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Jakes Bejoy
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Jakes Bejoy is an Indian film score and song composer and playback singer, primarily known for his work in Malayalam cinema, along with Tamil and Telugu films. He made his debut as a film composer with the Malayalam thriller Angels (2014) and has since established himself as a prominent film composer in Indian cinema.

Key Information

Education

[edit]

Jakes Bejoy is trained in Carnatic music. Born in Kerala, India, he attained a Bachelor's degree in Electronics and Communication Engineering at the Rajagiri School of Engineering and Technology in Kochi, India.[1] Bejoy earned his master's degree in Music Science and Technology from Stanford University, USA.[2]

Career

[edit]

Following Bejoy's graduate studies at Stanford, he became an intern at Activision Blizzard working on the Guitar Hero series. He also worked with the audio team at The Walt Disney Company on video games including Cars, Brave, and Toy Story 3.[3]

In 2013, Bejoy moved back to India to pursue more film composing work and received an offer to work on the Malayalam film Angels. He has since worked as Music Director and written music for successful Malayalam, Tamil and Telugu films such as Dhuruvangal Pathinaaru, Ranam, Queen, Swathanthryam Ardharathriyil, Monsoon Mangoes,[3][4] Taxiwala (starring Vijay Devarakonda, Telugu debut), Saripodha Sanivaram, and more recently, box-office record holders like Thudarum and Lokah Chapter 1: Chandra.

In 2021, Bejoy won "Best Music Director - Malayalam" at the South Indian International Movie Awards for his score for Ayyappanum Koshiyum, one of the highest-grossing films of 2020.[citation needed]

Bejoy is a member of the executive committee of FEFKA (Film Employees Federation of Kerala)’s Music Directors’ Union (FEMU).[5]

Discography

[edit]
Key
† Denotes film or TV productions that have not yet been released
Year Title Language Songs Background

Score

Notes Ref.
2014 Angels Malayalam Yes Yes Malayalam Debut
2015 Thakka Thakka Tamil Yes Yes Tamil Debut
2016 Monsoon Mangoes Malayalam Yes Yes [6]
Kavi Uddheshichathu..? Yes Yes [7]
Dhuruvangal Pathinaaru Tamil Yes Yes
2017 Chennaiyil Oru Naal 2 Yes Yes
2018 Queen Malayalam Yes Yes [8]
Mannar Vagaiyara Tamil Yes Yes
Swathanthryam Ardharathriyil Malayalam Yes No
Ranam Yes Yes [8]
Taxiwala Telugu Yes Yes Telugu debut [9]
2019 The Gambinos Malayalam Yes Yes
Mera Naam Shaji No Yes
Ishq Yes Yes
Suttu Pidikka Utharavu Tamil Yes Yes
Kakshi: Amminippilla Malayalam No Yes
Kalki Yes Yes
Porinju Mariam Jose Yes Yes
2020 Anveshanam Yes Yes
Ayyappanum Koshiyum Yes Yes [8]
Mafia: Chapter 1 Tamil Yes Yes
Forensic Malayalam Yes Yes
2 States Yes Yes
Adho Andha Paravai Pola Tamil Yes Yes Unreleased
Mamakiki Yes Yes Released on ZEE5
Durgamati Hindi No Yes Hindi Debut
Direct OTT release on Amazon Prime
2021 Operation Java Malayalam Yes Yes
Chaavu Kaburu Challaga Telugu Yes Yes
Kuruthi Malayalam Yes Yes [10]
Bhramam Yes Yes
2022 Salute Yes Yes [11]
Pathrosinte Padappukal Yes Yes
Jana Gana Mana Yes Yes
CBI 5 Yes Yes [12]
Puzhu Yes Yes [11]
Jack N' Jill No Yes
Pakka Commercial Telugu Yes Yes
Kaduva Malayalam Yes Yes
Paappan Yes Yes
Oke Oka Jeevitham Telugu Yes Yes
Kanam Tamil Yes Yes
Kotthu Malayalam No Yes
Kumari Yes Yes Also one of the producers
Saturday Night Yes Yes
Aanaparambile WorldCup Yes Yes
Kaapa Yes Yes 1 song
2023 Iratta Yes Yes
Ayalvaashi Yes Yes
Por Thozhil Tamil No Yes The film has no songs. [13]
Padmini Malayalam Yes Yes [8]
King of Kotha Yes Yes
Garudan Yes Yes [14]
Antony Yes Yes [15]
2024 Malayalee from India Yes Yes [16]
Secret Yes Yes [17]
Saripodhaa Sanivaaram Telugu Yes Yes [18]
Adios Amigo Malayalam Yes Yes [19]
Nirangal Moondru Tamil Yes Yes [20]
Mechanic Rocky Telugu Yes Yes [21]
Hello Mummy Malayalam Yes Yes
2025 Identity Yes Yes [22]
Deva Hindi Yes Yes [23]
Officer on Duty Malayalam Yes Yes [24]
Thudarum Yes Yes [25]
Narivetta Yes Yes [26]
Lokah Chapter 1: Chandra Yes Yes [27]
Paathirathri Yes Yes [28]
Kaantha Tamil No Yes [29]
Vilayath Buddha Malayalam Yes Yes [30]
2026 Pallichattambi † Yes Yes [31]
Khalifa † Yes Yes [32]
Avaran † Yes Yes [33]
Operation Cambodia † Yes Yes [34]
Mollywood Times † Yes Yes [35]
Kamal Haasan-237 † Tamil Yes Yes [36]
I'm Game † Malayalam Yes Yes

