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Ivan Davis
Ivan Davis
Ivan Davis
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Ivan Roy Davis, Jr. (February 4, 1932 – March 12, 2018)[1] was an American classical pianist and longstanding member of the faculty at the University of Miami's Frost School of Music.

Key Information

Early life

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Davis was born in Electra, Texas. He received his Bachelor of Music in 1952 from University of North Texas College of Music,[2] and an Artist's Diploma, as a Fulbright Scholar, from the Santa Cecilia Academy in Rome. He won second prize in the 1956[3] and 1957 Ferruccio Busoni International Piano Competition and first prize in the 1958 St. Cecilia Piano Competition. In April 1960, Davis won the Franz Liszt Competition at Town Hall, New York City.[4][5] Davis studied under Silvio Scionti, Carlo Zecchi and Vladimir Horowitz.[6]

Performance and recording career

[edit]
External audio
audio icon You may hear Ivan Davis playing Franz Liszt's:
Étude No. 3 in D-flat major (Un sospiro)
La Campanella
Liebestraum No. 3
Mephisto Waltz No. 1
Funerailles
Étude No. 2 in F minor (La leggierezza)
Hungarian Rhapsody No. 6 in D-flat major
in 1961 Here on archive.org

He debuted at New York City's Town Hall in 1959.[7] Davis made his international debut at the Festival dei Due Mondi in Spoleto. In 1960, he signed with CBS Records and began a 60 concert cross-country tour.[5] He toured the world with several major orchestras including the New York Philharmonic, the Cleveland Orchestra, the Chicago Symphony Orchestra, the Philadelphia Orchestra and the Spanish National Orchestra. He performed under such world-famous conductors as Leonard Bernstein, Eugene Ormandy and Lorin Maazel. He received the Handel Medallion from New York City for contributions to the city's cultural life.[8] He recorded for London Records in the 1970s. From 1965, Davis was a professor of music at the University of Miami in Coral Gables, Florida.[8] According to Grove Music Online: "His Queen Elizabeth Hall début recital in London in 1968 caused a sensation, and has become a collector's item on record. Further recordings, largely of 19th-century showpieces, have confirmed his exceptional exuberance and technical brilliance, most notably a Gottschalk recital of true virtuoso flair."[9] The American classical pianist Richard Kastle was his student for more than three years.[10]

Discography

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  • "Rachmaninoff Piano Concerto No. 2,Ivan Davis with Henry Lewis conducting the Royal Philharmonic Orchestra", Decca Phase 4 stereo concert series, PFS 4214 1971
  • "Davis Plays Czerny, Schumann, Liszt", Audiofon, CD 72004
  • "The Wind Demon and other 19th century piano music", New World, 80257-2
  • "Piano Music of Grieg – Ivan Davis", Audiofon, CD 72022
  • "Liszt – Piano Concertos – Ivan Davis", Royal Philharmonic Orchestra conducted by Edward Downes. Coupled with solo performances of Hungarian Rhapsody No. 6 and Paraphrase on Wedding March and Dance of the Elves from Mendelssohn's incidental music to A Midsummer Night's Dream. London Weekend Classics, 421-629-2
  • "Souvenir de Porto Rico – Piano Music of Gottschalk – Ivan Davis", London Weekend Classics, 436-108-2
  • "Gershwin – Rhapsody in Blue – Cleveland Orchestra – Maazel", London Jubilee, 417-716-2
  • "Digital George – Gershwin Classics", Musical Heritage Society, 513380w
  • "Chopin – Favourite Piano Works – Ivan Davis", Castile Communications, CCD-106
  • "Tchaikovsky – Piano Concerto No. 1 – Davis", Castile Communications, CCD-103
  • "Liszt's Greatest Hits – Hungarian Fantasy with Ormandy, Philadelphia Orchestra, CBS-MLK-39450
  • Great Galloping Gottschalk: America's First Superstar, London Records/Decca (1975) CS 6943
  • "Music of George Antheil", Music Masters Classics (BMG), 67094-2[8][11]

