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Housefull 4
Theatrical release poster
Directed byFarhad Samji
Written byFarhad Samji
Screenplay byAakash Kaushik
Madhur Sharma
Farhad Samji
Tushar Hiranandani
Sparsh Khetarpal
Tasha Bhambra
Story bySara Bodinar
Sajid Nadiadwala
Produced bySajid Nadiadwala
Starring
CinematographySudeep Chatterjee
Edited byRameshwar S. Bhagat
Music bySongs:
Sohail Sen
Farhad Samji
Sandeep Shirodkar
Score:
Julius Packiam
Production
companies
Distributed byFox Star Studios
Release date
  • 25 October 2019 (2019-10-25) (India)
Running time
145 minutes[1]
CountryIndia
LanguageHindi
Budget₹150 crore[2]
Box officeest. ₹280.27–296 crore[3][4]

Housefull 4 is a 2019 Indian Hindi-language fantasy action comedy film directed by Farhad Samji and produced by Nadiadwala Grandson Entertainment and Fox Star Studios. The film is the fourth instalment of the Housefull series,[5][6] and stars an ensemble cast of Akshay Kumar, Riteish Deshmukh, Bobby Deol, Kriti Sanon, Pooja Hegde, Kriti Kharbanda and Rana Daggubati in the lead roles. The plot deals with reincarnation. Three brothers are set to marry three sisters. However, a peek into the distant past reveals to one of the brothers that their brides have been mixed up in their current reincarnation.

The film was half directed by Sajid Khan, who had also directed the first two instalments, but was replaced by Farhad Samji midway during the shooting due to Me Too allegations.[7][8] Nadiadwala claimed the film to be the highest-budgeted Indian comedy film.[9][10][11]

The film was theatrically released in India on 25 October 2019 during the occasion of Diwali and like the previous film, it received mixed-to-negative reviews. The film became a major commercial success by grossing nearly ₹300 crore worldwide,[12][13] and went on to become the 7th highest-grossing Hindi film of 2019.

A sequel, titled Housefull 5 with two prints, Housefull 5A and Housefull 5B was released on 6 June 2025.

Plot

[edit]

Housefull 4 is a comedy film centered on reincarnation, spanning 600 years from 1419 to 2019.[14]

In 2019, three brothers—Harry, a barber who temporarily forgets what he's currently doing when he hears a loud sound; Roy; and Max—live in London. Harry experiences visions of a past life and misplaces a bag containing £5 million belonging to gangsters Michael and Big Bhai, in the laundry machine, who demand its return.[14] To settle the debt, the brothers plan to marry the wealthy Thakral sisters: Pooja, Neha, and Kriti. However, they fall in love with the wrong sisters, leading to chaotic wedding preparations in Sitamgarh.[15]

In Sitamgarh, hotel bellboy Aakhri Pasta recognises the group as reincarnations from 1419 Madhavgarh and Sitamgarh. Through Harry’s visions and Pasta’s revelations, they learn of their past lives. In 1419, Prince Bala of Madhavgarh, exiled for plotting against his father, sought to marry Princess Madhu, eldest daughter of Sitamgarh’s King Surya Singh Rana, to gain the throne. Bala’s allies—dance teacher Bangdu and bodyguard Dharamputra—loved Madhu’s sisters, Mala and Meena, respectively. Desperate to be king of Sitamgarh, Suryabhan, the king’s nephew, framed the couples for murdering an enemy clan leader, leading to a battle with the leader’s brother, Gama. During the chaos, Suryabhan sabotaged their wedding mandap, killing the couples.[14]

In the present, Harry, Roy, and Max realise they are set to marry the wrong sisters (Harry with Pooja, Roy with Neha, Max with Kriti) compared to their past lives (Bala-Madhu, Bangdu-Mala, Dharamputra-Meena). Pasta helps them recall their past, and a painting of their 1419 wedding triggers the sisters’ memories. Pappu Rangeela, Gama’s reincarnation, and Michael, Suryabhan’s reincarnation, disrupt the wedding. Kriti reveals Suryabhan’s past betrayal, and Pappu kills Michael by pushing him into a collapsing mandap, avenging his brother’s death. The film concludes with the correct couples—Harry-Kriti, Roy-Pooja, and Max-Neha—marrying, fulfilling their 600-year love story.[15]

