Innuendo (song)
Innuendo (song)
Main page

Innuendo (song)

logo
Community Hub0 subscribers
What are your thoughts?
Be the first to start a discussion here.
Be the first to start a discussion here.
Innuendo (song)

"Innuendo" is a song by the British rock band Queen. Written by Freddie Mercury and Roger Taylor but credited to Queen, it is the opening track on the album of the same name (1991), and was released in January 1991 by Parlophone as the first single from the album. The single debuted at number one on the UK Singles Chart same month, the band's first number-one hit since "Under Pressure" nearly a decade before, and additionally reached the top ten in ten other countries. It is included on the band's second compilation album Greatest Hits II.

At six-and-a-half minutes, it is one of Queen's epic songs. The song has been described as "reminiscent" of "Bohemian Rhapsody" because it was "harking back to their progressive rock roots". Its verses are in the Phrygian Dominant and features a flamenco guitar section performed by Yes guitarist Steve Howe and Brian May, also in that mode, an operatic interlude and sections of hard rock that recall early Queen, in addition to the lyric inspired in part by Mercury's illness; although media stories about his health were being denied strenuously, he was by now seriously ill with AIDS, from which he would die in November 1991, 10 months after the song was released.

The song was accompanied by a music video featuring animated representations of the band on a cinema screen akin to Nineteen Eighty-Four, eerie plasticine figure stop-motion and harrowing imagery. It has been described as one of the band's darkest and most moving works. AllMusic described the song as a "superb epic" which deals with "mankind's inability to live harmoniously".

"Innuendo" was pieced together "like a jigsaw puzzle". The recurring theme (with the Boléro-esque beat) started off as a jam session between May, Deacon and Taylor. Mercury then added the melody and some of the lyric, which were then completed by Taylor.

The middle section was primarily Mercury's work, according to an interview with May in October 1994's Guitar Magazine. It features a flamenco guitar solo, followed by a classically influenced bridge, and then the solo again but performed with electric guitars. This section is especially complex, featuring a pattern of three bars in 5/4 time (reasonably uncommon in popular music) followed by five bars in the more often used 3/4 time. The end of the flamenco-guitar style is based on the 5/4 bar, but is in 6/4 time.

The bridge section ("You can be anything you want to be") features sophisticated orchestration, created by Mercury and producer David Richards using the popular Korg M1 keyboard/synth/workstation. Mercury had arranged and co-arranged orchestras in his solo career, and closed the previous Queen album with the track "Was It All Worth It", which included a Gershwin-esque interlude also coming from an M1 synth. The Bridge section in "Innuendo" is in 3/4, showing once again Mercury's affection for triple metres: "Bicycle Race" is another one with main sections in 4/4 and middle-eight in 3/4, and some of his best-known pieces (namely "We Are the Champions" and "Somebody to Love") were in 6/8, as would be his last composition, "A Winter's Tale".

Steve Howe has said he was "so proud" to have played on the song and he became the only Queen non-member to have played guitar on a studio recording of a Queen song. Howe and Mercury had been friends for several years, since they ran into each other quite often at the Townhouse Studios in London. Yes had recorded Going for the One at Mountain Studios in 1976–77 shortly before Queen bought the Swiss studio, and Asia's debut album was produced by Queen's engineer, Mike Stone.

On a break from a recording session in Geneva, Howe drove to Montreux and stopped to have lunch. There he ran into Martin Groves, who had worked for Yes before and by this time was Queen's equipment supervisor. Groves told him Queen were in the studio at the moment.

See all
User Avatar
No comments yet.