Iranian rock
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Iranian rock

Iranian rock (also known as Rocka red) refers to rock music produced by Iranian artists. Rock music has been popular in Iran since 1960s, with the emergence of singers such as Kourosh Yaghmaei, Farhad Mehrad, Fereydoon Foroughi and Habib Mohebian, but was largely forgotten after the Iranian Revolution. Like most rock styles, electric guitar and bass guitar and drums are the main instruments in this type of music. In some groups, keyboard and piano are very important.

Iranian rock music is influenced by English rock, American rock and European styles. Because of the Iranian performers of this music, various types of Iranian rhythms and tones in this genre are separated from other rock genres. Iranian rock was banned after the Islamic revolution of 1979, and apart from a small number of artists, this style of music still has many problems in Iran.

Rock music was introduced in Iran by the 1960s, together with the arrival of other Western musical genres in the country's music industry. Iranian rock music was developed by the emergence of artists such as Farhad Mehrad, Kourosh Yaghmaei, Black Cats, The Dangers and Scorpio(not to be confused with the German Scorpions). It soon grew as a popular musical genre among the young generation, especially at the nightclubs of Tehran and Abadan.

The origin of many Iranian rock artists, including Farhad and the Black Cats, is Couchini Restaurant. The restaurant was founded by Vida Ghahremani in the early 1960s. Farhad Mehrad played the piano at this restaurant and was the lead singer of the Black Cats group. He also sings the songs of Ray Charles. The Americans in that area had given Farhad the nickname "Ray Charles of Iran". Ebi also performed his first performance at Couchini Restaurant. After the Black Cats became famous, they no longer performed at the restaurant. That's why other groups like Scorpio replaced them. In general, Couchini Restaurant was the most important place to cultivate Iranian rock music.

"Without Couchini Restaurant, rock music would never have grown in Iran, and we would never hear singers like Ebi and Farhad."

— Ebrahim Nabavi, book Basement music Chapter One Page 89.

Kourosh Yaghmaei began releasing his albums in 1971. He brought a lot of innovation to Iranian rock. Using the keyboard as the rhythm of the song instead of the guitar is part of this innovation. Kourosh Yaghmaei released two albums before being banned, both of which are important works of Iranian rock. His most important work is Gol-e Yakh. Based on international standards, the flower of ice quickly penetrated beyond the borders of Iran, and thereafter various performances in other countries of the world continued to this day. According to Ebrahim Nabavi (author of the book Basement music): "Kourosh Yaghmaei has had a profound impact on Psychedelic Rock in Iran." Kourosh Yaghmaei is known as the father of Iranian rock because of his deep influence on Iranian rock music. After the Islamic Revolution, Yaghmaei was banned from performing for seventeen years. During that time he worked for children and published books and cassettes. In 1987, he released his fourth solo instrumental album Diar which was recorded without bass, guitar and drums, as dictated by the Iranian government. In addition, Yaghmaei arranged folkloric pieces to be played by the Great National Orchestra.Between 2003 and 2006, Yaghmaei worked with his last studio album titled Malek Jamshid.[17][18] After 12 years of trying to obtain the required permit from the Ministry of Culture and Islamic Guidance, the authority denied to release this album in Iran. Latter in 2016, since two years of restriction not to use types of equipment such as acoustic system, sound engineering, professional microphones, amplifiers, Roland keyboard, electric guitar, 8 track recorder and other necessary equipment[17][9] the album was released by Now-Again in United States and the album was banned by the Iranian government.[8][17]

He released debut compilation Back from the Brink: Pre-Revolution Psychedelic Rock from Iran: 1973–1979 in 2011.[19][20] A two-disc celebration of Yaghmaei's most well-known numbers, recorded between 1973 and 1979, before the Islamic Revolution.[21] In 2018 Nas sampled an Old Persian Song called " Gole Yakh " by @kourosh.yaghmaei for Adam and Eve

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