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Invisible Thread (musical)

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Invisible Thread (musical)

Witness Uganda (previously titled Invisible Thread) is a musical with book, music, and lyrics by Matt Gould and Griffin Matthews. It was based on the true story of Matthews' humanitarian trips to Uganda, and his work to fund his nonprofit organization, Uganda Project. The musical premiered under the title Witness Uganda on February 4, 2014 at Cambridge's American Repertory Theater, and ran through March 16, 2014. Under the title Invisible Thread, the show transferred to off-Broadway's Second Stage Theatre in a production which ran during December 2015.

The show returned to its original title of Witness Uganda for a February 2019 run at the Wallis Annenberg Center for the Performing Arts in Los Angeles.

The American Repertory Theatre wrote:

When Griffin, a young man from New York City, volunteers for a project in Uganda, he finds himself on a journey that will change his life forever. Inspired by a true story, this rousing new musical, staged by Tony Award-winning director and A.R.T. Artistic Director Diane Paulus, exposes the challenges confronted by American aid workers and the complex realities of trying to change the world.

The story was based on Matthews' experience in Uganda, as well as Gould's Peace Corps experience in Mauritania and other similar experiences.

The idea and creation for the musical began in 2008 when Gould and Matthews needed money for their non-profit organisation The Uganda Project. Gould recorded Matthews ranting about his frustrations and how they could not raise money for the non-profit. Gould composed music and incorporated it with the recording, beginning their project.

Gould and Matthews initially performed the show by themselves to raise funds for The Uganda Project. They were invited to perform at TEDx and Disney ASCAP. During their Disney ASCAP performance, they were able to impress the composer/lyricist Stephen Schwartz, who composed notable musicals such as Wicked. Gould said of the experience, "The show was a mess at that time, but we knew what the heart of it was."

Gould and Matthews brought in additional members of the creative team, who also had foreign aid experience. Choreographer Darrell Grand Moultrie previously taught dance in South Africa and the interns hired, mostly from Harvard University, had volunteering experience in Indonesia, Tanzania, and Uganda.

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