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James Ottaway
James Ottaway
James Ottaway
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James Ottaway

William Cecil James Ottaway (25 July 1908 – 16 June 1999) was a British film, television and stage actor whose career spanned seven decades.[1]

Family background

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Born in 1908 in Chertsey in Surrey, Ottaway was the son of William Henry Ottaway, an enthusiastic amateur actor with the St Pancras People's Theatre and the Superintendent of the School of Handicrafts for Poor Boys in Chertsey, and his wife Mary Ellen, the School's Matron. Their oldest son was Andrew Kenneth Cosway Ottaway (1905-1980), a lecturer in Education at the University of Leeds. A younger son was Christopher Wyndham Ottaway (1910-1978), Research Professor of Veterinary Science at the University of Bristol from 1973 to 1975.

Early career and first theatre roles

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James Ottaway graduated from Imperial College London in 1929 and became a teacher. However, having become interested in acting while appearing in amateur dramatics, he left teaching to train at the Central School of Speech and Drama. Leaving in 1937, he made his stage debut in The Island at the Q Theatre. Also in 1937 he appeared in an early television production, Capital Punishment, broadcast by the BBC from Alexandra Palace.[1]

Further theatre roles

[edit]

He made his stage debut in 1937 as the Club Waiter in The Island at the Q Theatre, reprising the role at the Comedy Theatre in 1938. Later in 1937 Tyrone Guthrie, the director of The Old Vic, cast Ottaway as a Messenger alongside a young Laurence Olivier in the title role in Macbeth. Ottaway subsequently toured with the Old Vic company during 1940 and 1941.

After service in the British Army during World War II, Ottaway was demobbed in 1947 and resumed his theatrical career, playing Joseph Taft in Four Hours to Kill (Saville Theatre, 1948); Mr Wingate in Top of the Ladder (St James's Theatre, 1950); Dr Jadin in The Madwoman of Chaillot (St James's Theatre, 1951); Forshaw in His House in Order (New Theatre, 1951). From 1951 to 1955 he again appeared with Tyrone Guthrie and The Old Vic company, joining tours of South Africa in 1952 and Australia in 1955.

He acted for several seasons at the Open Air Theatre, Regent's Park, playing Quince in A Midsummer Night's Dream (1962, 1967); Sir Nathaniel in Love's Labour's Lost (1962); Dr Welling in Kill Two Birds (St Martin's Theatre, 1962); Verges in Much Ado About Nothing (1963); The Gentleman in The Devil May Care (Strand Theatre, 1963); in the pantomime The Man in the Moon with Charlie Drake (London Palladium, 1963); Murchison in The Waiting Game (Arts Theatre, 1966), and Chaucer in the musical The Canterbury Tales (Phoenix Theatre, 1968) and Ragueneau in Cyrano de Bergerac (1967). Ottaway played four roles in A Voyage Round My Father at the Greenwich Theatre (1970), played Kemp in Entertaining Mr Sloane at the Royal Court Theatre, which later transferred to the Duke of York's Theatre (both 1975), and appeared as Polonius in Hamlet at the Thorndike Theatre in Leatherhead (1970).[1]

Television and film

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His television appearances included The Soldier in Capital Punishment (1937); Peter in Romeo and Juliet (1947); Soldier in Edward II (1947); Mr Brudenell in The Devil's Disciple (1949); Cibber in Whirligig (1950); The Passing Show (1951); Rev. Ambrose Wistons in The Cathedral (1952); Sunday Night Theatre (1952); Bates in The Commonplace Heart (1953); Dr Pennington in Emergency – Ward 10 (1958); Second Doctor in The Blood Donor episode of Hancock's Half Hour (1961); Dr Cranston in The Saint (1963); Mr Roberts/Allan in No Hiding Place (1960-1965); Mr Martin/Frank Meek in Dixon of Dock Green (1956-1969); Thomas Anthem in The Fellows (Late of Room 17) (1967); Scrophulus in Up Pompeii! (1970); Mr. Stone, in the 'Ride, Ride' episode of Tales of Unease, (1970); Member of Parliament in Dad's Army (1972); Thompson in Softly, Softly: Taskforce (1973); Bill Chadwick in Follyfoot (1973); Maxie in The Changes (1975); Jack King in Z-Cars (1977); Uncle Billy in The Sweeney (1978); Dick Fawcett/Pub Customer in All Creatures Great and Small (1978-1988); Arthur in Quatermass (1979); George Taylor in The Gentle Touch (1980-1984); Percy/Vickery in Minder (1980-1991); Reverend Fulljames in Hi-de-Hi! (1983); Bob Hilton in Auf Wiedersehen, Pet (1984); Vicar in Shine on Harvey Moon (1984); Mr Light in Grange Hill (1985); three different roles in Casualty (1987-1993); Mr North in Boon (1988); Mr Russell in Agatha Christie's Poirot (1989); Mr Oxley in Keeping Up Appearances (1990); Mourner in The Widowmaker (1990); Mr Burwash in Jeeves and Wooster (1993); Jack Coverly in Pie in the Sky (1995); Mr Adams in A Touch of Frost (1995); Mr Wellington in As Time Goes By (1998); and three different roles in The Bill (1992-1998).

