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Jack Ackroyd
Jack Ackroyd
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John Wesley Ackroyd (1925 – September 29, 1992) was a prominent Canadian Chief of Police and high level Ontario civil servant. He served as the chief of the Metro Toronto Police Force from 1980 to 1984. Known as an ideas man, and 'kind cop' he introduced community policing when he was the deputy chief.[4] Though later, during his term as the chief, the biggest mass civilian arrest since the Second World War occurred in Toronto's Gay district.[5] Following his retirement from the police force, he was head of the Liquor Control Board of Ontario from 1984 to 1990, where he modernized the retail operations and its marketing.[6]

Key Information

Policing career

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Jack Ackroyd joined the Toronto Police Department as a cadet, in 1941.[7] He rose through the ranks and by the mid 1970s, he was a deputy police chief.[8] During this period he earned the nickname "Kojak", after the 1970s TV show and character Kojak.[8] One of his biggest accomplishments was introducing "community policing" to the Metro force in the late 1970s. This so-called "more humane" style of policing was lauded by the media and politicians alike.[8] Ackroyd will be remembered for this major innovation and for the following dark incidents that occurred on his watch.[8]

1977 Yonge Street clean-up

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During the spring and summer of 1977, Toronto's city and metro councils were under pressure to do something about the sex trade and sex shops that were housed in the area along Yonge street from Queen to Bloor streets following the death of the twelve-year-old shoe-shine boy, Emanuel Jaques.[9] The crisis was more political than real; nevertheless, under pressure from Toronto mayor David Crombie, Ackroyd had to plan and implement a neighbourhood sweep on the scale of the 1968 Yorkville sweep.[10] Like in the Yorkville "crisis", Yonge street did not pose a major policing problem. The police were not raising a fuss for something to be done, it was the politicians, this time led by Crombie.[11] Another factor driving this sweep was economic, as the newly opened Eaton Centre did not want this 'riff-raff' near its business establishment.[9] So, over the course of a few months, Ackroyd – following the political directives issued by city council and the provincial government – ordered his officers to step up their patrols on this commercial strip and forced the closure of many shops and arrested prostitutes and their clients.[12]

1981 Bathhouse raids

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Jack Ackroyd became the Metro Force's Chief of Police in 1980 following the tenure of Harold Adamson (police chief). Again political – not policing – concerns overshadowed how the Gay Community around the Church and Wellesly area should be monitored.[13] During Ackroyd's first year as the chief, there was both a municipal election in November 1980, and a provincial one in March 1981.[13]

Ackroyd, in an interview with the Toronto Star, talked about how police officers should act professionally, despite their personal prejudices:

We can't force people to give up their prejudices or their biases, not even policemen. But a cop has to be prepared to be professional. ...I might have some personal prejudices about the lifestyle choice of homosexuals, but that cannot enter into my work. Legally and morally, they are entitled to the protection of the police department.[14]

A few days later on February 5, 1981, under his reign as police chief, one of Canada's largest civilian round-ups occurred in the city's gay ghetto. It was the infamous "Bathhouse raids" and as the CBC reported "the largest mass arrest in Canada since the October Crisis of 1970."[15] 286 people were arrested,[15] and Ackroyd defended it by the fact that there were several criminal code violations and that he "...as Chief, have no other course of action but to go along with the direction of the Crown Attorney."[16]

Large protests followed these raids, and the raids became a rallying symbol for the Gay community.[17] Because the raids took place in the middle of a provincial election, it was seen by many observers including the Toronto Star, that the raids were politically motivated to help the ruling Conservative government gain a majority.[18] His career was an interesting dichotomy of progressive reform with the community-based policing approach, as well as accusations that the police force became an instrument for political advantage as seen in his handling of the policing of the Gay community.[19]