Cast

[edit]
  • Akshay Kumar as
    • Rajkumar Bala Dev Singh
    • Harsh "Harry" Sinha, Bala's reincarnation
  • Bobby Deol as
    • Mahabali Dharamputra Deo Singh
    • Madhav "Max" Sinha, Dharamputra's reincarnation
  • Riteish Deshmukh as
    • Bangdu Pratap Singh Maharaj
    • Raman "Roy" Sinha, Bangdu's reincarnation
  • Kriti Sanon as
    • Rajkumari Madhu
    • Kriti Thakral, Madhu's reincarnation
  • Pooja Hegde as
    • Rajkumari Maala
    • Pooja Thakral, Maala's reincarnation
  • Kriti Kharbanda as
    • Rajkumari Meena
    • Neha Thakral, Meena's reincarnation
  • Rana Daggubati as
    • Maharaja Gama Chandrendar
    • Ashish "Pappu" Rangeela, Gama's reincarnation (voice dubbed by Manoj Pandey)
  • Chunky Panday as
    • Pehla Pasta
    • Aakhri Pasta, Pehla Pasta's reincarnation
  • Ranjeet as
    • Maharaja Surya Singh Rana
    • Manraj Thakral, Raja Surya's reincarnation
  • Sharad Kelkar as
    • Suryabhan
    • Gangster Michael D'Costa/ Michael Bhai, Suryabhan's reincarnation
  • Johnny Lever as Winston Churchgate, Hotel Manager of Sitamgarh and reincarnated Giggly (Dual role)
  • Jamie Lever as Giggly; Madhu, Mala, and Meena's maid, Pehla Pasta's wife
  • Nawazuddin Siddiqui as Dharmesh Ramsey a.k.a. Ramsey Baba (special appearance), a tantrik
  • Manoj Pahwa as Viraj Sehni a.k.a. Big Bhai, Ganglead of Michael Bhai (special appearance)
  • Parikshit Sahni as Maharaja Parikshitap Dev Singh (special appearance)
  • Archana Puran Singh as Varsha P. Sinha (photo only), Mother of Harry, Max and Roy
  • Shakti Kapoor as Prabhakar Badrinath Sinha (photo only), Father of Harry, Max and Roy
  • Sham Mashalkar as Darbari
  • Prithvi Zutshi as Shekhar Siskeria
  • Saurabh Sachdeva as Raazdaar
  • Saurabh Srivastava as Lakhan
  • Dipesh K. Shrestha as a Driver

Production

[edit]

Development

[edit]

After the success of Housefull (2010), Housefull 2 (2012), and Housefull 3 (2016), Sajid Nadiadwala announced Housefull 4 on 27 October 2017.[16] The film was the fourth film in Housefull film series.[17]

Sajid Khan was announced as the director.[18] Farhad Samji, who directed Housefull 3 came on board to write screenplay and dialogues, from the story by Sajid Nadiadwala.[19]

The film was made on a budget of ₹75 crore. In February 2018, it was reported that the film would commence filming in June 2018, in order to give time to post-production and VFX works.[20] DNEG was reported to be do the VFX works of the film, the team shifted from London to Mumbai till the release for the same.[21] The theatrical distribution, overseas, satellite and digital rights of the film were acquired by Fox Star Studios for ₹200 crore.[22]

The technicians includes cinematographer Sudeep Chatterjee, editor Rameshwar S. Bhagat, production designers Amit Ray and Subrata Chakraborty, stunt director Sham Kaushal, art directors Rupam Paul, Pallavi Pethkar, and Vinayak Joshi, costume designers Rimple, and Harpreet Narula and choreographers Farah Khan, Ganesh Acharya and Chinni Prakash.[23]

Casting

[edit]

Mukesh Chhabra served as the casting director.[24] Akshay Kumar and Riteish Deshmukh, who were part of previous films in the series were part of the film. Bobby Deol joined the cast in March 2018.[25] The film marks fifth collaboration his with Kumar after Ajnabee (2001), Ab Tumhare Hawale Watan Sathiyo (2004), Dosti: Friends Forever (2005), and Thank You (2011).[26]

While Kriti Sanon and Pooja Hegde joined the casts and lead actresses in March 2018,[27][28] Kriti Kharbanda joined in June 2018.[29] Sharad Kelkar joined the cast in August 2018.[30] Rana Daggubati joined the cast in November 2018.[31][32] In May 2019, it was reported that Nawazuddin Siddiqui would appear as a Baba in a song.[33]

Chunky Pandey revealed that his character name Aakhri Pasta came from the film Aakhree Raasta (1986), and the character of Marconi from the film The Great Gambler that was played by Sujit Kumar. He took him as an inspiration, his clothes, that moustache, and created Aakhri Pasta.[34]

Filming

[edit]

Principal photography began on 9 July 2018 in London.[35] The filming of the song "Ek Chumma", featuring lead casts was held on mid July 2018.[36] Choreographed by Farah Khan, the song was entirely shot in United Kingdom, over 5 locations spread across London and its outskirts, including at the House of Lords and Kensington Palace.[37][38] The first schedule was wrapped on 21 July 2018.[39]

The second schedule started in September 2018 in Rajasthan, with filming in Ranthambore forest.[40] Later the production moved to Jaisalmer Palace for filming funny war sequences.[41][42] Later, in October 2018 the team constructed a huge set Chitrakoot grounds in Andheri.[43] The filming was wrapped on 20 November 2018, except the song shoots.[44][45]