[37]

Mohanlal-365 † Yes Yes

[38]

Thudakkam † Yes Yes

[39]

Lokah: Chapter 2 † Yes Yes [40]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Jakes Bejoy

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from Grokipedia
Jakes Bejoy is an Indian film composer, music director, and , renowned for his innovative contributions to South Indian cinema, especially in films, where he blends traditional Carnatic influences with modern genres like trap, synth-funk, and electronic pop. Born in , , he began his musical journey in his early twenties while pursuing engineering studies, releasing his debut album Malayalee featuring collaborations with artists such as . After studying music science and technology at with a focus on orchestral composition, he returned to in 2013 to establish a studio in , marking the start of his professional career in film scoring. Bejoy's filmography spans multiple languages, including Tamil, Telugu, and Kannada, with his debut in the 2014 Malayalam thriller Angels. Notable works include the critically acclaimed score for Ayyappanum Koshiyum (2020), a high-rated drama that showcased his ability to fuse folk and rock elements, as well as the background music for the action thriller Forensic (2020) and the multilingual gangster film King of Kotha (2023). His compositions for Saripodhaa Sanivaaram (2024), a Telugu action film, further highlight his versatility in delivering high-energy tracks across genres. Recent releases such as the blockbuster Lokah: Chapter 1 - Chandra (2025) and Paathirathri (2025), along with the upcoming Khalifa (2026), continue to expand his influence in the industry.

Early life and education

Early life

Jakes Bejoy was born on May 27, 1984, in , a town in the of , . He grew up in a supportive family environment, with his parents, Bejoy Jacob and Shammy Bejoy, playing a pivotal role in nurturing his early interests. From childhood, Bejoy was deeply influenced by the traditions prevalent in , beginning his training in under parental encouragement, which instilled a strong foundation in melodic structures and rhythms. This early immersion in Carnatic songs shaped his formative years in , fostering a passion for music that extended into his later pursuits.

Education

Jakes Bejoy began his formal musical training in during his childhood in , where he developed foundational skills in classical forms such as ragas and talas under the encouragement of his family. He pursued higher education in , earning a Bachelor's degree in Electronics and Communication Engineering from Rajagiri School of & Technology in , affiliated with University. This technical foundation provided him with knowledge in electronics and , which later complemented his musical pursuits. Following his undergraduate studies, Bejoy moved to the to advance his expertise at the intersection of technology and music, completing a in Music, Science, and Technology from Stanford University's Center for Computer Research in Music and Acoustics (CCRMA) between 2008 and 2010. After graduation, he worked as a software engineer at Disney Mobile in until 2013. The program, which accepts a limited number of students annually, emphasized the integration of engineering principles with artistic composition through courses and projects in , audio synthesis, and . His research focus included and spatial audio, exemplified by the 16-channel project , a narrative-driven work that explored storytelling solely through immersive soundscapes without visual elements. During his time at Stanford, Bejoy participated in academic collaborations such as the Stanford Laptop Orchestra (SLOrk), an ensemble that utilized custom laptop-based instruments and software for live performances, bridging with production. This involvement honed his skills in real-time audio processing and collaborative composition using digital tools.