Film appearances included Johnson in In the Wake of a Stranger (1959); Grandad in That'll Be the Day (1973); Father Matthews in Absolution 1978) and Commissionaire in The Long Good Friday (1980), as well as appearing in Room 43 (1958), The Man Who Liked Funerals (1959) and Rahn in The Man Who Finally Died (1962).[1]

Personal life

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Ottaway first met his wife Anne Pichon when they were both members of the St Pancras People's Theatre, but they did not marry until 1965 after meeting again later in life. One nephew, Sir Richard Ottaway, was the Conservative MP for Croydon South, while another, Mark Ottaway, was chief travel writer on The Sunday Times.

James Ottaway died on 16 June 1999 in London at the age of 90.

Filmography

[edit]
Year Title Role Notes
1958 Passport to Shame Assistant Registrar
1959 The Man Who Liked Funerals Butler
1959 In the Wake of a Stranger Johnson
1963 The Man Who Finally Died Rahn-Hotel Manager Uncredited
1965 You Must Be Joking! Army Officer Uncredited
1968 Inadmissible Evidence Watson's Guest
1973 That'll Be the Day Granddad
1978 Absolution Father Matthews
1979 The Quatermass Conclusion Arthur
1980 The Long Good Friday Commissionaire

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

James Ottaway

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from Grokipedia
''James Ottaway'' was a British character actor known for his extensive career spanning seven decades in theatre, film, and particularly television. Born on 25 July 1908 in Chertsey, Surrey, England, he graduated from Imperial College London and worked as a teacher before training at the Central School of Speech and Drama and making his professional stage debut in 1937. He performed regularly on the West End, including with the Old Vic company alongside figures such as Laurence Olivier, and took on diverse roles in Shakespearean productions and modern plays at venues like the Phoenix Theatre and Royal Court Theatre. Ottaway became a prolific presence on British television from the late 1950s onward, appearing in dozens of series and earning recognition for his reliable supporting performances in shows such as Dixon of Dock Green, Dad's Army, The Sweeney, All Creatures Great and Small, Minder, Auf Wiedersehen, Pet, Keeping Up Appearances, and The Bill. He had a recurring role as George Taylor in The Gentle Touch and featured in notable serials including Quatermass. His film work included supporting parts in That'll Be the Day, Absolution, and The Long Good Friday. He married actress Anne Pichon in 1965 and continued acting until the late 1990s, passing away in London on 16 June 1999.

Early life

Family background

James Ottaway was born on 25 July 1908 in Chertsey, Surrey, England. He was the son of William Ottaway, an amateur actor with the St Pancras People's Theatre. His father's amateur acting with the St Pancras People's Theatre sparked Ottaway's interest in theatre during childhood. This early family influence contributed to his lifelong engagement with the performing arts.

Education and training

James Ottaway graduated from Imperial College London in 1929. He subsequently worked as a teacher following his graduation. His interest in acting emerged through amateur involvement with the St Pancras People's Theatre, where he gained early stage experience and met his future wife, Anne Pichon. He pursued formal dramatic training at the Central School of Speech and Drama, leaving in 1937 to begin his professional career.