A song featuring Siddiqui along with lead casts was shot in May 2019,[46] Choreographed by Ganesh Acharya, the song has 5 500 background dancers and was shot at Film City, Mumbai.[47] A song featuring Kumar, choreographed by Acharya was shot in late June 2018. The song was shot at a huge set erected at Mumbai with 200-250 background dancers.[48] A Qawwali song featuring Rana Daggubati and lead casts, with 200 background dancers was filmed in August 2019.[49][50]

Post-production

[edit]

Post-production for the film began by December 2018, once the film completed its shooting and went for eight months as the film involved extensive computer graphics and visual effects.[51] The VFX works of the film was done by DNEG.[52] In mid-October 2019, the film received a U/A certificate from the Censor Board, with a finalised runtime of 146 minutes.[53]

Music

[edit]
Main article: Housefull 4 (soundtrack)

The film's music is composed by Sohail Sen, Farhad Samji and Sandeep Shirodkar. The music rights were bagged by T-Series.

The soundtrack consists of five songs, namely, "Ek Chumma", "Shaitan Ka Saala", "The Bhoot Song", "Chammo", and "Badla". Lyrics were written by Farhad Samji, Sameer Anjaan and Vayu.

Marketing

[edit]
Pooja Hegde promoting Housefull 4 in 2019

In early September 2019, it was reported that promotion of the film would begin in late September, with makers planning a four-week promotion.[54][55] On 24 September 2019, the logo of Housefull 4 was revealed.[56]

On 25 September, the makers released the posters of lead casts in every hour spread across from the years 1419 to 2019, for the first time in Indian cinema.[57] The official trailer of the film was released on 27 September 2019 and garnered over 38 million views in 24 hours of its release.[58] The trailer launch event was held at PVR Cinemas, Juhu in Mumbai with the film's cast and crew present at the event.[59][60] The trailer was launched India, United Kingdom, Australia, and Dubai, becoming the film Indian film to do so.[61][62] On 7 October 2019, the song "Shaitan Ka Saala"'s launch event was held at Hyderabad, with Akshay Kumar, Kriti Sanon and Pooja Hegde launching the song.[63] In mid October 2019, the entire casts travelled in Indian Railways from Mumbai to Delhi, becoming the first film to do so.[64]

Release

[edit]

Theatrical

[edit]

The film was theatrically released in India on 25 October 2019 during the Diwali festival.[65] The film was released by Fox Star Studios in India.

Home media

[edit]

Housefull 4's digital streaming rights were acquired by Disney+ Hotstar. The film started streaming on Disney+ Hotstar from 20 December 2019.[66]

Reception

[edit]

Box office

[edit]

Housefull 4 grossed ₹19.08 crore in India on its opening day.[67][68] The film had huge opening than its previous films, becoming the highest first day grosser of the series.[69] The film collected ₹37.89 crore in two days of its release.[70] The film grossed ₹53 crore in its opening weekend, becoming one of the highest Diwali release opening weekend grosser.[71][72] Housefull 4 grossed over ₹100 crore in five days of its release in India.[73]

As of 5 December 2019, with a gross of ₹245 crore in India and ₹51 crore overseas, the film has a worldwide gross collection of ₹296 crore and is the 7th highest-grossing Hindi film of 2019.[74]

Critical reception

[edit]

On the review aggregator website Rotten Tomatoes, 33% of 6 critics' reviews are positive, with an average rating of 4/10.[75]

Komal Nahta of Film Information said, "Housefull 4 is not a very entertaining fare and has ordinary merits. On the one hand is the festival period which will work in its favour and on the other hand is the word of mouth which will work against its interests."[76] Sreeparna Sengupta of The Times of India, giving two and half stars out of five, noted that due to general silliness, there were mindless comic moments and scenes of low-brow humour in the film. She opined that it was a drag in portions and jokes were stale. She concluded, "Overall, Housefull 4 ends up as a complete mad caper. Which, if you're a fan of the Housefull brand of comedy, might appeal to you. But if you are not, then proceed with caution.[77] Monika Rawal Kukreja of Hindustan Times reviewed the film and wrote "Housefull 4 is quite the comic extravaganza that offers you a heavy dose of laughter this festive season if you can keep your expectations in check."[78]

Controversies

[edit]

Director Sajid Khan was originally scheduled to direct the film; in October 2018, in the wake of the ongoing "Me Too" movement in India, Khan was accused by actresses Saloni Chopra, Rachel White and journalist Kma Upadhyay of sexual assault and misconduct.[79] Following the accusations, Khan tweeted that he would step down as director, while lead actor Akshay Kumar tweeted that he was cancelling shooting for the film and that he would not work with the accused until the investigation was complete.[80] Later on, Nana Patekar too left the production in the wake of allegations of inappropriate behaviour and touch alleged by victim Tanushree Dutta. Rana Daggubati stepped into essay the role which Nana was supposed to be playing.[81]

Farhad Samji, who co-directed Housefull 3 replaced Sajid Khan as the director.[8]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Housefull 4

