In Dahomey

In Dahomey: A Negro Musical Comedy is a landmark 1903 American musical comedy described by theatre historian Gerald Bordman as "the first full-length musical written and played by blacks to be performed at a major Broadway house." It features music by Will Marion Cook, book by Jesse A. Shipp, and lyrics by poet Paul Laurence Dunbar. It was written by Jesse A. Shipp as a satire on the American Colonization Society's back-to-Africa movement of the earlier nineteenth century.

In Dahomey is regarded as a marquee turning point for African-American representation in vaudeville theater. It opened on February 18, 1903, at the New York Theatre, starring George Walker and Bert Williams, two iconic figures of vaudeville entertainment at the time. The musical ran for 53 completed performances and had two tours in the United States and one tour of the United Kingdom. In total, In Dahomey ran for a combined four years.

Produced by McVon Hurtig and Harry Seamon, In Dahomey was the first to star African-American performers George Walker and Bert Williams, two of the leading comedians in America at the time. In Dahomey opened on February 18, 1903, at the New York Theatre, and closed on April 4, 1903 after 53 performances (then considered a successful run).

It had a tour in the United Kingdom, followed by a highly successful tour of the United States, which lasted a total of four years. It was the first American black musical to be performed abroad.

The musical was revived on Broadway, opening at the Grand Opera House on August 27, 1904 and closing on September 10, 1904 after 17 performances. Bert Williams (as Shylock Homestead), George Walker (as Rareback Pinkerton) and Aida Overton Walker (as Rosetta Lightfoot) reprised their roles.

Based on the show's New York success, the producers of In Dahomey transferred the entire production to England on April 28, 1903, with a staging at the Shaftesbury Theatre, followed by a provincial tour around England. This was capped by a command performance celebrating the ninth birthday of the eldest son of the Prince of Wales at Buckingham Palace. In Dahomey was heralded as "the most popular musical show in London."

After a year touring England and Scotland, In Dahomey returned to New York. It reopened on August 27, 1904, at the Grand Opera House. This was followed by a major 40-week tour across the United States. It played such cities as San Francisco, California; Portland, Oregon; and St. Louis, Missouri; turning in a profit of $64,000.

Featuring the renowned comic pair of Bert Williams and George W. Walker, the show was the first to introduce a critical discourse of African Imperialism into the vaudeville theatre scene. Walker and Williams were said to have emphasized some of the most important components of early 20th-century Black musicals: fast-changing scenery using tableaux (presumably painted backdrops), improvisation, traditional Black-facing, heavy pantomime, and interpolation of songs borrowed from other original source-texts.