I Ran (So Far Away)

"I Ran (So Far Away)", also released as "I Ran", is a song by English new wave band A Flock of Seagulls. It was released on 5 March 1982 as their third single and it was the second single from their self-titled debut album. It topped the chart in Australia, and reached number seven in New Zealand and number nine in the United States. It peaked at number 31 in Germany. In the band's home country of the United Kingdom it reached number 43. However, the song was certified silver by the BPI.

In an article for Rolling Stone titled, "Anglomania: The Second British Invasion", Parke Puterbaugh wrote of the impact of the song's music video on its US chart success, "Fronted by a singer-synth player with a haircut stranger than anything you'd be likely to encounter in a month of poodle shows, A Flock of Seagulls struck gold on the first try."

Lead vocalist Mike Score says that there were two main sources of inspiration for "I Ran (So Far Away)". The members of A Flock of Seagulls would regularly visit Eric's Club in Liverpool, where one of the bands had a song called "I Ran". Score noted that because A Flock of Seagulls would rehearse right after returning from Eric's, the song title and chorus may have got stuck in his head. Another idea came from a poster at a Zoo Records office. The band had gone there with the intent of securing a recording contract, and they wanted to use the poster, which featured a man and a woman running away from a flying saucer, as the cover for their first album, A Flock of Seagulls (1982). This depiction also helped spark the song's unusual space-like lyrics.

"I Ran (So Far Away)" was recorded at Battery Studios in London with producer Mike Howlett. It is a new wave and synth-pop song, with a run time of five minutes and seven seconds. According to the sheet music, the song moves at a quick tempo of 145 beats per minute. With a chord progression of Am-G-Am-G in the verses and F-G-Am in the choruses, the song is written in the key of A minor. The F-G-Am chord progression in the chorus is "distinctive and unusual in a pop song", but dates back to Romantic-era music.

During the song's introduction and musical interludes, short guitar riffs are played, which make use of echo. Guitarist Paul Reynolds had joined the band after the music was already written, so the short guitar riffs were added for Reynolds to play.

In the lyrics, Score describes a young woman "highlighted against the Aurora Borealis [sic], apparently as if appearing from space". This explains why the women in the music video are wearing costumes consistent with a science fiction theme. Score is frightened by this woman and responds by running "so far away ... both night and day", but finally concludes that "[he] can't get away". In more abstract terms, the song can be interpreted as a "metaphorical acknowledgment that sometimes one cannot escape love and physical attraction". However, it is never explained in the song and the music video why the song is referring to one woman, but the music video shows two identically dressed women.

In an interview for Greg Prato's 2011 book, MTV Ruled the World: The Early Years of Music Video, Mike Score had recalled of his memories filming the "I Ran" music video: "[The 'I Ran' video] is just basically being stupid. [Laughs] You know, 'Stand here, the camera is going to be in the middle, and you're going to try and do something.' And, of course, we had no idea what to do in a video. Videos were not the 'mini-movies' yet. If it was up to the band, we probably would have just stood there in our wild gear and gone, 'OK, we'll just pretend to play.' But they wanted a little bit more, a little bit more angular and quirky. It seems to me that all the early videos had to be quirky. I guess nobody was taking them seriously until somebody dropped a million dollars on one."

The single was promoted by a distinctive music video directed by Tony van den Ende in which the band members performed in a room covered in aluminum foil and mirrors. The cameras used to film the video are clearly visible in many of the background reflections, their stands also covered in foil. The video is an homage to Brian Eno and Robert Fripp's (No Pussyfooting) album cover, which was also portrayed by the Strokes in the video for their single, "The End Has No End," two decades later. The video received heavy rotation on MTV in the summer of 1982, and helped the single to become a hit.