Hubbry Logo
search
logo
Hugo Thimig avatar
Hugo Thimig
Hugo Thimig
current hub
1119141

Hugo Thimig

logo
Community Hub0 Subscribers
Read side by side
Hugo Thimig
View on Wikipedia
from Wikipedia

Hugo August Thimig (16 June 1854 – 24 September 1944) was a German actor, director, and the director of the Burgtheater in Vienna.[1][2]

Key Information

Biography

[edit]

Thimig was the founding father of one of Austria's most famous theatrical families, but was born in Dresden, the son of a shoemaker. He worked in a grocery store and attended a trade school before making several appearances on stage as an amateur in his home town. He made his professional debut in October 1872 in the town theatre of Bautzen. Within only two years, via the theatres in Zittau, Kamenz and Freiberg, Saxony, and the Lobe-Theater in Breslau, he obtained an engagement at the Burgtheater, and arrived in Vienna in 1874 to take it up. A week before his 20th birthday he gave his first performance there as Didier in Charlotte Birch-Pfeiffer's Die Grille.

Thimig began as a "shy lover" type, but soon developed into both comic and serious character roles, and his career soon took off. As early as 1881 he was appointed Hofrat, in 1897 he directed his first play, and from 1912 to 1917 he was also director of the Burgtheater, from which he had long since obtained a contract for life plus entitlement to a pension.

After his retirement in 1924 at the age of seventy he moved to the Theater in der Josefstadt, run by his future son-in-law Max Reinhardt, where he stayed until 1933, when he finally withdrew into private life, aged almost 80. The Theater in der Josefstadt was known in Vienna in the 1920s as the "Thimig Theatre", as besides the father, his three acting children were also engaged there: Helene Thimig, at first the partner and later the wife of Reinhardt, and her younger brother Hermann Thimig. The youngest of the three, Hans Thimig, joined them a little later. The entire family from then on worked in either the Burgtheater or the Theater in der Josefstadt.

Thimig was a passionate collector of theatrical items and memorabilia. His collection of documents and objects formed the basis of the collections of the Austrian Theatre Museum in the Palais Lobkowitz in Vienna.[3]

The graves of Hugo Thimg, his wife Franziska, son Hermann, and Hermann's wife, the actress Vilma Degischer, at the Sieveringer Cemetery in Vienna

On 24 September 1944, aged 90, he committed suicide by an overdose of Veronal. His wife Franziska (née Hummel) had died two days previously. He was buried next to his wife in the Sievering Cemetery in the 19th district of Vienna.[4]

Recognition

[edit]

Selected filmography

[edit]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Hugo Thimig

View on Grokipedia
from Grokipedia
''Hugo Thimig'' is a German-born Austrian actor and theatre director known for his nearly fifty-year association with the Vienna Burgtheater, where he excelled in a wide range of comic and dramatic roles and served as director during a key period in the theater's history. Born in Dresden in 1854, Thimig made his stage debut in 1872 and joined the Burgtheater in 1874 at a young age, quickly establishing himself as a versatile performer. He began with youthful lover roles but soon became renowned for his character acting in both classical and contemporary works. Appointed a director in the late 1890s, he led the Burgtheater from 1912 to 1917, overseeing productions during a transformative era. After retiring from the Burgtheater in 1924, he continued his career at the Theater in der Josefstadt under Max Reinhardt until 1933. Thimig also appeared in several early films and was a passionate collector of theatrical artifacts, with his collection forming the foundation of the Austrian Theatre Museum. He was the head of a notable theatrical family, married to actress Franziska Hummel, with children Hermann Thimig, Helene Thimig, Hans Thimig, and Friedrich Thimig all pursuing acting careers, contributing to a dynasty that significantly influenced Austrian theater. Thimig received the Goethe Medal for Art and Science in 1942 and the Ring of Honour of the City of Vienna in 1944, the year of his death in Vienna at age 90.

Early life

Birth and family background

Hugo August Thimig was born on 16 June 1854 in Dresden, Kingdom of Saxony (present-day Germany). [1] Details on his parents, siblings, or broader family background prior to his professional life remain scarce in available historical records. [2]

Early career and entry into acting

Hugo Thimig initially trained for a career in commerce, completing a commercial apprenticeship and attending the commercial school in Dresden. [3] [4] His interest in the theater emerged during this time, prompting him to participate in amateur performances in his hometown. [3] [5] A teacher at the commercial school recognized his talent and supported his theatrical ambitions, leading him to co-found the amateur theater society “Frohsinn” with friends, where he organized and prepared productions. [3] In May 1872, Thimig began formal acting instruction under the Dresden court actor Ferdinand Dessoir, completing 36 lessons that refined his skills. [3] [4] This training culminated in his professional debut on October 15, 1872, at the Stadttheater in Bautzen, where he appeared as Lancelot Gobbo in Shakespeare’s The Merchant of Venice. [5] [4] He followed this with brief engagements at theaters in Zittau, Kamenz, and Freiberg, before spending the 1873/74 season at the Lobe-Theater in Breslau. [5] [4] Thimig’s relocation to Vienna in 1874, after a guest performance that impressed Burgtheater director Franz von Dingelstedt, represented the decisive step into his major professional career. [4]

Burgtheater career

Move to Vienna and joining the Burgtheater

Hugo Thimig relocated from Dresden to Vienna in 1874, where he joined the Burgtheater ensemble as a young actor. [6] [7] Thimig remained a key member of the Burgtheater company from 1874 until 1923, during which time he was recognized as an honorary member of the ensemble. [8] In his early years at the theater, he quickly established himself as a permanent and valued part of the Burgtheater's acting troupe. [7] This engagement formed the foundation of his lifelong career in Viennese theater. [6]