View on Grokipedia
from Grokipedia
is a 2019 Indian Hindi-language fantasy comedy film directed by Farhad Samji and produced by Sajid Nadiadwala under Nadiadwala Grandson Entertainment. The film features Akshay Kumar in a dual role alongside Riteish Deshmukh, Bobby Deol, Kriti Sanon, Pooja Hegde, and Rana Daggubati, marking the fourth installment in the Housefull franchise known for its slapstick humor and ensemble casts. Released on 25 October 2019, it centers on three couples separated by treachery in 1419 who reincarnate in 2019, leading to comedic mistaken identities and romantic entanglements amid a treasure hunt. Despite widespread critical panning for its formulaic script, outdated gags, and perceived sexist elements, the film achieved commercial success as a super hit, earning over ₹280 crore worldwide driven by Diwali holiday audiences and Akshay Kumar's star power. Production faced notable controversy when original director Sajid Khan was replaced by Samji following sexual harassment allegations against Khan during the #MeToo movement in India, with Akshay Kumar halting shoots in solidarity. This change contributed to rushed reshoots and accusations of narrative incoherence, though box office figures remained robust, prompting debates over reported earnings' authenticity amid fan and trade disputes.

Synopsis

Plot Summary

In 2019 London, three brothers who operate a struggling barber shop accumulate massive debts to a local moneylender, prompting them to orchestrate a scheme to marry three affluent sisters eligible for a substantial from their late grandfather's will, which requires union with pre-approved suitors. One brother begins experiencing vivid and hypnotic visions, unveiling that the group comprises reincarnations of three couples from 1419 in the fictional kingdom of Sitamgarh, , where the men—two princes and a polo player—were betrothed to three princesses but torn apart by a vengeful conspiracy driven by greed for the throne and royal dowries. In the historical timeline, a lecherous king sires three daughters promised in marriage to neighboring princes, but a scheming antagonist, resentful of his polo-playing rival's favor and the impending loss of royal wealth, orchestrates murders disguised as battlefield casualties, invoking a curse from a mad saint that dooms the lovers to mismatched fates across lifetimes unless reunited correctly. The modern visions reveal mismatched pairings among the reincarnated couples, spurring chaotic interventions: the brothers swap identities, stage abductions, and navigate ensemble pursuits involving the sisters' protective family, a bumbling whistleblower, and the persistent creditor, all while evading recognition of their true past-life bonds through recurring comedic errors like allergic reactions, hypnotic trances, and prop malfunctions. As revelations accumulate during a high-stakes treasure hunt tied to the grandfather's fortune—mirroring the historical quests—the couples realign with their destined partners via synchronized past-life recognitions, shattering the 600-year , securing the inheritance, and resolving the debts through a final of chases, disguises, and royal-style confrontations in .

Cast and Characters

Principal Roles and Performers

leads the ensemble in dual roles as Rajkumar Bala Dev Singh, a 15th-century , and his modern counterpart Harry, employing versatile and rapid shifts in persona to propel the film's chaotic, identity-swapping humor. embodies Bangdu Maharaj, a quirky historical dancer, and Roy in the present, amplifying the group's comedic frictions through his exaggerated, bumbling mannerisms that clash with co-performers' antics. portrays Dharamputra, a formidable of the past, and the contemporary Max, contrasting stoic strength with inept modern mishaps to enhance the ensemble's interplay. The female principals— as Princess Madhu and Kriti, as Princess Mala and Pooja, and as Princess Meena and Neha—serve as pivotal love interests whose timeline-spanning resemblances fuel romantic mix-ups and contribute to the film's layered comedic timing among the leads.

Production

Development and Pre-production

Producer announced Housefull 4 on October 27, 2017, as the fourth installment in the Housefull franchise, which had established commercial success through ensemble casts delivering comedy and chaotic multi-starrer narratives in prior entries like Housefull (2010), (2012), and (2016). The film was initially slated for a 2019 release under director , with Nadiadwala envisioning an escalated production scale including 3D presentation and extensive visual effects to differentiate it from predecessors. The project was budgeted at approximately ₹200 crore, reflecting ambitions for ambitious set pieces and international VFX collaboration. In October 2018, amid the , stepped down as director following sexual harassment allegations leveled by three actresses, prompting to replace him with . , who had earlier contributed to the screenplay and dialogues alongside his brother Sajid, adapted the script to incorporate a narrative spanning the and contemporary settings, building on an initial "thematic twist" concept while preserving the franchise's comedic formula. later noted that his prior involvement in writing facilitated a smoother transition, avoiding major disruptions to timelines.

