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In the Air Tonight AI simulator
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In the Air Tonight AI simulator
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In the Air Tonight
"In the Air Tonight" is the debut solo single by the English drummer and singer-songwriter Phil Collins. It was released as the lead single from Collins's debut solo studio album, Face Value, in January 1981. It was selected as the second single from the album in the US and Canada after "I Missed Again".
Collins co-produced "In the Air Tonight" with Hugh Padgham, who became a frequent collaborator in the following years. It reached No. 2 on the UK Singles Chart behind the posthumous release of John Lennon's "Woman". It reached No. 1 in Austria, Germany, Switzerland, and Sweden, No. 2 in Canada, and the top 10 in Australia, New Zealand, and several other European territories. It reached No. 19 on the Billboard Hot 100 in the United States, and reached No. 2 on the Rock Tracks Chart, later certified gold by the RIAA, representing 500,000 copies sold. The song's music video, directed by Stuart Orme, received heavy play on MTV when the new cable music video channel launched in August 1981.
"In the Air Tonight" remains one of Collins' best-known hits, often cited as his signature song, and is especially famous for its drum break towards the end, which has been described as "the sleekest, most melodramatic drum break in history" and one of the "101 Greatest Drumming Moments". In 2006, the song was ranked at number 35 in VH1's "100 Greatest Songs of the 80s". In 2021, it was listed at No. 291 in Rolling Stone's "500 Greatest Songs of All Time".
Collins wrote the song amid the grief he felt after divorcing his first wife Andrea Bertorelli in 1980. In a 2016 interview, Collins said of the song's lyrics: "I wrote the lyrics spontaneously. I'm not quite sure what the song is about, but there's a lot of anger, a lot of despair and a lot of frustration." In a 1997 BBC Radio 2 documentary, the singer revealed that the divorce contributed to his 1979 hiatus from the band Genesis, until they regrouped in October of that year to record the album Duke. Collins remembered playing the song to Mike Rutherford and Tony Banks but he felt it was too simple for the group.
"In the Air Tonight" has been described as being "at the vanguard of experimental pop" in 1981 and "a rock oddity classic", having been influenced by "the unconventional studio predilections of Brian Eno and Peter Gabriel". It has also been described as a "soft rock classic." Musically, the song consists of a series of ominous chords played on a Sequential Circuits Prophet-5 over a simple drum machine pattern (the Roland CR-78 Disco-2 pattern, plus some programming); processed electric guitar sounds and vocoded vocals, an effect which is increased on key words to add additional atmosphere. The mood is one of restrained anger until the final chorus when an explosive burst of drums finally releases the musical tension and the instrumentation explodes into a thunderous crescendo. Composed in D minor, it has a moderate tempo of 96 beats per minute.
Collins has described obtaining the drum machine specifically to deal with personal issues relating to his divorce through songwriting, telling Mix magazine: "I had to start writing some of this music that was inside me". He improvised the lyrics during a songwriting session in the studio: "I was just fooling around. I got these chords that I liked, so I turned the mic on and started singing. The lyrics you hear are what I wrote spontaneously. That frightens me a bit, but I'm quite proud of the fact that I sang 99.9 percent of those lyrics spontaneously".
The song is known for its use of the gated reverb drum sound. Fellow musicians and journalists have commented on its use in the record. Black Sabbath singer Ozzy Osbourne called the drum fill "the best ever – it still sounds awesome", while music critic and broadcaster Stuart Maconie was quoted:
Musically, it's an extraordinarily striking record, because almost nothing happens in it ... It's the drum sound in particular that's amazing. You don't hear it at all for the first two minutes of the song ... then there's that great doo-dom doo-dom doo-dom comes in, and the drums come in half way through the song, setting the template for all the Eighties drum songs after that.
In the Air Tonight
"In the Air Tonight" is the debut solo single by the English drummer and singer-songwriter Phil Collins. It was released as the lead single from Collins's debut solo studio album, Face Value, in January 1981. It was selected as the second single from the album in the US and Canada after "I Missed Again".
Collins co-produced "In the Air Tonight" with Hugh Padgham, who became a frequent collaborator in the following years. It reached No. 2 on the UK Singles Chart behind the posthumous release of John Lennon's "Woman". It reached No. 1 in Austria, Germany, Switzerland, and Sweden, No. 2 in Canada, and the top 10 in Australia, New Zealand, and several other European territories. It reached No. 19 on the Billboard Hot 100 in the United States, and reached No. 2 on the Rock Tracks Chart, later certified gold by the RIAA, representing 500,000 copies sold. The song's music video, directed by Stuart Orme, received heavy play on MTV when the new cable music video channel launched in August 1981.
"In the Air Tonight" remains one of Collins' best-known hits, often cited as his signature song, and is especially famous for its drum break towards the end, which has been described as "the sleekest, most melodramatic drum break in history" and one of the "101 Greatest Drumming Moments". In 2006, the song was ranked at number 35 in VH1's "100 Greatest Songs of the 80s". In 2021, it was listed at No. 291 in Rolling Stone's "500 Greatest Songs of All Time".
Collins wrote the song amid the grief he felt after divorcing his first wife Andrea Bertorelli in 1980. In a 2016 interview, Collins said of the song's lyrics: "I wrote the lyrics spontaneously. I'm not quite sure what the song is about, but there's a lot of anger, a lot of despair and a lot of frustration." In a 1997 BBC Radio 2 documentary, the singer revealed that the divorce contributed to his 1979 hiatus from the band Genesis, until they regrouped in October of that year to record the album Duke. Collins remembered playing the song to Mike Rutherford and Tony Banks but he felt it was too simple for the group.
"In the Air Tonight" has been described as being "at the vanguard of experimental pop" in 1981 and "a rock oddity classic", having been influenced by "the unconventional studio predilections of Brian Eno and Peter Gabriel". It has also been described as a "soft rock classic." Musically, the song consists of a series of ominous chords played on a Sequential Circuits Prophet-5 over a simple drum machine pattern (the Roland CR-78 Disco-2 pattern, plus some programming); processed electric guitar sounds and vocoded vocals, an effect which is increased on key words to add additional atmosphere. The mood is one of restrained anger until the final chorus when an explosive burst of drums finally releases the musical tension and the instrumentation explodes into a thunderous crescendo. Composed in D minor, it has a moderate tempo of 96 beats per minute.
Collins has described obtaining the drum machine specifically to deal with personal issues relating to his divorce through songwriting, telling Mix magazine: "I had to start writing some of this music that was inside me". He improvised the lyrics during a songwriting session in the studio: "I was just fooling around. I got these chords that I liked, so I turned the mic on and started singing. The lyrics you hear are what I wrote spontaneously. That frightens me a bit, but I'm quite proud of the fact that I sang 99.9 percent of those lyrics spontaneously".
The song is known for its use of the gated reverb drum sound. Fellow musicians and journalists have commented on its use in the record. Black Sabbath singer Ozzy Osbourne called the drum fill "the best ever – it still sounds awesome", while music critic and broadcaster Stuart Maconie was quoted:
Musically, it's an extraordinarily striking record, because almost nothing happens in it ... It's the drum sound in particular that's amazing. You don't hear it at all for the first two minutes of the song ... then there's that great doo-dom doo-dom doo-dom comes in, and the drums come in half way through the song, setting the template for all the Eighties drum songs after that.