Acting style and notable roles

Hugo Thimig established himself as one of the foremost character actors and comedians of the Burgtheater, renowned for his extraordinary character roles and exceptional comedic talent that made him a beloved ensemble member for nearly five decades. [9] His versatility spanned youthful comedian parts, natural youths (Naturbursche), shy lovers in bourgeois comedies, and later almost exclusively mature character roles, showcasing his ability to navigate both classical and comedic repertoires with equal skill. [3] Thimig's acting style emphasized precise character delineation, linguistic finesse, and a mastery of physical comedy informed by Commedia dell'arte traditions, relying on impeccable comic timing, expressive body language, facial virtuosity, and sharply drawn yet humanly warm portrayals that earned him widespread admiration as a transformative performer with a pronounced focus on humor. [3] [10] Among his signature achievements was the role of Truffaldino in Carlo Goldoni's Der Diener zweier Herren, a part he embodied over many years as one of his defining interpretations in the comic tradition. [3] [10] He gained similar acclaim for his portrayal of Khlestakov in Nikolai Gogol's Der Revisor, highlighting his talent for satirical character work. [3] In the Shakespearean canon, Thimig delivered memorable performances in roles such as Malvolio in Was ihr wollt (Twelfth Night), Zettel in Ein Sommernachtstraum (A Midsummer Night's Dream), and others that underscored his range in classical comedy. [3] Other notable characterizations included Dorfrichter Adam in Heinrich von Kleist's Der zerbrochene Krug and Schmock in Gustav Freytag's Die Journalisten, roles that exemplified his gift for creating vivid, enduring figures in the Burgtheater's repertoire. [10] [3]

Directorship (1912–1917)

Hugo Thimig served as managing director of the Burgtheater in Vienna from 1912 to 1917.[10][7] During his tenure, he held administrative responsibility for the institution, which he had long been associated with as an actor and occasional director of plays since the late 1890s.[8] A notable administrative decision occurred in 1913 when he dismissed actress Ida Orloff from the ensemble.[7] His directorship concluded in 1917 amid the ongoing challenges of World War I, after which he returned to acting roles at the theater.[10]

Later career

Post-directorship theater work

After his tenure as director of the Burgtheater ended in 1917, Hugo Thimig remained active as an actor at the institution. [10] From 1919 onward, he performed there solely as a guest actor until his final departure in 1923. [1] [10] In his later years, Thimig joined the ensemble of the Theater in der Josefstadt in Vienna, where he was a member from 1924 to 1933. [10] This engagement marked the conclusion of his extended theater career. Specific details on individual roles during these post-1917 years remain limited in available records. [1]

Film appearances

Hugo Thimig appeared only seldom in front of the camera throughout his career, with his film work remaining secondary to his long-standing commitment to the stage. [6] He made his film debut in 1921 with the silent film Kleider machen Leute. [6] This was followed by additional silent movies, including Carl Michael Ziehrers Märchen aus Alt-Wien (1923), Das verbotene Land (1924), Das Spielzeug von Paris (1925), Die Pratermizzi (1926), and Velbloud uchem jehly (1926), in which he played the role of Joe Vilím. [6] [11] With the arrival of sound film, Thimig featured in Geld auf der Straße (1930) as Max Kesselberg and in Die grosse Liebe (1931) as Polizeikommissar. [6] [11] These appearances, primarily in supporting or character roles within Austrian and German productions, marked his limited engagement with cinema during the early sound era. [11] His film credits reflect occasional forays into the medium late in life rather than a sustained shift from theater. [6]

Personal life

Marriage and children

Hugo Thimig married Franziska Hummel, known as Fanny, in 1888. [12] Born on March 11, 1867, in Stuttgart, she died on September 22, 1944, in Vienna. [12] The marriage produced four children: daughter Helene Thimig (born 1889), sons Hermann Thimig (born 1890), Friedrich Thimig (born 1893), and Hans Thimig (born 1900). [12] Three of them—Helene, Hermann, and Hans—pursued acting careers in continuation of their father's profession. Helene, Hermann, and Hans Thimig became prominent actors and often shared the stage with their father, reinforcing the Thimig family's status as a legendary Viennese theater dynasty. [13] Their collective involvement was especially notable at the Theater in der Josefstadt, directed by Max Reinhardt (Helene's eventual husband), where the family's dominant presence led to the theater being popularly nicknamed the "Thimig-Theater." [13] This association exemplified the family's lasting impact on Austrian theater through the subsequent generation. [13]

Death and legacy

Final years and death

In his final years, Hugo Thimig lived in retirement in Vienna following the end of his professional engagement at the Theater in der Josefstadt in 1936. [9] He remained in the city throughout the Anschluss and the Second World War, and died there on 24 September 1944 at the age of 90. [9] [11] [14] Thimig was buried at Friedhof Sievering in Vienna. [14]

Legacy in Austrian theater

Hugo Thimig's legacy in Austrian theater is anchored in his nearly five-decade association with the Burgtheater, where he performed from 1874 to 1923 and served as director from 1912 to 1917. Recognized for his mastery in character and comic roles, he was appointed Ehrenmitglied (honorary member) of the Burgtheater in January 1922. [15] His contributions extended to the preservation of Austria's theatrical heritage through his extensive collection of Theatralia, which formed the foundation of the theater collection at the Austrian National Library, now part of the Austrian Theater Museum. Acquired by purchase in 1922, this collection of autographs, books, and other theatrical materials provided an essential resource for documenting and studying Viennese theater history. [16] As a central figure in the Burgtheater tradition, Thimig's influence as actor, director, and collector helped sustain the institution's prestige during a transformative period, with his family members carrying forward the Thimig name in Austrian theater.
User Avatar
No comments yet.