Casting Process

The casting for Housefull 4 retained and from prior installments in the franchise, alongside recurring performer , to leverage established chemistry and audience familiarity with the core comedic ensemble. Producer expressed intent in November 2017 to reassemble key talents from previous films, emphasizing continuity in the series' ensemble-driven humor. New additions included , who joined in March 2018 amid his return to lead roles following a self-imposed four-year break from films. Deol's selection aligned with efforts to incorporate actors capable of exaggerated , fitting the film's demands. was cast after Nadiadwala viewed her work in Shaadi Mein Zaroor Aana (2017), highlighting her suitability for the comedic tone. The process prioritized performers with proven timing in scenarios to navigate the dual-timeline narrative, incorporating fresh faces like and for added market draw while balancing the ensemble's dynamics.

Filming Locations and Schedule

for Housefull 4 commenced on 9 July 2018 in , where the initial 25-day schedule captured contemporary sequences involving the ensemble cast, including , , and . This phase wrapped on 21 July 2018, focusing on urban and comedic elements set in the modern timeline. The production then shifted to in 2018 for the second schedule, targeting flashback sequences depicting the 1419 historical era amid royal palaces and forests. Filming occurred extensively at and Palace, where period sets were constructed to evoke a monarchical , necessitating logistical coordination for large-scale action and ensemble scenes in remote terrains. The leg lasted approximately one month, accommodating the demands of reincarnation-themed narratives with elaborate costumes and . Subsequent schedules returned to Mumbai studios for interior shots and remaining sequences, enabling tighter control over the multi-timeline structure. The entire principal shoot concluded on 20 November 2018, spanning about four months to align with the film's 2019 release target of 25 October, despite the complexities of synchronizing over a dozen principal actors' availability and building authentic historical sets. This compressed timeline underscored the production's emphasis on efficiency for a high-stakes franchise entry.

Post-production and Visual Effects

The post-production phase of Housefull 4 focused on integrating the film's dual timelines—modern-day and the historical kingdom of 1419—through extensive and editing to support its reincarnation-themed comedy. Principal photography concluded on October 7, 2019, after expedited a planned 90-day schedule to 65 days, allowing final polish ahead of the October 25 release. Editing duties fell to Rameshwar S. Bhagat and Akshay Maru, who handled the assembly of comedic sequences, ensuring temporal shifts and gags aligned for narrative clarity amid the story's chaotic ensemble dynamics. Visual effects, budgeted at ₹75 crore, were supervised by Sam Bhattacharjee and executed by London-based —credited on high-profile projects like , Interstellar, and —in collaboration with the Baahubali series VFX team and Prime Focus Ltd. These efforts generated period-specific elements such as grand palaces and environments, blending live-action footage with digital enhancements to amplify the film's visual humor, including exaggerated historical antics. While the VFX integration buoyed action-oriented by creating immersive 1419-era backdrops, reviewers critiqued the CGI execution in historical sequences as uneven, with noticeable artificiality detracting from some gags.

Soundtrack and Music

Composition and Tracks

The soundtrack for Housefull 4 was primarily composed by , who crafted a collection of five songs blending high-energy rhythms and playful melodies to align with the film's reincarnation-themed and promotional sequences. These tracks emphasize upbeat tempos and humorous lyrics, such as in "Shaitan Ka Saala," featuring Vishal Dadlani's energetic vocals, which serves as a party anthem evoking chaotic mischief fitting the movie's ensemble antics. Similarly, "Ek Chumma" incorporates flirtatious beats sung by Altamash Faridi and , tailored for romantic interludes amid the film's farcical plot twists. Lyrics for key tracks like "Chammo" and "Ek Chumma" were written by , focusing on catchy, repetitive phrases ideal for on-screen and audience sing-alongs in a context. "Chammo," for instance, delivers a lively, folk-infused number with Akshay Kumar's lead, reinforcing the film's light-hearted, exaggerated humor through simple, celebratory wording. The album also includes "The Bhoot Song," a quirky ghost-themed track with supernatural flair to match the narrative's eerie comedic elements, and "Badla," composed with input from director , which adopts a vengeful yet whimsical tone via rap-infused verses. Overall, the compositions prioritize accessibility and visual synchronization over complex orchestration, prioritizing hooks that enhance the film's energy. The full was released digitally in September 2019, ahead of the film's October , allowing for staggered single promotions to build anticipation through . This pre-release strategy highlighted tracks like "Shaitan Ka Saala" on October 17, 2019, ensuring the songs integrated seamlessly into the movie's promotional and narrative fabric without delving into deeper emotional ballads.

Release and Chart Performance

The soundtrack of Housefull 4 was released digitally on October 23, 2019, two days prior to the film's theatrical debut, via platforms including , , , and . Individual tracks had been unveiled earlier, with "Ek Chumma" dropping on September 30 and "Shaitan Ka Saala" on October 7, aligning with promotional efforts to build anticipation. The album garnered moderate traction on Indian streaming services like and , where it featured prominently in Bollywood playlists but did not dominate year-end rankings. "Shaitan Ka Saala", an upbeat sung by and featuring Akshay Kumar's energetic performance, emerged as the standout hit, propelled by its viral appeal and dance sequences. Similarly, "Ek Chumma" contributed to pre-release buzz through its foot-tapping rhythm and ensemble cast visuals. YouTube metrics underscored the tracks' longevity, with "Shaitan Ka Saala" surpassing 858 million views, reflecting sustained popularity beyond the film's run. Other songs, including "Chammo" and "The Bhoot Song", accumulated millions of streams and views by 2020, aiding franchise familiarity without matching the commercial peaks of prior installments like Housefull 3. No official physical sales figures were reported, consistent with the shift toward digital consumption in Bollywood music by 2019.