Family

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References

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Inline citations

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  1. ^ Cohen, Howard. "Ivan Davis, longtime UM music professor, world-renowned pianist, dies at 86". Miami Herald. Retrieved 13 March 2018.
  2. ^ "NTSU Graduate Will Play at Alma Mater", The Dallas Morning News, February 15, 1971
  3. ^ "Dallasite Winner of Piano Prize", The Dallas Morning News, September 7, 1956
  4. ^ Ivan Davis Wins Prize; Texan, 28, Gets Top Award in Liszt Sesquicentennial Event, The New York Times, April 26, 1960
  5. ^ a b Plaskin, Glenn (1983) Biography of Vladimir Horowitz, p. 305: "He had won the first prize in the Busoni and Cecilia competitions and in 1960 he won the Franz Liszt Competition, and received a surprise phone call from Horowitz the day after the announcement." "...with 60 concerts planned for his first cross-country tour and a CBS record contract, Davis intrigued Horowitz."
  6. ^ Plaskin, Glen (1983) Biography of Vladimir Horowitz p. 10: "...interviews with all six of Horowitz's students: Gary Graffman, Byron Janis, Ivan Davis..."
  7. ^ Lewis, Uncle Dave. "Biography: Ivan Davis". AMG. Retrieved 16 May 2010.
  8. ^ a b c "Ivan Davis". Music.miami.edu. 1996-04-21. Archived from the original on June 12, 2010. Retrieved 2010-08-06.
  9. ^ Morrison, Bryce (2001). "Ivan Davis". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5. ‎
  10. ^ "Spike-Haired Pianist Richard Kastle Shows How You Can't Judge an Album by His Jacket" by Steve Appleford, Los Angeles Times, March 24, 1991
  11. ^ "Performer – Ivan Davis at CD Universe". Cduniverse.com. 2010-06-08. Retrieved 2010-08-06.
  12. ^ "Betty Saxton and Pianist are Wed in Connecticut", The Plain Dealer, August 28, 1960
[edit]
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Ivan Davis

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'''Ivan Davis''' (February 4, 1932 – March 12, 2018) was an American classical pianist known for his virtuosic command of the Romantic repertoire, major international competition victories, acclaimed recordings, and his long-standing role as a professor at the University of Miami's Frost School of Music. Born in Electra, Texas, Davis began piano studies at age 12 with his aunt and later received a scholarship to study with Silvio Scionti at North Texas State University. He continued his training on a Fulbright scholarship with Carlo Zecchi at the Accademia Nazionale di Santa Cecilia in Rome and subsequently studied with Vladimir Horowitz. He won prizes in several prestigious international competitions, including the Alfredo Casella Competition in Naples, the Ferruccio Busoni Competition in Bolzano, the Vianna da Motta Competition in Lisbon, and first prize in the Franz Liszt Competition in 1960. His 1959 New York debut at Town Hall received enthusiastic praise from critics, including Harold C. Schonberg of The New York Times, who declared the arrival of an important new American pianist. Davis enjoyed an international performing career, appearing as soloist with major orchestras in the United States and Europe, including collaborations with conductors such as Leonard Bernstein, Eugene Ormandy, and André Kostelanetz. He recorded extensively for labels such as Columbia and Decca/London, capturing works by Liszt, Rachmaninoff, Tchaikovsky, Chopin, and Louis Moreau Gottschalk, among others. In 1966, he joined the faculty of the University of Miami, where he served as artist-teacher and pianist-in-residence for 42 years until his retirement in 2008, during which time he presented marathon recital series featuring complete piano cycles of Chopin, Brahms, Schumann, and Beethoven's 32 sonatas, often alongside his students. He also conducted master classes worldwide and served as a juror for international competitions. Davis's playing was celebrated for its interpretive freedom, operatic inspiration, and adventurous repertoire choices that included lesser-known works by composers such as Gottschalk and George Antheil. His legacy endures through his recordings and the many students who achieved successful careers in performance and teaching. He died on March 12, 2018, at the age of 86 following a stroke.

Early life and education

Birth and early years

Ivan Roy Davis Jr. was born on February 4, 1932, in Electra, Texas. He was raised in Hobbs, New Mexico, across the state border from his birthplace. Davis began his piano studies with his aunt at the age of twelve, which marked the start of his engagement with music during childhood. No further details of his family background or additional early experiences are documented in available sources.

Musical training and university studies

Ivan Davis continued his piano studies as a scholarship student with Silvio Scionti at North Texas State University (now the University of North Texas). Scionti, a noted pianist and teacher, provided foundational guidance in technique and interpretation during this period. Davis was recognized as a high-achieving music major at the institution in the early 1950s. He earned a Bachelor of Music degree from North Texas State University. Later, he pursued advanced studies abroad on a Fulbright scholarship.

Advanced studies abroad and with Horowitz

After completing his university education, Ivan Davis was awarded a Fulbright scholarship to pursue advanced training at the Accademia Nazionale di Santa Cecilia in Rome, where he studied piano with the distinguished Italian pianist and conductor Carlo Zecchi. This period of study abroad represented a key phase in refining his artistry during the mid-1950s. In 1960, following his grand prize victory at the Franz Liszt International Piano Competition in New York, Davis began private studies with Vladimir Horowitz. Horowitz, then retired from public performance, took a personal interest in Davis after the competition, inviting him to dinner and requesting that he play, which led to a mentorship bond. By the early 1960s, Horowitz was actively coaching Davis on repertoire and technique. This private guidance from one of the twentieth century's most celebrated pianists provided Davis with exceptional insight into interpretive depth and virtuosity.