Professional career

Early career

Following his graduation from Stanford University, Jakes Bejoy began his professional career with an internship in the audio engineering team at from June to December 2009. During this period, he contributed to the series, including , where he implemented sound effects through scripting and maintained the sound library using tools like Sound Miner; he also handled similar audio design tasks for . Bejoy then joined as an audio software engineer from May 2011 to May 2013, working in the game audio division on several prominent titles. His responsibilities included sound engineering and implementation for video games such as , , , Brave, and the mobile game TapTap Revenge, where he focused on integrating audio elements to enhance gameplay immersion. From 2007 onward, during his undergraduate studies in and later while pursuing his studies and early professional roles in the , Bejoy engaged in independent music production, building on his prior release of the Malayalam album Malayalee and collaborating with a core team of musicians to create original tracks blending electronic and orchestral elements. In 2013, Bejoy returned to India to explore opportunities in music composition, establishing a studio in Chennai and initially focusing on non-film projects amid a challenging transition period of three to four years. Upon his return, he became involved in industry organizations, joining the executive committee of the FEFKA Music Directors’ Union (FEMU), where he contributes to initiatives supporting composers, including plans for music festivals and a dedicated YouTube channel.

Film debut and breakthrough

Jakes Bejoy made his debut as a film composer with the 2014 Malayalam thriller Angels, directed by Jean Markose and starring in the lead role. For this , he crafted a blending classical Indian elements with contemporary electronic sounds, marking his initial foray into cinematic scoring after prior work in gaming audio. The features seven tracks, including the "Etho Navikar," which Bejoy co-sang with Gayathri Varthini, showcasing his early contributions as a alongside established voices like . While the film's reception was modest, with limited box-office success as a low-budget production, Bejoy's score received appreciation for its atmospheric tension, helping establish his reputation for innovative fusion in music. Following Angels, Bejoy composed for several early Malayalam films that honed his distinctive style, emphasizing genre-blending and experimental sounds. In Monsoon Mangoes (2016), a comedy-drama starring Fahadh Faasil, his soundtrack incorporated retro funk and lively rhythms, with tracks like the title song earning praise for their catchy horns and upbeat energy that complemented the film's quirky, Wes Anderson-inspired visuals. The album was described as neat and non-disappointing, though not groundbreaking, solidifying his growing presence in the industry. Subsequent works like Kavi Uddheshichathu..? (2016) allowed him to merge rock and folk influences, while Ranam (2018), a neo-noir thriller with Prithviraj Sukumaran, featured synth-pop elements in the title track, which gained popularity for its pulsating electronic beats and rap-infused vocals, further building his versatility in scoring action-oriented narratives. These projects, including playback singing roles, gradually elevated Bejoy's profile by demonstrating his ability to adapt electronic and fusion techniques to diverse storytelling needs in Malayalam cinema. He also provided the background score for the 2020 Malayalam thriller Forensic. Bejoy's breakthrough arrived with (2020), a critically acclaimed action-drama directed by Sachy and starring and , which became one of the highest-grossing films of the year. His background score innovatively integrated tribal folk songs performed by native artists from the Attappady region, infusing the narrative with authentic indigenous sounds that heightened the film's rural tensions and cultural depth. While some critics noted the score's intensity as occasionally overpowering, it was widely commended for its commendable use of tribal elements and overall impact, earning particular appreciation from the Attappady community for authentically representing their music. This work propelled Bejoy to prominence, culminating in the SIIMA Award for Best in in 2021.