Marketing and Promotion

Promotional Campaigns

The promotional campaigns for Housefull 4 focused on engaging family and youth demographics through experiential events, digital activations, and franchise nostalgia from the successful prior installments in the comedy series. Strategies included multi-city tours via a dedicated promotional train journey from to , initiated on October 16, 2019, under ' "Promotion on Wheels" initiative, which was the first such collaboration for a film. This tour featured onboard activities like antakshari games with the cast, extending to events in on October 23, 2019. Additionally, train coaches in were wrapped with film branding on October 22, 2019, to maximize visibility. Song launches integrated promotional efforts, with the track "Bala" released on October 7, 2019, accompanied by press meets such as one in Hyderabad. The song's quirky dance steps sparked a viral challenge by October 14, 2019, where celebrities and fans replicated the moves, amplifying organic reach. The cast drove engagement, posting teasers and behind-the-scenes content to build buzz around the film's time-travel comedy premise. Brand tie-ups enhanced digital outreach, including a partnership with and VMate announced on October 29, 2019, featuring customized in-app games themed on the film and festivities to deliver entertaining content to users. Campaigns positioned the film as ideal festive family entertainment, urging audiences to attend with relatives for laughs, capitalizing on the series' reputation for light-hearted humor.

Trailers and Events

The official trailer for Housefull 4 was released on September 27, 2019, during a grand launch event at PVR Cinemas in , , where the cast, including , , , , , and , appeared in period attire to showcase the film's reincarnation-themed comedy. The two-minute trailer depicted the ensemble cast navigating chaotic romantic entanglements across 1419 Sitamgarh and modern-day , revealing the core premise of lovers reuniting after centuries due to a , which sparked immediate online discussions about the franchise's signature humor. It achieved over 38 million views across platforms within 24 hours, reflecting strong initial audience engagement despite mixed reactions to the plot's fantastical elements. Promotional events included a song launch press meet on October 7, 2019, in Hyderabad, attended by , , , and , where the cast highlighted comedic sequences from the track "Shaitan Ka Saala" and engaged with regional media on the film's ensemble dynamics. On October 16, 2019, the team participated in the inaugural "Promotion on Wheels" initiative by , boarding a special from to for fan meet-and-greets and live interactions that emphasized the group's synchronized humor and character quirks. These sessions drew enthusiastic responses from attendees, who praised the cast's improvisational banter mimicking on-screen chaos. Pre-release special screenings for industry celebrities occurred on October 23, 2019, in , providing early previews that focused on the film's technical execution of dual timelines and comedic timing, though some reports noted varied reactions including fatigue during extended sequences. Attendees like and joined subsequent viewings, contributing to word-of-mouth buzz around the ensemble's chemistry.

Release

Theatrical Distribution

Housefull 4 was theatrically released worldwide on October 25, 2019. In India, Fox Star Studios handled distribution, securing rights including theatrical rollout for the Diwali-timed launch. The film premiered across approximately 3,900 screens domestically, enabling broad accessibility for the opening weekend. Overseas distribution, also managed under Fox Star Studios' acquisition, saw simultaneous rollout in key territories such as the , , , , and . This strategy targeted audiences, with early screenings aligning with the Indian release to capitalize on festival momentum. Initial international markets contributed to the film's global footprint from day one, though specific overseas screen counts varied by region.

Home Media and Digital Release

Housefull 4 became available for digital streaming on Hotstar, accessible to VIP subscribers, starting December 20, 2019. This release followed the film's theatrical run by less than two months, capitalizing on its box-office performance to extend viewership through on-demand platforms. The world television occurred on Star Gold on December 22, 2019, at 12:00 PM IST, marking the satellite rights acquisition by the channel for broadcast distribution. This airing provided additional revenue streams via advertising and repeat telecasts, though specific viewership metrics for the premiere were not publicly detailed by the broadcaster.

Commercial Performance

Box Office Collection

Housefull 4 earned ₹19.08 nett in on its opening day, , October 25, 2019. The film added ₹18.81 on Saturday and ₹15.33 on Sunday, totaling ₹53.22 nett over the opening weekend. On , October 28, collections surged to ₹34.56 nett, driven by post-Diwali momentum, pushing the four-day total to ₹87.78 nett. The film maintained steady performance in subsequent days, with Week 1 nett collections reaching approximately ₹137.25 in . By the end of its theatrical run, Housefull 4 grossed ₹246.52 in and $6.8 million overseas, for a worldwide gross of ₹294.80 . In November 2019, after nine days, worldwide earnings approached ₹290 , reflecting robust initial holds.
PeriodIndia Nett (₹ Cr)Source
Opening Day19.08
Opening Weekend (Fri-Sun)53.22
Day 4 (Mon)34.56
Week 1 Total137.25
Final India Total~194.60
Final Worldwide Gross294.80
Housefull 4 ranked as the seventh highest-grossing film of 2019, surpassing franchise predecessors like (₹109 nett ) while trailing action-dramas such as War and .