Post Police Chief career

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Head of the LCBO

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At the age of 58, Jack Ackroyd made a career change: he became an Ontario Civil Servant, by accepting the position of vice-chairman of the LCBO.[6] In quick succession, he became the chairman of the public sector corporation, and immediately set about reforming it.[6] Under his watch, the LCBO launched Project Image, which improved the retail end of its operations in many ways. He was responsible for ordering the redesign of the board's logo – which was in use until the early 2000s – to a burgundy and gold design.[6] To improve the image of the retail locations, he made sure that newly designed uniforms were issued to sales staff.[6] In an effort to bring more modern in-store marketing techniques, he authorized store managers to mount discreet product displays.[6] General marketing outside the retail locations was modernized to include bus shelter posters and other forms of advertising.[6] Ackroyd also made the visibility of the higher quality Vintages stores more known and important.[6] His term as the LCBO's chairman can be summarized as bringing the board from a Prohibition-era government substance control agency, to a modern, customer-friendly corporation that made billions of dollars for the Ontario Government.[6]

Ackroyd hadn't completely abandoned his policing background during this time though. He made sure his policing legacy would endure by donating the funds for an "academic excellence in police related studies" prize, administered by the Canadian Association of Chiefs of Police Research Foundation.[20]

Sickness and death

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Ackroyd spent many months confined to a hospital bed due to a blood illness. He died in the early morning hours of September 30, 1992 at Toronto General Hospital from long-term complications due to the blood disorder.[8] His funeral was held on October 3, 1992, at Timothy Eaton Memorial Church, a house of worship accustomed to holding the city's notable funeral services.[21]

An official tribute, on the floor of the Ontario Legislature, by Bob Runciman, the MPP for Leeds—Grenville, stated that "Jack Ackroyd set an example that continues to be the goal of Metro's men and women in blue. While he will be sadly missed by us all, there is comfort in knowing that his style and professional manner will be with us for many years to come."[7]

References and notes

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Jack Ackroyd (5 June 1889 – 16 November 1962) was a British actor known for his prolific career in silent films during Hollywood's early years, appearing in more than 70 movies during the early 20th century and often in comedic supporting roles. Born on 5 June 1889 in Bradford, West Yorkshire, England, Ackroyd emigrated to Los Angeles in 1919, initially working as a cleaner at the Mack Sennett Studios, where his employment led to his discovery and the launch of his acting career. He featured in films such as ''The Better 'Ole'' (1926) and supported comedians including Stan Laurel in several productions during the decade. Ackroyd's film career concluded abruptly in 1931, after which he retired from acting and later settled in Somerset, England. His contributions to early cinema have been highlighted through a festival dedicated to his life and work.

Early life and military service

Birth and early years

Jack Ackroyd was born on June 5, 1889, in Bradford, West Yorkshire, England. Little information survives about his childhood, family background, or activities prior to adulthood. His early years in England preceded his enlistment during World War I.

World War I service

Jack Ackroyd enlisted in the Duke of Wellington's Regiment shortly after the outbreak of World War I. He served in the regiment and was badly wounded during the conflict, surviving being shot in the head, thigh, and arm. For his gallantry on the field, he received the Distinguished Conduct Medal and the Croix de Guerre. He was discharged in 1917.

Emigration and entry into film

Relocation to Canada and Hollywood

Following his discharge from service in World War I, Jack Ackroyd relocated to Vancouver, Canada, in 1918. He subsequently moved to California in the United States in 1919. Upon arrival in California, Ackroyd took a job as a cleaner at Mack Sennett Studios, which soon led to opportunities in acting after a successful screen test. This relocation marked the beginning of his transition from post-war emigration to establishing himself in the emerging Hollywood film industry.

Beginnings at Mack Sennett Studios

Jack Ackroyd began his Hollywood career in humble circumstances as a cleaner at Mack Sennett Studios, one of the leading producers of slapstick comedy shorts during the silent film era. This entry-level position provided him with an entry point into the industry, leading to his transition to acting in 1919. This modest beginning marked the start of his progression from behind-the-scenes work to performing in front of the camera.

