Hunterwali
Hunterwali
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Hunterwali

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Hunterwali

Hunterwali (transl. A Woman with a Whip) is a 1935 Indian Hindi-language action film by the Wadia Movietone company of Bombay (now Mumbai), featuring Fearless Nadia as the heroine. A story of a princess who fights injustice as the masked crusader Hunterwali (lit. "lady with the whip"), the film propelled Nadia and the Wadia brothers of Wadia Movietone to fame.

Hunterwali was the first lead role for Nadia. She performed many stunts in the film, which were applauded by the audience. The film, an expensive venture, was a blockbuster. It inspired numerous products, incorporating Hunterwali in their brand names. Because of the movie's success, Nadia became a cult icon and starred in numerous stunt films, becoming Indian cinema's "earliest and most popular stunt actress". A sequel to the film; Hunterwali Ki Beti, was released in 1943, which made the former the first Indian movie ever to have a sequel.

The story begins on a stormy night, with a prologue explaining that Krishnavati and her infant son are getting evicted from her house by the Prime Minister (Vazier), Ranamal. Earlier, Ranamal had also had her brother murdered. The film switches to 20 years later, when Krishnavati's son Jaswant is an adult. The royal car hits Jaswant in an accident. Then the scene leads to Princess Madhuri (Fearless Nadia) offering Jaswant compensation in the form of gold for the injury caused. Jaswant gallantly refuses the gift, and the princess is attracted to him. The villain Ranamal also has a crush on the princess and wants to marry her. This proposal is opposed by her father, the king who is imprisoned by Ranamal. Madhuri assumes the role of "Hunterwali", a masked vigilante, the "protector of the poor and punisher of evildoers". She then goes around performing stunts like jumping over a moving carriage and then defeating 20 soldiers in one sweep with swashbuckling whipping style. She does not spare Jaswant either as she steals his prized possession, a horse called "Punjab", but soon gives it back to him. Jaswant plots his vendetta and finds Madhuri bathing nude in the river and kidnaps her and gifts her to Ranamal for a reward, but she later escapes. At the end, Madhuri and Jaswant join hands to fight Ranamal together and defeat him.

The members of the cast were:

Hunterwali was a Black and White film running for 164 minutes. During the production, there was an objection to the film's title. Language pundits objected to the blending of two words; Hunter, an English word denoting "whip" and wali, which was a Hindi word made a corrupted hybrid which did not do justice to either language.

The main character in the film, Hunterwali/Madhuri, is the feisty and blue-eyed beauty, Nadia, in the disguise of a man. Mary Evans aka Nadia, an Australian entered Indian cinema in 1934 and had acted in two films, Desh Deepak and Noor-e-Yaman, before Hunterwali. Hunterwali was the first lead role of Nadia. Her character for the role had evolved over the years with her training in riding, as a dancer, a fitness freak, a circus artist and as a theatre artist during the 1920s and early 1930s, which was accentuated by a svelte heavily built but supple Amazonian athletic figure with blond hair and blue-eyes. All these qualities made her an instant attraction to the Wadia brothers of Wadia Movietone, though initially, they were skeptical about a white woman "breaking into a Brown male bastion" of stunt films and acceptance by the conservative audience during the British Raj.

The producers Wadia Movietone (founded by the brothers JBH Wadia and Homi Wadia) specialised in stunt-based and mythological films at that time. The story line was developed by J.B.H. Wadia to suit Nadia's character. The plot is developed around the historical theme of a brave, fearless Indian girl who forgoes her royal luxurious lifestyle to be a people's person. The film was directed by Homi Wadia, Nadia's future husband, who also wrote the screenplay for the film, with Joseph David writing the dialogue. The concept of Hunterwali was inspired by Hollywood films like Robin Hood (1922) starring Douglas Fairbanks.

Inspired by the film serial The Perils of Pauline, Nadia did all her stunts. In the role of a masked avenging angel, the film pictured Nadia as a swashbuckling princess in disguise. In this disguise, she straddled on her horse around the countryside chasing enemies, wearing her hot pants, "with her big breasts and bare white thighs, and when she was not swinging from chandeliers, kicking or whipping men, she was righting wrong with her fists and imperious scowl."

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