Budget and Profitability

Housefull 4 was produced on a budget of ₹162 , encompassing costs for an , elaborate sets spanning historical and contemporary eras, and extensive location shoots. Cost recovery occurred primarily through theatrical distributors' shares after exhibitor cuts, supplemented by music rights sales, satellite broadcasting deals, and digital streaming rights, with pre-release ancillary revenues providing a buffer against risks. Box Office India classified the film as a "Super Hit," reflecting distributor recovery of minimum guarantees plus producers' profits exceeding production outlays by a wide margin domestically. This outcome stemmed from the drawing power of lead actor and supporting stars like and , which mobilized mass audiences via franchise familiarity and promotional hype, rather than narrative innovation or critical acclaim. Estimated domestic profit margins surpassed 100%, underscoring the viability of high-budget comedy franchises reliant on star-driven appeal in the .

Reception

Critical Reviews

Critics predominantly lambasted Housefull 4 for its feeble screenplay, reliance on outdated tropes, and crass, low-brow humor that often veered into sexist and racist territory, rendering the film a chaotic mess despite its ambitious premise spanning two eras. The direction by drew specific ire for being unimaginative and disorganized, failing to cohesively integrate the ensemble cast's antics or salvage the outlandish writing, which prioritized noise over narrative coherence. Outlets like awarded it a dismal 0.5/5, decrying the absence of any sensible plot progression amid relentless, brain-numbing gags. Review aggregates reflected this negativity, with limited professional critiques on platforms like Rotten Tomatoes yielding sparse but unfavorable tallies akin to prior franchise entries in the low 20-30% range, underscoring persistent flaws in scripting and execution across the series. Times of India rated it 2.5/5, noting sporadic mindless laughs amid general silliness but criticizing the preponderance of crude elements that undermined the comedy. The Hindu highlighted the film's problematic content, including targeted queer-bashing jokes, as emblematic of broader creative bankruptcy. Outlier positives centered on lead Akshay 's energetic performance, which some reviewers credited with injecting vitality into otherwise limp proceedings; Times of India observed he "shines" in his fleshed-out role, shouldering much of the film's comedic load. Hindustan Times similarly praised for elevating the bar in a multi-starrer where others faltered, positioning the film as a tolerable comic romp for low-expectation viewers seeking unpretentious laughs. New Indian Express concurred that "steals the show" amid the errors, though the overall template of unending gags on a flimsy foundation remained critically unconvincing.

Audience and Commercial Analysis

Housefull 4 garnered mixed responses that diverged notably from critical consensus, with user ratings reflecting greater tolerance for its humor among mass viewers. On , the film holds a 33% approval rating from critics based on six reviews, contrasted against a 61% score derived from over 250 verified user ratings, underscoring a preference for unpretentious over narrative sophistication. This gap highlights how empirical audience turnout prioritized franchise familiarity and light-hearted , evidenced by reports of cheers and whistles during screenings despite script weaknesses noted by some viewers. The film's appeal stemmed from its draw on family-oriented crowds, leveraging the Housefull series' reputation for broad, intergenerational that encouraged group viewings and word-of-mouth endorsements. Promotional strategies targeted families explicitly, positioning the multi-starrer as accessible spanning classes and age groups, which aligned with observed buzz and theater reactions favoring comedic antics over logical plotting. Sustained interest manifested in consistent morning show occupancies through the second week, suggesting repeat visits driven by communal enjoyment rather than isolated critical acclaim. Franchise loyalty played a pivotal role in bridging the critic-audience divide, as returning fans of prior installments overlooked inconsistencies for the comfort of predictable tropes like gags and ensemble banter. Trade observers attributed the film's viability to this built-in base, which rewarded and Riteish Deshmukh's recurring dynamic despite uneven execution, fostering a self-sustaining appeal independent of elite endorsements. Post-release user polls, including IMDb aggregates around 4.8/10 from thousands of votes, further evidenced this resilience, where casual viewers rated the film's energy higher than detractors' focus on flaws.