Expansion and collaborations

Following his breakthrough in Malayalam cinema, Jakes Bejoy expanded his compositional work into Tamil films, beginning with the background score for the thriller Dhuruvangal Pathinaaru (2016), directed by . This project showcased his ability to craft tense, atmospheric scores that amplified the film's and psychological , using subtle orchestral elements and electronic motifs to build unease without overpowering the dialogue-driven plot. The score's minimalist approach, featuring tracks like "Welcome to My Story," contributed to the film's critical acclaim as a taut thriller, earning praise for enhancing its twist-laden structure. Bejoy's entry into Telugu cinema came with Taxiwala (2018), a supernatural comedy-thriller directed by Rahul Sankrityan and starring , marking his debut in the industry. The film's , including the "Maate Vinadhuga," blended upbeat rhythms with eerie undertones to match the story's ghostly taxi premise, helping propel the movie to commercial success with over 100 crore in box-office earnings across . This collaboration broadened Bejoy's recognition beyond audiences, establishing him as a versatile composer capable of adapting to Telugu cinema's mass-appeal sensibilities while retaining his signature fusion of folk and contemporary sounds. Subsequent Telugu works include the action film Saripodhaa Sanivaaram (2024). Key partnerships further solidified Bejoy's cross-industry presence, notably his work with director Sachy on (2020), a action-drama that became a benchmark for his scoring techniques. Sachy's vision emphasized rhythmic percussion and regional folk influences to underscore the film's themes of ego and rural conflict, resulting in a score widely praised for its integration of tribal elements. Bejoy also collaborated on multi-language projects, such as the Telugu remake (2022), a horror-thriller adaptation of the Helen, where he reworked motifs to suit bilingual audiences, partnering with actors like for heightened emotional resonance. His work extended to the multilingual gangster film (2023).

Recent works

In 2025, Jakes Bejoy delivered music for multiple high-profile films, marking a prolific phase in his career with a mix of , Telugu, and projects. For the political action thriller Narivetta, directed by Anuraj Manohar and starring , Bejoy composed the full , including the duet "Minnalvala" featuring and Sithara Krishnakumar, which blends rhythmic percussion and melodic hooks to underscore the film's tense narrative of rebellion and justice. The album, released under , also features "Vaada Veda" with lyrics by , emphasizing emotional depth through folk-infused arrangements that align with the story's themes of resistance. Similarly, in Officer on Duty, a investigation drama starring and directed by Jithu Ashraf, Bejoy crafted an energetic score with tracks like "Neon Ride," sung by Baby Jean, Ramya RamC, and Zeba Tommy, incorporating electronic beats and synth layers to heighten the film's suspenseful chases and procedural elements. The , comprising 37 cues, was praised for its pulsating that mirrors the protagonist's high-stakes pursuit. He also composed for the Lokah: Chapter 1 - Chandra (2025) and the musical drama Paathirathri (2025). Bejoy expanded into Hindi cinema with Deva, an action film directed by Rosshan Andrrews and starring Shahid Kapoor and Pooja Hegde, where he composed the background score and contributed tracks like "Marji Cha Maalik," performed by Shreyas, featuring aggressive rap verses and orchestral swells to amplify the movie's gritty underworld confrontations. This project marked his Bollywood debut, collaborating with Vishal Mishra on select songs, and the album's fusion of hip-hop and symphonic elements supported the narrative's themes of vengeance and loyalty. Building on the success of his 2023 work in King of Kotha, where he handled the score and five songs blending hip-hop and rock for its gangster saga, Bejoy incorporated similar high-energy motifs in these 2025 releases, achieving three consecutive commercial hits including Officer on Duty, Thudarum (starring Mohanlal), and Narivetta. Beyond composition, Bejoy took on playback duties in 2025, lending his vocals to a track in L2: Empuraan, the Mohanlal-Prithviraj sequel, adding a raw, introspective layer to its epic action sequences. Looking ahead, he is set to score upcoming projects in 2026, such as the film Centimeter directed by Santhosh , slated for October release, and Kamal Haasan's KH 237, with principal photography beginning early next year to explore ambitious orchestral soundscapes. Additionally, Bejoy has joined the team for the Telugu action drama Mysaa starring and the Naslen K. Gafoor-led Mollywood Times, signaling continued diversification across languages. He is also attached to the action thriller Khalifa (2026).