Competition career

Major international piano competitions

Ivan Davis achieved notable success in several major international piano competitions during the 1950s and early 1960s, establishing himself as a prominent figure in the classical music world. He secured prizes at the Alfredo Casella International Piano Competition in Naples, the Ferruccio Busoni International Piano Competition in Bolzano, the Vianna da Motta International Music Competition in Lisbon, and the Franz Liszt International Piano Competition in New York. Among his key results was tied for second prize at the Ferruccio Busoni International Piano Competition in Bolzano in 1957. He placed fifth at the Vianna da Motta International Music Competition in Lisbon in 1957. In 1958, he won first prize at the Alfredo Casella International Piano Competition in Naples, having previously taken second place in an earlier edition of the same contest. Davis capped this period of competitive achievement by winning first prize at the Franz Liszt International Piano Competition in New York in 1960. These successes in prestigious international forums led to increased performing opportunities with major orchestras.

Performing career

Orchestral and solo engagements

Ivan Davis maintained an active concert career as a soloist with major orchestras across the United States and internationally, alongside numerous solo recitals. He performed with prominent American ensembles including the Chicago Symphony Orchestra, Cleveland Orchestra, New York Philharmonic, and Philadelphia Orchestra. He also appeared as a soloist with the Spanish National Orchestra. Following his 1959 New York recital debut at Town Hall, Davis quickly established himself on the orchestral stage, appearing with Eugene Ormandy and the Philadelphia Orchestra in a nationally televised performance. He also performed at the New York Philharmonic's Pension Fund opening night concert under Leonard Bernstein. He gave recitals in every U.S. state and collaborated with nearly every major American symphony orchestra and leading conductor during this period. In the 1970s and 1980s, Davis frequently appeared as a soloist with the Miami Philharmonic and Miami Chamber Symphony. He was known for accepting very short-notice substitutions—sometimes on only a few hours' notice—when scheduled artists withdrew due to illness. After joining the University of Miami faculty in 1966, he continued giving solo recitals there to standing-room-only audiences. Davis retired in 2008, and his final public performance was Schumann's Kinderszenen at his retirement concert that year.

Repertoire and performance style

Ivan Davis was known for his exuberant, musical, and technically brilliant playing style, which conveyed a vibrant sense of life in each note he performed. As an opera enthusiast, he drew inspiration from the spontaneous and intuitive aspects of operatic expression, shaping his interpretive approach with a similar emphasis on freedom and natural musicality. He encouraged interpretive liberty and the cultivation of personal musical personality, reflecting his own commitment to adventurous and vital performance. Davis maintained a distinctive and wide-ranging repertoire that favored rarities and underrepresented works. He championed Czerny's Variations on “La Ricordanza” and the solo piano arrangement of Grieg’s Peer Gynt Suite, bringing attention to these less frequently performed pieces. He was a dedicated advocate for American composers, particularly the piano music of Louis Moreau Gottschalk and George Antheil, while also promoting works by obscure nineteenth-century figures such as George Mason and William Henry Fry. His performances and recordings of these composers highlighted his commitment to expanding the piano literature beyond standard Romantic and virtuoso fare.

Recordings

Record labels and notable releases

Ivan Davis began his recording career in the early 1960s with CBS Records (Columbia Masterworks), releasing debut albums that showcased his interpretations of Liszt and other Romantic repertoire, alongside collaborative concerto recordings. In the 1970s, he moved to London Records (Decca Phase 4 series), where he produced prominent concerto performances, including Tchaikovsky's Piano Concerto No. 1 in B-flat minor with Henry Lewis conducting the Royal Philharmonic Orchestra (1970) and Rachmaninoff's Piano Concerto No. 2 in C minor with the same conductor and orchestra (1971). Later recordings appeared on the Miami-based Audiofon label, produced by Julian Kreeger, featuring solo piano recitals with audiophile sound quality, such as programs devoted to Czerny, Schumann, Liszt, and Grieg. Davis also advocated for lesser-known 19th-century American piano literature in releases including "The Wind Demon and Other 19th Century Piano Music" on New World Records (1977), which presented works by Anthony Philip Heinrich, Louis Moreau Gottschalk, William Henry Fry, and others, and "Souvenir de Porto Rico: Piano Music of Gottschalk" on London Weekend Classics, albums valued by collectors for their illumination of this specialized repertoire.

