of American architecture."
Richardson was born at the Priestley Plantation in St. James Parish, Louisiana, and spent part of his childhood in New Orleans, where his family lived on Julia Row in a red brick house designed by the architect Alexander T. Wood. He was the great-grandson of inventor and philosopher Joseph Priestley, who is usually credited with the discovery of oxygen.
Richardson went on to study at Harvard College and Tulane University. Initially, he was interested in civil engineering, but shifted to architecture, which led him to go to Paris in 1860 to attend the famed École des Beaux Arts in the atelier of Louis-Jules André. He was only the second U.S. citizen to attend the École's architectural division—Richard Morris Hunt was the first—and the school was to play an increasingly important role in training Americans in the following decades.
He did not finish his training there, as family backing failed due to the U.S. Civil War.
Richardson returned to the U.S. in 1865, settling in New York that October. He found work with a builder, Charles,[who?] whom he had met in Paris. The two worked well together but Richardson was not being challenged. He had little to do and yearned for more. With no work Richardson fell into a state of poverty looking for more work. One of his first commissions was the William Dorsheimer House he built in 1868 for William Dorsheimer (1832–1888) on Delaware Ave in Buffalo, NY, which is in the style of the Second Empire with a Mansard roof. This important commission led to many other commissions. The style that Richardson developed over time, however, was not the more classical style of the École, but a more medieval-inspired style, influenced by William Morris, John Ruskin and Viollet le Duc. Richardson developed a unique and highly personal idiom, adapting in particular the Romanesque of southern France. His early works, however, were not very remarkable. "There are few hints in the mediocre work of Richardson's early years of what was to come in his maturity, when, beginning with his competition-winning design ... for the Brattle Square Church in Boston, he adopted the Romanesque."
In 1869, he designed the Buffalo State Asylum for the Insane (now known as the Richardson Olmsted Complex) in Buffalo, the largest commission of his career and the first appearance of Richardsonian Romanesque style. A massive Medina sandstone complex, it is a National Historic Landmark and, as of 2009, was being restored.
Trinity Church in Boston, designed by Richardson and built 1872–1877, solidified his national reputation and led to major commissions for the rest of his life. Although incorporating historical elements from a variety of sources, including early Syrian Christian, Byzantine, and both French and Spanish Romanesque, it was more "Richardsonian" than Romanesque. Trinity was also a collaboration with the construction and engineering firm of the Norcross Brothers, with whom the architect would work on some 30 projects.
He designed the Ames Monument, which was constructed from 1880 to 1882, and is located at the highest point of the original Transcontinental Railway (the financing of which was spearheaded by Oliver Ames Jr. and his brother Oakes Ames), east of Laramie, Wyoming. The Ames brothers and family provided generous patronage for Richardson's works, and after Oliver's death, Richardson was commissioned to design the Ames Free Library established in 1883 by a bequeath in Ames's will.
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