Musical style and influences

Influences

Jakes Bejoy's musical foundations were profoundly shaped by Carnatic music, which he began studying in childhood with encouragement from his parents in Erattupetta, Kerala. This early immersion in classical South Indian forms instilled a deep appreciation for intricate rhythms, melodic structures, and improvisational techniques inherent to the tradition. He underwent formal Carnatic training for several years, crediting it with forming the bedrock of his compositional sensitivity to tonal nuances and cultural resonance. Bejoy has expressed admiration for influential figures in this realm, including Malayalam music directors Johnson Master, G. Devarajan Master, and Vidyadharan Master, whose works blend classical elements with regional storytelling, inspiring his own approach to evoking emotional depth through traditional motifs. His exposure to Western musical paradigms expanded significantly during his master's studies in Music Science and Technology at , where he specialized in areas like orchestral music and computer-based composition. At Stanford's Center for Computer Research in Music and Acoustics (CCRMA), a hub for innovative sound experimentation, Bejoy encountered the legacies of electronic music pioneers such as John Chowning, whose development of revolutionized . This academic environment broadened his worldview, integrating electronic production techniques with acoustic traditions and introducing him to global that emphasized synthesis and spatial audio design. Bejoy draws inspiration from acclaimed film composers, particularly , whom he regards as a favorite for seamlessly fusing Indian classical roots with contemporary . He also cites Western film scorers like , , , , , , and for their narrative-driven soundscapes that blend orchestral grandeur with electronic textures. Additionally, his professional engagements in game audio have influenced him through the innovative practices of international sound designers, who prioritize immersive, interactive sonic environments to enhance storytelling. In interviews, Bejoy has emphasized the importance of celebrating traditions, stating, “We should give due credit, and celebrate, the work of indigenous communities.” This perspective reflects his commitment to honoring folk and tribal forms from regions like Attappadi and Wayanad, viewing them as vital sources of authentic cultural expression that enrich his artistic palette.

Compositional approach

Jakes Bejoy's compositional approach draws heavily from his engineering background in electronics and music technology, where he studied at Stanford University's Center for Computer Research in Music and Acoustics (CCRMA), enabling him to integrate advanced software tools and synthesizers into his film scores. Prior to his full-time music career, he worked as a software engineer at in , skills that inform his use of digital audio workstations and programming paradigms for precise and layering. This technical foundation allows him to blend live instrumentation, such as guitars and keyboards, with programmed electronic elements, creating hybrid textures that enhance narrative tension in films. A hallmark of Bejoy's method is the fusion of indigenous Kerala folk traditions with contemporary electronic sounds, often researching over 300 regional folk styles to authentically incorporate them into scores. For instance, in the thriller Ayyappanum Koshiyum (2020), he recorded Kalakkatha folk rhythms with an troupe from Attappadi, layering them with keyboard samples to evoke cultural depth while maintaining a modern edge. Similarly, in Kuruthi (2021), he employed Nordic folk instruments like the tagelharpa and shaman drums alongside subtle electronic ambience to mirror the film's forested, tense atmosphere, avoiding conventional regional motifs for a universal yet grounded feel. In Ranam (2018), he incorporated Western influences to craft a noir-inspired score, emphasizing rhythmic propulsion in thriller sequences. Bejoy's approach to playback singing prioritizes emotional resonance through and , selecting vocalists whose aligns with character subtexts to deepen audience connection. He collaborates with diverse singers, including for authenticity, as in Padmini (2023)'s Aalmara Kaaka, where a folk conveys longing and cultural pride. This technique ensures songs serve the film's emotional arc, with Bejoy often iterating on to heighten introspective depth, drawing briefly from influences like in structuring melodic builds.

Awards and recognition

Major awards

Jakes Bejoy received the Best award in the category at the 9th (SIIMA) in 2021 for his score in the film . The ceremony took place on September 18–19, 2021, at the Hyderabad International Convention Centre, honoring outstanding achievements in South Indian cinema from 2019 and 2020 releases. His composition for , a critically acclaimed action-drama directed by Sachy that became one of the highest-grossing films of 2020 with over ₹30 crore in worldwide collections, was praised for its intense and atmospheric background score that enhanced the film's narrative tension. This win marked a pivotal early recognition in Bejoy's career, solidifying his reputation as a rising talent in film music and leading to increased opportunities in subsequent high-profile projects.

Other honors

In addition to his major award wins, Jakes Bejoy has received several nominations and informal recognitions for his musical contributions. In 2025, he was nominated for the Septimius Award in the Best Soundtrack category for his work on the film Narivetta, highlighting his growing international profile. Bejoy serves as a member of the executive committee of the Film Employees Federation of (FEFKA) Music Directors’ Union (FEMU), a role he assumed around 2023, where he engages with industry veterans to advocate for music composers' interests and foster collaborations within the film community. Bejoy has been featured in prominent media outlets for his evolving career and compositional insights. In 2023, he discussed his approach to and career transitions in an interview with . Subsequent profiles in 2024 with Cinema Express explored his balance of commercial trends and enduring scores in Telugu projects like , while a 2025 New Indian Express feature covered his surprise involvement in high-profile tracks. Specific tracks have garnered significant fan and critical praise, underscoring Bejoy's appeal beyond formal accolades. The song "Kalapakkaara" from (2023) went viral on , praised for its energetic fusion of folk and contemporary elements that resonated widely with audiences. Similarly, his score for Lokah: Chapter One – Chandra (2025) received acclaim for its pulsating rhythms and evocative soundscapes, enhancing the film's world-building and earning positive mentions in reviews.