Career

Stage career

James Ottaway made his professional stage debut in 1937 as the Club Waiter in The Island at the Q Theatre, a role he repeated at the Comedy Theatre in 1938. That same year, he appeared as the Messenger in Macbeth at the Old Vic Theatre, in a production directed by Tyrone Guthrie and starring Laurence Olivier. He toured with the Old Vic company from 1940 to 1941 before his theatre work was interrupted by service in the British Army during the Second World War; he was demobilised in 1947 and resumed his stage career. After the war, Ottaway became a familiar figure in West End productions with roles including Joseph Taft in Four Hours to Kill at the Saville Theatre in 1948, Mr Wingate in Top of the Ladder at the St James's Theatre in 1950, Dr Jadin in The Madwoman of Chaillot at the St James's Theatre in 1951, and Forshaw in His House in Order at the New Theatre in 1951. He rejoined the Old Vic company from 1951 to 1955 under Tyrone Guthrie, taking part in tours to South Africa in 1952 and Australia in 1955. Ottaway performed in several seasons at the Open Air Theatre in Regent's Park, where he played Quince in A Midsummer Night's Dream in 1962 and 1967, Sir Nathaniel in Love's Labour's Lost in 1962, Verges in Much Ado About Nothing in 1963, and Ragueneau in Cyrano de Bergerac in 1967. Later highlights included Chaucer in Canterbury Tales at the Phoenix Theatre in 1968, Polonius in Hamlet at the Thorndike Theatre in Leatherhead in 1970, four roles in A Voyage Round My Father at the Greenwich Theatre in 1970, and Kemp in Entertaining Mr Sloane at the Royal Court Theatre, which transferred to the Duke of York's Theatre in 1975. Over four decades from the 1930s, Ottaway maintained a regular presence on the West End stage, frequently appearing in character parts.

Television career

James Ottaway began his television career during the infancy of the medium, making his debut in 1937 with appearances in early BBC broadcasts from Alexandra Palace. This early work coincided with his initial steps in professional acting. He did not emerge as a regular television performer until the late 1950s and early 1960s, when he established himself as a prolific character actor in British television drama and comedy series over the subsequent decades. Ottaway's breakthrough on television included a memorable guest appearance as the second doctor in the 1961 Hancock's Half-Hour episode "The Blood Donor". He went on to feature in numerous long-running series, such as Z Cars, Dixon of Dock Green, Dad's Army (in 1972), Softly Softly, The Sweeney, All Creatures Great and Small, Minder, and others. Among his recurring roles, he portrayed Maxie in the 1975 children's science fiction series The Changes, Arthur in two episodes of the 1979 miniseries Quatermass, and George Taylor—the father of Jill Gascoigne's lead character—throughout all four series of the police procedural The Gentle Touch from 1980 to 1984. In his later years, Ottaway continued to appear regularly as a guest star, including in Hi-de-Hi! (1983), Auf Wiedersehen, Pet (1984), Keeping Up Appearances (1990), Jeeves and Wooster (1993, as Mr Burwash), Pie in the Sky (1995), and A Touch of Frost (1995). He made multiple appearances in Casualty between 1987 and 1993 and in The Bill from 1992 to 1998. Ottaway was often cast as elderly men of either upper-class or working-class backgrounds, bringing distinctive presence to these character parts across his extensive television output.

Film career

James Ottaway's film career remained secondary to his extensive stage and television work, consisting mainly of supporting character roles in British feature films over several decades. His screen appearances were limited but consistent, often in brief parts that drew on his experience as a character actor. Ottaway made early contributions to cinema with roles in Room 43 (1958), The Man Who Liked Funerals (1959), and The Man Who Finally Died (1962). These initial credits established him in minor capacities within the industry during the late 1950s and early 1960s. In the 1970s, he appeared as Grandad in the rock music drama That'll Be the Day (1973). He later played Father Matthews, a Catholic priest, in Absolution (1978, though unreleased until 1981). Additional roles included a commissionaire in the crime thriller The Long Good Friday (1979) and Arthur in The Quatermass Conclusion (1980), the theatrical film version edited from the television miniseries Quatermass. These film parts reflected Ottaway's typical pattern of character acting, with cinema forming a smaller portion of his overall professional output.

Personal life

Marriage and family

James Ottaway married Anne Pichon in 1965, a union that endured until his death in 1999. He first met Pichon while both were performing with the St Pancras People's Theatre, though they did not reconnect and marry until middle age after encountering each other again years later. Ottaway had two nephews who achieved prominence in public life: Richard Ottaway, who served as the Conservative Member of Parliament for Croydon South, and Mark Ottaway, chief travel writer for The Sunday Times.

Death

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