Il Postino: The Postman (Italian: Il postino, lit. ''The Postman''; the title used for the original US release) is a 1994 comedy-drama film co-written by and starring Massimo Troisi and directed by English filmmaker Michael Radford. Based on the 1985 novel Ardiente paciencia (English translation: "Burning Patience") by Antonio Skármeta, itself adapted from a 1983 film written and directed by Skármeta, the film tells a fictional story in which the real life Chilean poet Pablo Neruda forms a friendship with a simple Procida postman (Troisi) who learns to love poetry. The cast includes Troisi, Philippe Noiret, and Maria Grazia Cucinotta. The screenplay was adapted by Radford, Troisi, Anna Pavignano, Furio Scarpelli, and Giacomo Scarpelli.

Writer/star Troisi was severely ill during filming, postponing heart surgery so it could be completed. The day after principal photography ended, he suffered a fatal heart attack, and the film was completed and released posthumously. The film was critically acclaimed, earning numerous accolades including BAFTA Awards for Best Film Not in the English Language, Best Direction, and Best Film Music. Composer Luis Bacalov won the Academy Award for Best Original Dramatic Score, and the film was nominated for Best Picture, Best Director, Best Actor, and Best Screenplay Based on Material Previously Produced or Published.

In 1950, Pablo Neruda, the Chilean poet, is exiled to a small island in Italy for political reasons. His wife accompanies him. On the island, a local, Mario Ruoppolo, is dissatisfied with being a fisherman like his father. Mario looks for other work and is hired as a temporary postman, with Neruda as his only customer. He uses his bicycle to hand deliver Neruda's mail. (The island seems to have no cars.) Though poorly educated, the postman eventually befriends Neruda and becomes further influenced by Neruda's political views and poetry.

Meanwhile, Mario falls in love with a beautiful young lady, Beatrice Russo, who works in her aunt's village café. He is shy with her, but he enlists Neruda's help. Mario constantly asks Neruda if particular metaphors that he uses are suitable for his poems. Mario is able to better communicate with Beatrice and express his love through poetry. Despite the aunt's strong disapproval of Mario, because of his sensual poetry^{[clarification needed]} (which turns out to be largely stolen from Neruda), Beatrice responds favourably.

The two are married. The priest refuses to allow Mario to have Neruda as his best man because of politics; however, this is soon resolved. This was because Di Cosimo was the politician in office in the area with the Christian Democrats. At the wedding, Neruda receives the welcome news that there is no longer a Chilean warrant for his arrest, so he returns to Chile.

Mario writes Neruda a letter but never gets any reply. Several months later, he receives a letter from Neruda. However, to his dismay, it is actually from his secretary, asking Mario to send Neruda's old belongings back to Chile. While there Mario comes upon an old phonograph and listens to the song he first heard when he met Neruda. Moved, he makes recordings of all the beautiful sounds on the island onto a cassette including the heartbeat of his soon-to-be-born child.

Five years later, Neruda finds Beatrice and her son, Pablito (named in honour of Neruda), in the same old inn. From her, he discovers that Mario had been killed before their son was born. Mario had been scheduled to recite a poem he had composed at a large communist gathering in Naples; the demonstration was violently broken up by the police. She gives Neruda the recordings of village sounds that Mario had made for him. The film ends with Neruda walking on the beach where he used to talk with Mario, showing at the same time the communist gathering in which Mario was killed.

Noiret's Italian-language dialogue was dubbed by actor Bruno Alessandro [it].