Controversies

Box Office Reporting Disputes

In late October 2019, shortly after Housefull 4's theatrical release on October 25, social media users launched the hashtag #FakeHousefullFigures, alleging that producers had inflated the film's box office collections to mislead audiences and stakeholders. These claims lacked independent verification from theatre chains or distributors and primarily stemmed from online skepticism amid the film's mixed reception, with detractors pointing to discrepancies between reported earnings and perceived footfalls. Akshay Kumar, the film's lead actor, rebutted the accusations on November 1, 2019, asserting that figures are verifiable through direct theatre audits and that producers have no incentive to fabricate numbers, as such lies would undermine long-term credibility without financial gain. He emphasized practical verification processes, dismissing the trends as irrelevant and rooted in personal bias rather than evidence. Producer echoed calls for transparency in reporting but critiqued trade analysts for propagating potentially exaggerated data without rigorous sourcing, though he did not specifically endorse claims against Housefull 4. Trade analyst defended the reported performance by citing theatre-sourced data, noting Housefull 4 earned ₹19.08 nett on its opening Friday, ₹18.81 on Saturday, and sustained momentum to cross ₹80 by Monday (day 4), aligning with producer estimates for a strong first week without evidence of manipulation. Independent trackers like acknowledged industry-wide inflation tendencies but affirmed the film's collections as consistent with verifiable occupancy and ticket sales, prioritizing empirical theatre reports over unsubstantiated assertions.

Creative and Ethical Criticisms

The production of Housefull 4 encountered ethical challenges stemming from the , particularly the ouster of original director in October 2018 following accusations of sexual misconduct by multiple women, including actresses , , and Rachel White, who alleged inappropriate demands and harassment during auditions for his prior films. Producer replaced Khan with to helm the project, a move framed as a direct response to the allegations amid Bollywood's broader reckoning with workplace abuses. Khan, who has denied the claims, later described severe career fallout, including periods of , highlighting debates over versus immediate professional consequences in an industry often criticized for selective accountability. While the swift directorial switch demonstrated producer responsiveness to public pressure, observers pointed to underlying systemic issues, such as the lack of independent investigations or legal resolutions, as evidence of Bollywood's uneven handling of such complaints. Content-wise, the film faced accusations of creative derivativeness, with detractors noting its reincarnation-based plot echoed longstanding Bollywood tropes seen in earlier works like (2007), though no formal plagiarism suits emerged and proponents dismissed such parallels as inherent to the genre's fantastical comedy conventions rather than unoriginal theft. More pointed ethical critiques targeted the screenplay's reliance on , including sexist tropes and of female characters, which persisted despite the director change and drew ire for normalizing crass innuendos, body-shaming gags, and regressive gender dynamics in a post-#MeToo landscape. Reviewers highlighted specific dialogues and scenes—such as repeated emphasis on women's appearances over agency—as emblematic of the franchise's unapologetic humor, which some defended as intentional exaggerating absurdities for comedic effect, while others argued it reinforced harmful norms without or . This tension underscored broader industry debates on whether such comedy's commercial viability excuses ethical lapses in representation, with no concessions made to censor boards beyond a U/A rating despite flagged content.

Legacy

Franchise Impact

Housefull 4's commercial viability, grossing over ₹200 crore worldwide despite predominantly negative critical reception, directly facilitated the greenlighting and production of Housefull 5, which premiered on June 6, 2025, thereby extending the franchise's lifespan under Akshay Kumar's central leadership in the genre. Prior to Housefull 5, the series had amassed approximately ₹792 in worldwide earnings across its first four installments, positioning Housefull 4 as a critical financial bridge that offset risks associated with and ensured the franchise's continuity as one of Bollywood's highest-grossing comedy properties. The film's success reinforced the viability of the multi-starrer ensemble format, characterized by overlapping casts and slapstick-heavy narratives, compelling producers and to replicate this model in subsequent entries despite observable patterns of critical dismissal for formulaic repetition, as the returns demonstrated sustained audience tolerance for such structures over individual innovation.

Cultural and Industry Influence

Housefull 4's commercial performance, grossing ₹291.08 worldwide, exemplified Bollywood's sustained viability of the mass-entertainer format, where , ensemble casts, and escapist narratives prioritize audience engagement over critical sophistication. Despite receiving predominantly negative reviews for its dated humor and lack of originality, the film achieved the highest single-day collection for a at the time, signaling industry reliance on proven formulas like tropes and physical gags to drive footfalls in single-screen theaters and mass markets. The film's cultural footprint persisted into 2025, marked by widespread 6th anniversary commemorations on October 25, including posts from producer and actress reminiscing about its comedic set pieces and enduring fan loyalty. These tributes underscored its role in perpetuating light-hearted, family-oriented entertainment amid evolving viewer preferences, with reruns generating significant impressions second only to major epics like Baahubali: The Conclusion. For , the film's status as one of his top-grossing releases reinforced his versatility in franchise comedies, stabilizing his post-2019 output amid subsequent variable hits and aiding momentum toward 2025's , which marked a box-office resurgence after industry-wide challenges. Its triumph over trends alleging "paid negativity" and box-office manipulation claims further illustrated audience sovereignty, as verifiable earnings outpaced detractors' narratives, affirming commercial metrics as the ultimate arbiter in Bollywood's competitive landscape.

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