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Ho Yi
Ho Yi
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Ho Yi

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Ho Yi

Ho Yi also known as Ho Yi Wong (黃浩義) (pinyin Huáng Hào Yì; born 1956) is a Chinese actor, theatre director, playwright and theatre producer of Hong Kong origin. He has lived and worked in the United Kingdom.

Ho Yi was born educated in Hong Kong. His development as an actor/director coincided with the boom of the Hong Kong "City Hall Culture", a "renaissance" period of the former Urban Council, Hong Kong.

Ho Yi's professional acting career began when the Hong Kong Repertory Theatre (香港話劇團), a government subsidized company prepared itself to establish in 1977, Ho Yi became one of its earliest freelance actors. His first full-time acting job was with the government run Radio Television Hong Kong (香港電台) where he worked for three years.

In 1983, Ho Yi founded Spotlight Productions (浩采製作) in Hong Kong and the Hong Kong Youth Theatre Company (香港青年劇團), mainly to do theatrical stage work. Between 1983 and 1997, with his two independent theatre companies, he wrote/translated, produced, directed and starred in a score of stage productions, including two musicals – of which his Pa Pa Can You Hear Me Sing (搭錯車) was with the collaboration of the late David Toguri (Rocky Horror Picture Show and Who Framed Roger Rabbit) as his choreographer. He also worked with the Hong Kong Philharmonic Orchestra in three seasons.

His signature play American Buffalo (勾心鬥角), first staged in 1986, became known as a theatrical milestone of Hong Kong as written up by "Film Bi-weekly" (電影雙周). Ho Yi's unique and original treatment in the delivery of the rich David Mamet dialogue in Cantonese (Cantonese is now officially recognised as a language) created a new form of acting style known as Wu Li Tou (無里頭) for the Hong Kong stage.

Ho Yi's career as a cross-genre actor, on both stage and screen, extended further afield in the early 1990s. As early as 1992, he produced, directed and acted in China. The following year he broke new grounds in Shanghai, by staging the American play Extremities (以牙還牙) in Mandarin.

He made his English-language acting debut in British television series Soldier, Soldier while still in Hong Kong, followed by a principal role in the film Victory (Wang) directed by Oscar-winner Mark Peploe (co-screenwriter of the Last Emperor), starring opposite Hollywood heavyweights Willem Dafoe and Sam Neill, in 1994.

Hong Kong Economic Journal's Hung Hg called him the "Hong Kong's father of the theatre".

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