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Henry Nemo
Henry Nemo
from Wikipedia

Henry Nemo (June 8, 1909 – November 26, 1999)[citation needed] was an American musician, songwriter, and actor in Hollywood films who had a reputation as a hipster.

Band leading

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In 1941, Nemo formed his own 19-piece band. The group featured four Chinese women as singers. Playing on his nickname, "The Neme," the band's slogan was "Hit the Beam with the Neme."[1]

Musical compositions

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Nemo's first hit composition was "I Let a Song Go Out of My Heart."[1] He also composed the song standards "Don't Take Your Love From Me" and "'Tis Autumn", both published in 1941. He also composed the incidental music and lyrics for the 1959 Broadway production of Saul Levitt's play The Andersonville Trial directed by José Ferrer and starring George C. Scott.[2]

Nemo worked with Frank Sinatra, Duke Ellington, Mildred Bailey, Tommy Dorsey.[citation needed] Artie Shaw recorded his song "Don't Take Your Love from Me" in 1941 with a band of mostly African-American musicians accompanying African-American vocalist Lena Horne.[citation needed]

Acting

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In 1947, Henry Nemo appeared in Song of the Thin Man, a murder mystery-comedy directed by Edward Buzzell, which is the sixth and final film in MGM's Thin Man series. It starred William Powell and Myrna Loy as Nick and Nora Charles, based on characters created by Dashiell Hammett. Henry Nemo played the character called The Neem.[citation needed] In 1989, Nemo appeared in The Plot Against Harry, a film made in 1969 by independent filmmakers Michael Roemer and Robert M. Young.[3][4]

Legacy

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Nemo is credited as having been the inspiration for the Starkist tuna advertising mascot, Charlie the Tuna.[5]

References

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from Grokipedia
Henry Nemo is an American songwriter, lyricist, composer, and actor known for his influential contributions to jazz and popular music during the swing era, including several enduring standards that have been widely recorded and performed by major artists. His most notable works include writing the lyrics for Duke Ellington's "I Let a Song Go Out of My Heart" in collaboration with Irving Mills and John Redmond, as well as composing "Don't Take Your Love from Me" and "'Tis Autumn," both of which became popular standards covered by performers such as Artie Shaw, Lena Horne, Nat King Cole, and John Coltrane. He also penned other songs like "Blame It on My Last Affair" and the novelty tune "A Bee Gezindt," reflecting his versatility across jazz, big-band, and Tin Pan Alley styles. Nemo frequently collaborated with Irving Mills and contributed songs to Hollywood films, including the title song for Out of the Blue (1947) and tracks in Duchess of Idaho (1950). As an actor, Nemo appeared in character roles in films such as Song of the Thin Man (1947), where his performance earned him the nickname "The Neem," and The Plot Against Harry (1969, reissued 1989). He was recognized for his hipster persona and colorful presence in the mid-20th-century entertainment world, bridging the realms of jazz composition, songwriting, and occasional screen work. Born in New York City, he spent his later years in Los Angeles, where he passed away in 1999.

Early life

Henry Nemo was born on June 8, 1909, in New York City, New York, USA. Little is documented about his childhood, family background, or early influences. He worked as a nightclub and vaudeville entertainer before transitioning to songwriting in the late 1930s.

Music career

Songwriting and collaborations

Henry Nemo established himself as a prominent songwriter in the swing era, primarily through collaborations with major figures in jazz and big band music during the late 1930s and early 1940s. His most significant early success came from partnering with Duke Ellington and Irving Mills on several compositions. Nemo co-wrote "I Let a Song Go Out of My Heart" with Duke Ellington, Irving Mills, and John Redmond, which was first recorded by Duke Ellington and His Famous Orchestra on March 3, 1938, and has 266 known cover versions. In the same period, he co-wrote "Blame It on My Last Affair" with Irving Mills, first recorded by Mildred Bailey in 1938. Among his solo compositions, "Don't Take Your Love from Me" was first recorded by Mildred Bailey on January 25, 1940, and has 204 known cover versions. Another key work, "'Tis Autumn," was first recorded by Les Brown and His Orchestra on September 17, 1941, with 126 known cover versions. Nemo's songs attracted recordings from prominent performers including Artie Shaw with Lena Horne on "Don't Take Your Love from Me," as well as Tommy Dorsey and Frank Sinatra. His primary artistic partnerships involved Duke Ellington, Irving Mills, and Mildred Bailey.

Band leadership

In 1941, Henry Nemo formed his own 19-piece band, which included four Chinese women as singers. The ensemble promoted itself with the slogan "Hit the Beam with the Neem," a playful reference to Nemo's nickname "The Neem." No recordings or specific performances by this group are documented in available sources.

Acting career

Film roles

Henry Nemo had a limited acting career in film, appearing in supporting or minor roles across three productions. He made his on-screen debut in 1947 as "The Neem" in the MGM screwball comedy Song of the Thin Man, directed by Edward Buzzell and starring William Powell and Myrna Loy. This role, which involved his characteristic jive talk, is credited with inspiring his longtime nickname "The Neem." In 1967, Nemo appeared as the "Husband" in the low-profile film Ciao. His third and final acting credit was as "Max" in The Plot Against Harry, directed by Michael Roemer with cinematography by Robert M. Young; the film was shot in 1969 but received only a limited one-week release in 1971 before being shelved, only to be rediscovered and given a wide theatrical release in 1989, earning acclaim as a notable example of 1960s independent cinema. Nemo's film acting remained occasional and secondary to his primary work in music.

Later years

Later career and death

In 1959, Nemo composed the incidental music and lyrics for the Broadway production of Saul Levitt's play The Andersonville Trial, directed by José Ferrer and starring George C. Scott as Lt. Col. N. P. Chipman. The play, which opened on December 29, 1959, at Henry Miller's Theatre and ran for 179 performances through June 1, 1960, marked one of his final credited contributions to a major stage work. Nemo died on November 26, 1999, in Los Angeles, California, at the age of 92. His songs continued to be licensed for use in television and film in the decades that followed.

Legacy

Musical legacy

Henry Nemo's musical legacy primarily endures through the lasting popularity and frequent reinterpretation of his jazz standards, most notably his compositions from the late 1930s and early 1940s. His works have accumulated hundreds of recorded versions, reflecting their appeal within jazz and popular music circles. "I Let a Song Go Out of My Heart" has been recorded in 266 versions, "Don't Take Your Love from Me" in 204 versions, and "'Tis Autumn" in 126 versions. These figures, tracked by SecondHandSongs, highlight the songs' status as enduring standards frequently revisited by artists across generations. Nemo's compositions have continued to appear in film, television, and documentary contexts long after his active career. "Don't Take Your Love from Me" featured in multiple episodes of the television series 77 Sunset Strip (1959–1963) and Hawaiian Eye (1962–1963). "I Let a Song Go Out of My Heart" was used in the documentary Love You Madly: A Salute to Duke Ellington (1969) and Ken Burns's Baseball miniseries (1994). Later placements include "Don't Take Your Love from Me" in the film Big Night (1996) and "I Let a Song Go Out of My Heart" in Melinda and Melinda (2004) as well as an episode of The Marvelous Mrs. Maisel (2017). These usages underscore the songs' versatility in evoking period atmospheres and jazz heritage. Known for his persona as a 1940s hipster, Nemo earned the nickname "The Neem" from his acting role in Song of the Thin Man (1947). This reputation as a smooth-talking figure in jazz and Hollywood circles contributed to his enduring image within music history.
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