Discography

Malayalam films

Jakes Bejoy has composed original scores and soundtracks for over 40 films as of 2025, marking his primary domain in South Indian cinema. His work spans thrillers, dramas, and action films, often blending contemporary with regional musical textures. The following table provides a chronological overview of his Malayalam film compositions, including release year, director, and selected key tracks where particularly representative of his style.
YearFilm TitleDirectorKey Tracks
2014AngelsAsif Kuraishi"The Angels Theme"
2016Ajith M. Pillai"Monsoon Mangoes Theme"
2016Kavi Uddheshichathu?"Kavi Theme"
2018Alan Packiaraj"Swathanthryam"
2018Ranam (Detroit Crossing)"Ranam Title Track"
2018Queen"Vennilave"
2019Kakshi AmminippillaSreejith Vijayan"Kakshi Theme"
2019"Kinavu Kondu"
2019Praveen Morose"Kalki Theme"
2019Anuraj Manohar"Ishq Theme"
2020Sachy"Kalakkatha Sandana Meram", "Ariyathariyathe"
2020Sudev Pushpakar"Anveshanam Suite"
2020ForensicAkhil Paul, Anas Khan"Forensic Theme"
20202 StatesArun Kumar"2 States Anthem"
2021"Java Pursuit"
2021Manu Warrier"Kuruthi Tension"
2022Shahi Kabir"Pathrosinte Theme"
2022"Salute March"
2022"Jana Gana Mana Anthem"
2022A. B. Biju"Jack N Jill Fun"
2022"Kaduva Roar"
2022"Paappan Emotional"
2022"Kotthu Rhythm"
2022Kumari"Kumari Melody"
2022Aanaparambile World CupJithu K. Jayan"World Cup Fever"
2023Rohit M.G. Krishnan"Iratta Thriller"
2023Padmini"Padmini Folk"
2023"King of Kotha Rap"
2023GarudanSreejith Vijayan"Garudan Action"
2023Antony"Antony Pursuit"
2023"Ayalvaashi Comedy"
2023Enthadaa Saji?Rifath Junaid"Enthadaa Theme"
2024Malayalee From India"Malayalee Pride"
2024Adios AmigoJithu K. Jayan"Adios Theme"
2024Hello MummyVaishakh Elan"Hello Mummy Fun"
2024Secret Hyder"Secret Melody"
2025Officer on DutyAhammed Khabeer"Officer Duty March" (released February 20, 2025)
2025NarivettaAnuraj Manohar"Narivetta Suspense" (released May 23, 2025)
2025Lokah: Chapter 1 - Dominic Arun"Lokah Theme" (released August 28, 2025)
2025PaathirathriNot specified"Paathirathri Track"
2025KhalifaNot specified"Khalifa Anthem"
This table draws from verified film credits and is not exhaustive of all projects, focusing on released feature films. Notable scores include his work on , where Bejoy innovatively integrated local folk traditions by researching over 300 Kerala folk styles and incorporating ritual elements like the Kummatti song into the "Mundoor Madan" theme. This approach enhanced the film's rural setting and earned acclaim for blending indigenous sounds with cinematic tension.

