Hyacinthe Rigaud

Jacint Rigau-Ros i Serra (Catalan pronunciation: [ʒəˈsin riˈɣaw ˈrɔz i ˈsɛrə]; 18 July 1659 – 29 December 1743), known in French as Hyacinthe Rigaud (pronounced [jasɛ̃t ʁiɡo]), was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility.

Rigaud was born in Perpignan, then part of the Crown of Aragon, a few months before Spain ceded the city to France under the Treaty of the Pyrenees (7 November 1659). His family, the Rigau, were Catalan; he was the son of a tailor, the grandson of painter-gilders from Roussillon, and the elder brother of Gaspard Rigaud, also a painter.

Rigaud was baptised with his Catalan name in the old Cathédrale Saint-Jean-Baptiste de Perpignan on 20 July 1659, two days after his birth at rue de la Porte-d'Assaut. His baptismal name was Jyacintho Rigau or Jacint Rigau i Ros This is sometimes transliterated as Híacint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau After the Roussillon and the Cerdanya were ceded to France the following 7 November owing to the Treaty of the Pyrenees, the Rigau remained in Roussillon, and became French subjects.

He was trained in tailoring in his father's workshop, but perfected his skills as a painter under Antoine Ranc at Montpellier from 1671 onwards, before moving to Lyon four years later. It was in these cities that he became familiar with Flemish, Dutch and Italian painting, particularly that of Rubens, Van Dyck, Rembrandt and Titian, whose works he later collected. Arriving in Paris in 1681, he won the prestigious scholarship known as the prix de Rome in 1682, but on the advice of Charles Le Brun did not make the trip to Rome which was included in the scholarship. Rigaud was received into the Académie royale de peinture et de sculpture in 1710, and he rose to the top of this institution before retiring from it in 1735.

Since Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions.

Hyacinthe's father, Josep Matias Pere Ramon Rigau, was a tailor (sastre in Catalan) in the parish of Saint-Jean de Perpignan, "as well as a painter", descended from a line of well-established artists in the Perpignanian basin who had been commissioned to decorate several tabernacles and other panels for liturgical use. Few of these have survived to the present (Palau-del-Vidre, Perpignan, Montalba-d'Amélie, Joch...). Hyacinthe's grandfather, Jacinto major, and even more Jacinto's father, Honorat minor, were heads of the family and the local art world from 1570 to 1630; probably as much as gilders as painters, since in their studios were to be found "many prints and books treating on the art of painting, and other things, such as brushes and palettes for painting".

Working for the collège Saint-Éloi in his city since 1560, and acting as representative of its guild of painters and gilders, on 22 November 1630 Jacinto major and other gilders and colleagues participated in the development of the statutes and minutes of the city's collège Saint-Luc . Honorat minor is generally identified as the painter of The Canonisation of Saint Hyacinthe, formerly in Perpignan's Dominican convent and now at Joch, the tabernacle of the church of Palau-del-Vidre (28 March 1609) and the retable at Montalba near Amélie-les-Bains. The father of Honorat minor is generally identified as the painter of the retable of Saint-Ferréol (1623) in the église Saint-Jacques de Perpignan and formerly in the couvent des Minimes, whilst Honorat major is usually identified as the painter of the paintings of the retable of the église Saint-Jean-l'Évangéliste at Peyrestortes.

On 13 March 1647, Hyacinthe's father Matias Rigau married Thérèse Faget (1634–1655), daughter of a carpenter. Widowed shortly after, he decided to speedily remarry, to Maria Serra, daughter of a Perpignan textile merchant (pentiner in Catalan), on 20 December 1655. In 1665, he acquired a house "en lo carrer de las casas cremades" (now rue de l'Incendie, near the cathedral) and received the income from a parcel of vineyards in the Bompas territory. By his second marriage, he also acquired a house on place de l'Huile, but he soon sold it.