Teaching career

University of Miami faculty role

Ivan Davis served as artist-in-residence and professor of keyboard studies at the University of Miami's Frost School of Music in Coral Gables from 1966 until his retirement in 2008, a tenure spanning 42 years. During this period, he helped guide the music program toward national recognition through his teaching and presence as a distinguished pianist. He additionally held a visiting professorship at Indiana University. Davis also gave masterclasses throughout the United States during his career.

Influence on students and masterclasses

Ivan Davis's teaching emphasized inspiring a sense of adventure in his students, drawing from his own expressive approach to the instrument. Former student Alan Johnson, director of the University of Miami Frost Opera Theater, recalled that Davis's "love of life lived in each note he played" and that "he instilled in his students a sense of adventure." Pianist Roberta Rust, another former student and director of keyboard studies at Lynn University, described Davis as "greatly inspired by opera and the spontaneous and intuitive aspects of music." She noted that he "encouraged interpretive freedom, the development of musical personality and nurtured the student’s natural virtuosity," while also possessing "an insatiable curiosity about the best upcoming talent." Many of Davis's students pursued careers in teaching and performing. His reputation as a distinguished pedagogue led to invitations to present master classes throughout the United States, to serve as a visiting professor at Indiana University, and to give master classes in both piano and voice during summer residencies in Salzburg, Austria in 1988 and 1989. At the University of Miami, he instituted marathon recital series in which he performed alongside his students in complete cycles of piano works by Chopin, Brahms, Schumann, and Beethoven's 32 sonatas, events that became highlights of the school's musical calendar.

Personal life

Marriage and family

Ivan Davis married Betty Lou Saxton on August 6, 1960, in the home of architect Philip Johnson in New Canaan, Connecticut. The bride was the daughter of Mr. and Mrs. Cleo Floyd Saxton of Cleveland, while the groom was the son of Mr. and Mrs. I. R. Davis of Hobbs, New Mexico. Betty Lou Saxton had studied piano at the Juilliard School of Music in New York. The ceremony was officiated by the Rev. Dr. Ashton Almand, a Methodist minister, with Miss Theodate Johnson and Schuyler Chapin attending the couple. At the time of his death in 2018, Davis was survived by his wife Betty Lou, their daughter Leslie Davis, and three grandsons. A colleague later recalled Davis recounting his wedding in Philip Johnson's Glass House as part of his storytelling. No further details about the couple's family life or extended relatives are documented in primary sources.

Interests and personal traits

Ivan Davis was known for his exuberant personality and unquenchable flair, which colleagues described as a defining aspect of his big personality. He was an enthralling storyteller and host, particularly when entertaining friends with aromatic meals he prepared in his lavish, custom-designed kitchen at his Miami home, where he shared vivid anecdotes about encounters with figures such as Maria Callas and Ava Gardner, as well as details of his own wedding in Philip Johnson's Glass House. Beyond music, Davis enjoyed cooking as a personal passion and frequently hosted gatherings centered around meals. He was an avid football watcher and maintained a substantial private collection of over 8,000 films, which he screened in his dedicated audio-video theater. His great love for opera extended into his personal interests, complementing his professional engagement with the art form.

Death and legacy

Final years and passing

In October 2008, Ivan Davis retired from his faculty position at the University of Miami Frost School of Music after 42 years of service. His retirement coincided with his final public performance, a sold-out Festival Miami concert at Gusman Concert Hall where he closed the program with Schumann's Kinderszenen. Davis spent his remaining years in Miami and died on March 12, 2018, at the age of 86 following a stroke. At his request, no public services were held.

Tributes and posthumous recognition

Following his death, Ivan Davis was widely recognized as one of the most musical and technically thrilling pianists of his generation. Dean Shelton Berg of the University of Miami's Frost School of Music described him as such, expressing gratitude for the generations of students Davis taught and the enduring legacy he provided to the institution. Colleagues emphasized his role in elevating the school's national profile through his performances, recordings, and work as a competition juror. Santiago Rodriguez, chair of the piano department at the Frost School, called Davis one of the very greatest American virtuoso pianists, highlighting his provision of guidance and inspiration to many young pianists as an educator. Former students echoed this influence, with Alan Johnson noting that Davis's "love of life lived in each note he played" and that he instilled in his students a sense of adventure. Roberta Rust recalled how Davis was greatly inspired by opera and the spontaneous, intuitive aspects of music, maintaining an insatiable curiosity about emerging talent while encouraging interpretive freedom, the development of musical personality, and the nurturing of students' natural virtuosity. Davis's legacy also encompasses his advocacy for rare and unusual repertoire, including works by composers such as Louis Moreau Gottschalk, George Antheil, and Carl Czerny, which distinguished his performances and recordings. His profound teaching influence at the University of Miami over more than four decades continues through the careers of his former students in performance and pedagogy.
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