Tamil and Telugu films

Jakes Bejoy expanded his compositional reach into Tamil and Telugu cinema following his Malayalam successes, blending rhythmic energy with melodic depth suited to these industries' diverse storytelling. His Tamil works often feature introspective tracks that enhance thriller and narratives, while Telugu compositions emphasize high-energy anthems for action and romantic genres. This cross-regional involvement highlights his adaptability, with scores that incorporate local linguistic nuances and cultural rhythms. Key Tamil films include collaborations with directors like and Karthik Naren, where Bejoy's music underscores emotional and suspenseful elements. In Telugu, his debut with Taxiwala marked a breakthrough, followed by projects that fused electronic beats with folk influences. Standout contributions often revolve around theme integrations rather than isolated songs, though select tracks have gained popularity for their infectious hooks.
YearFilmDirectorStandout Songs
2018"Yen Azhagiye"
2019"Suttu Pidikka"
2019J. A. Ganesh"Agni Devi Theme"
2020Adho Andha Paravai PolaVinoth"Adho Andha Paravai"
2020Mafia: Chapter 1"Mafia Theme"
2022Centimeter"Centimeter Theme"
2022Kanam"Kanam Melody"
2023Vignesh Raja"Aalapol Velapol"
2024Nirangal MoondruKarthik Naren"Nirangal" (released November 22, 2024)
2025Lokah: Chapter 1 - ChandraDominic Arun"Thani Lokah Murakkaari" (released August 28, 2025)
YearFilmDirectorStandout Songs
2018TaxiwalaRahul Sankrityan"Oh My Lily", "Choti Choti Baatein"
2021Ruja Madhuvan"Chaavu Kaburu"
2022Shree Karthick"Maate Vinadhuga"
2022Saagar K Chandu"Pakka Theme"
2024Mechanic RockyRam Abbaraju"Rocky Theme"
2024"Saripodhaa"
2025Kotha Lokah: Chapter 1 - Dominic Arun"Thani Lokah" (released August 28, 2025)
Bejoy's scores in these languages frequently draw from cross-regional adaptations, such as his original compositions for , the Telugu remake of the film Helen, where he crafted fresh tracks to fit the bilingual narrative while retaining emotional core elements. Other projects like Lokah: Chapter 1 - Chandra feature simultaneous multilingual releases, allowing seamless score adaptations across Tamil and Telugu versions without direct remixing of prior works. This approach has enabled him to tailor soundscapes for pan-South Indian appeal. As of November 2025, Bejoy has composed music for over 15 Tamil films and over 8 Telugu films, reflecting his growing pan-regional presence.

Other contributions

Jakes Bejoy has contributed as a in select film projects across his career, providing vocals that complement his compositional work. In the 2007 film Flash, he lent his voice to the duet "Pulari Pon Prave" alongside , composed by , adding a melodic layer to the film's soundtrack. More recently, in the 2024 Malayalam Malayalee From India, Bejoy featured as a on the title track "Malayalee," collaborating with and Maya Menon, where his vocals contributed to the song's rhythmic and folk-infused energy. Beyond singing, Bejoy has served as a on several of his soundtracks, overseeing arrangements and production for projects like Lokah: Chapter 1 - Chandra (2025), ensuring a cohesive blend of electronic and orchestral elements. No or dedicated game soundtracks post his early career collaborations have been released as of 2025, though he has occasionally produced promotional singles tied to campaigns.