Film career

Silent comedy shorts and supporting roles

Jack Ackroyd established himself as a prolific supporting player in silent comedy shorts beginning with Mack Sennett Comedies in 1919. He soon became a mainstay at Hal Roach Studios, where he appeared in numerous two-reel comedies throughout the 1920s, contributing to the era's slapstick tradition. Overall, Ackroyd featured in more than 70 films, the vast majority of which were silent shorts produced between 1919 and 1930. In Hal Roach productions, Ackroyd most often took on bit and supporting roles, frequently portraying characters such as henchmen, policemen, grocers, workers, clerks, and other minor figures in the ensemble. Examples of his work include appearances as a policeman in Collars and Cuffs (1923), a grocer in Kill or Cure (1923), a henchman in The Soilers (1923), and various background or functional parts like pedestrians, customers, and businessmen in other Roach comedies. Most of these roles were brief, uncredited, or unidentified, reflecting his reliable presence in the fast-paced comic environment without dominating the spotlight. Ackroyd collaborated several times with Stan Laurel during the period before Laurel's famous partnership with Oliver Hardy. Notable among these were his roles as Attorney McFumble in Mother's Joy (1923), a worker in Smithy (1924), and a crooked Santa Claus in Good Cheer (1926). These appearances highlighted his versatility in supporting the lead comedian's antics within the Roach comedy framework. During this period, he also made occasional appearances in feature-length films.

Feature films and notable performances

Jack Ackroyd's feature film career was relatively sparse compared to his prolific output in comedy shorts, consisting primarily of supporting roles during the late silent and early sound eras. His most prominent performance came in The Better 'Ole (1926), a World War I comedy drama directed by Charles Reisner and released by Warner Bros., where he portrayed Alfie "Little Alf," the loyal and humorous sidekick to Syd Chaplin's lead character Old Bill. Ackroyd's comic timing and partnership with Chaplin, including notable sequences such as a two-men-in-a-horse routine, contributed significantly to the film's humor, drawn from Bruce Bairnsfather's popular "Old Bill" cartoons. In the same year, Ackroyd appeared in The Cruise of the Jasper B (1926) as Wiggins. His later feature credits included supporting parts in The Isle of Lost Ships (1929) as Harry, Isle of Escape (1930) as Hank, and an uncredited appearance as the mechanic Ackroyd in The Dawn Patrol (1930). These roles showcased his ability to adapt to varied comedic and dramatic contexts, though they remained secondary to his established presence in short films.

End of acting career

Jack Ackroyd's Hollywood acting career concluded in 1931. His final credited role was as Shorty in the film Dancing Dynamite (1931). He received no further film credits after that year. His career was abruptly ended in 1931. In September 1931, Ackroyd returned to England aboard the White Star Line ship Britannic, arriving in Liverpool from New York on September 7. This marked the permanent end of his professional work as an actor. He subsequently lived in retirement in England.

Personal life

Marriages and family

Jack Ackroyd was married twice. His first marriage was to Lily Haggas on April 12, 1910. He later married Florence "Flossie" Rance. Ackroyd had three children: a daughter, Margaret "Peggy" Ackroyd, born around 1918 or 1919, and sons William Ackroyd, born in 1926 in Los Angeles, and Charles "Charlie" Edward Ackroyd. Peggy was the daughter of his second wife, Florence Rance. In 1931, he returned to England with his wife Florence and family.

Later years and death

Return to England and retirement

Jack Ackroyd returned to England in 1931 with his wife Florence and their two children following the decline of silent films and the rise of talkies, which effectively ended his Hollywood career. The family settled in Wellington, Somerset, selecting the location to be closer to Ackroyd's mother, Sophie, and named their home "Ardwyn Loma Vista" in reference to a street in Beverly Hills. He retired permanently from acting upon his return and resided in Wellington for the next 31 years.

Life in Somerset and death

Jack Ackroyd spent his final years residing in Wellington, Somerset, England, following his return to the United Kingdom. He lived at Loma Vista, Ardwyn, in Wellington during this period. Ackroyd died on November 16, 1962, at his home in Loma Vista, Ardwyn, Wellington, Somerset, England, at the age of 73. His death was registered in the Taunton district. The death of his wife Florence was also later recorded in the same area.

Legacy

Jack Ackroyd is remembered as a prolific silent comedy supporting actor who appeared in more than 70 films during the early 20th century, often in comedic roles alongside notable performers of the era. In April 2024, Somerset Film organized the Wellington Film Festival to showcase his legacy, including screenings of his silent films and a documentary about his life that featured clips from his work and an interview with his great-grandson David Ackroyd. David Ackroyd described the experience of rediscovering his great-grandfather's films as "absolutely amazing," adding "I still cannot believe it" and noting that "when I was little, I heard these things about the films. I saw the stills... it still amazes me." He also expressed that it was "great to hear people laughing (at his films)."
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