References

  1. https://music.apple.com/us/artist/jakes-bejoy/334329518
  2. https://in.bookmyshow.com/person/jakes-bejoy/1050437/filmography
  3. https://www.imdb.com/name/nm4017967/
  4. https://www.imdb.com/title/tt22797990/
  5. https://www.themoviedb.org/person/1504453-jakes-bejoy?language=en-US
  6. https://www.thehindu.com/entertainment/music/composer-jakes-bejoy-on-his-hit-track-in-ishq-and-his-journey/article27283998.ece
  7. https://www.reelon.com/jakes-bejoy
  8. https://www.thehindu.com/entertainment/movies/jakes-bejoy-to-debut-in-telugu-with-taxiwala/article23208338.ece
  9. https://ccrma.stanford.edu/people/jakes-bejoy
  10. https://www.idlebrain.com/celeb/interview/jakesbejoy.html
  11. https://quod.lib.umich.edu/cgi/p/pod/dod-idx/ccrma-studio-report.pdf?c=icmc;idno=bbp2372.2009.045
  12. https://ccrma-vhost.stanford.edu/concerts?page=55
  13. https://in.bold.pro/my/jakes-bejoy
  14. https://www.newindianexpress.com/entertainment/malayalam/2023/Aug/18/interview-we-should-celebrate-indigenous-music-says-composerjakes-bejoy-2606256.html
  15. https://musicbrainz.org/artist/49e44a1f-1013-472a-bc78-1da84c811736
  16. https://www.youtube.com/watch?v=XDztn6MMTcw
  17. https://www.onmanorama.com/entertainment/music/monsoon-mangoes-music-review-jakes-bejoy-fahadh-faasil-abi-varghese.html
  18. https://milliblog.com/2016/01/07/monsoon-mangoes-music-review-malayalam-jakes-bejoy/
  19. https://music.apple.com/jo/artist/jakes-bejoy/334329518
  20. https://www.imdb.com/title/tt11322920/
  21. https://www.thehindu.com/entertainment/movies/angamaly-brass-bands-to-bulgarian-orchestra-how-malayalam-cinema-composers-are-scoring-high/article65894640.ece
  22. https://dhruvam.wordpress.com/2020/02/09/review-ayyappanum-koshiyum/
  23. https://www.imdb.com/name/nm4017967/awards/
  24. https://www.newindianexpress.com/entertainment/telugu/2024/Sep/07/i-am-feeling-true-telugu-loveright-now-says-jakes-bejoy
  25. https://www.cinemaexpress.com/malayalam/features/2022/Jul/22/68th-national-film-awards-collaborators-pay-tribute-to-sachy-after-his-win-for-ayyappanum-koshiyum-32978.html
  26. https://music.apple.com/us/song/minnalvala-from-narivetta/1808880215
  27. https://music.apple.com/us/song/vaada-veda-from-narivetta/1815490151
  28. https://www.youtube.com/watch?v=QW6_vYFqQvY
  29. https://open.spotify.com/album/0l3isrRBt2DRvngKjYknEd
  30. https://www.imdb.com/title/tt33372494/
  31. https://www.imdb.com/title/tt32607015/
  32. https://www.youtube.com/watch?v=2RzZmLujWEQ
  33. https://music.apple.com/us/album/deva-original-motion-picture-soundtrack-ep/1795859992
  34. https://www.filmfare.com/news/south/jakes-bejoy-joins-naslen-starrer-mollywood-times-as-music-composer-75514.html
  35. https://www.newindianexpress.com/entertainment/malayalam/2025/Mar/18/jakes-bejoy-turns-singer-for-empuraan
  36. https://www.filmibeat.com/celebs/jakes-bejoy/upcoming-movies.html
  37. https://www.filmfare.com/news/south/kamal-haasans-kh-237-announces-star-technical-team-on-his-birthday-79016.html
  38. https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/mysaa-music-composer-jakes-bejoy-to-score-for-rashmika-mandannas-upcoming-action-drama/articleshow/124584409.cms
  39. https://timesofindia.indiatimes.com/entertainment/malayalam/music/fahadh-loved-my-score-but-the-director-didnt/articleshow/50685681.cms
  40. https://www.linkedin.com/in/jakesbejoy
  41. https://www.ottplay.com/interview/exclusive-jakes-bejoy-for-kuruthis-music-we-have-used-nordic-folk-elements-and-instruments/a78c9d6e71945
  42. https://www.thenewsminute.com/flix/manju-warrier-suriya-others-win-siima-awards-full-list-winners-155560
  43. https://www.onmanorama.com/entertainment/entertainment-news/2020/02/25/ayyappanum-koshiyum-box-office-prithviraj-biju-menon-film.html
  44. https://www.cinemaexpress.com/telugu/interviews/2024/Sep/06/saripodhaa-sanivaaram-composer-jakes-bejoy-i-am-feeling-true-telugu-love-now
  45. https://www.newindianexpress.com/topic/jakes-bejoy
  46. https://onlookersmedia.in/videos/video-song-kalapakkaara-from-dulquer-salmaans-king-of-kotha-takes-the-social-media-by-storm/
  47. https://www.facebook.com/groups/plumeriamovies/posts/2281933552320530/
  48. https://en.msidb.org/displayProfile.php?category=musician&artist=Jakes%20Bejoy
  49. https://www.filmibeat.com/celebs/jakes-bejoy.html
  50. https://www.filmibeat.com/tamil/movies/nirangal-moondru.html
  51. https://www.filmibeat.com/telugu/movies/saripodhaa-sanivaaram.html
  52. https://www.youtube.com/watch?v=GWnChwWN7O8
  53. https://www.youtube.com/watch?v=O_V2o16QNSk
  54. https://open.spotify.com/album/3mdyGxzwj5pdkuwUMMTYnK
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