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Jason Cuadrado
Jason Cuadrado
Jason Cuadrado
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Jason Cuadrado is an American film director, producer, and screenwriter, known for directing the first j-horror feature film in the United States, Tales from the Dead. After directing television news in New York City, he transitioned to film by starting as a personal assistant to American actor, John Leguizamo. He wrote and directed the thriller Devil May Call.

Key Information

Biography

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Cuadrado was born in New York City, the son of Juan Jose Cuadrado, a high school teacher and Clementina Tang-Cuadrado, a university professor. He's the second born of three sons and is of Puerto Rican, Colombian, and Chinese descent. He was named after the Greek Jason after nearly being named after Orson Welles.

He is a graduate of Townsend Harris High School and attended Queens College and New York University where he studied video and film production. After directing new segments for Bloomberg Television and heading the new media department for Deloitte and Touche's New York branch, Cuadrado relocated to Los Angeles where he focused on feature film directing, writing, and editing. It was in California where he was inspired by trends in Japanese horror to write and shoot the j-horror anthology film Tales from the Dead.[1] The film features a cast of Japanese actors speaking their native tongue. Many of whom worked together on Letters from Iwo Jima by Clint Eastwood. Cuadrado did not know Japanese at the time so the original English script was translated into Japanese for the actors. When interviewed, Cuadrado said, "I had to direct the actors based on their performances instead of the script. If I could tell where they were in the dialogue without understanding what they were saying then that was a good take".[2] The film was embraced by j-horror fans who were intrigued by the Western take on Japanese horror tropes.

Cuadrado went on to write and direct the short film Monstrous Nature. The short took top honors at numerous North American horror film festivals. His experiences as a hostel manager in Harlem were the inspiration for the feature Harlem Hostel by writer/director Nestor Miranda.

After the death of his mother in 2009, Cuadrado took time off from film production to focus on his passion for design and programming. He co-founded Kulture Kick, a boutique web design and new media company. The company partnered with Tommy Wiseau to create officially licensed products for Wiseau's cult hit The Room.

Cuadrado returned to filmmaking after actress/producer Camillia Sanes (Camillia Monet) introduced him to entrepreneur Urs Brunner, the CEO of Boncafe, a Thai/Swiss coffee company. Brunner had been interested in investing in motion pictures so he purchased Cuadrado's feature script Dark Desert Highway[3] and financed the thriller Devil May Call starring Corri English, Tyler Mane, and Traci Lords.[4] Devil May Call was directed by Cuadrado and written with Wyatt Doyle.[5]

He currently resides in Los Angeles where he continues to develop and direct features with manager/producer Deborah Del Prete and Coronet Entertainment.

Filmography

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  • King of the Jungle (film) (2000) – Special thanks
  • Rock Steady (2002 Short) – Cinematographer/Editor
  • Juicy (2004 short) – Cinematographer
  • Damaged Goods (2006 short) – Sound
  • Chalk (2006 short) – Writer/Director/Editor
  • Tales from the Dead (2008) – Writer/Director
  • Monstrous Nature (2009 Short) – Writer/Director/Editor
  • Harlem Hostel (2010) – Editor/Associate producer
  • Time Trippers (2012 Short) – Director/Editor
  • Devil May Call (2013) – Writer/Director
  • Dark Desert Highway (2014) – Writer
  • Tales from the Dead (2014 Thai Remake) – Writer
  • Two Point Zero (2022 short) - Writer/Director

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Jason Cuadrado

View on Grokipedia
from Grokipedia
Jason Cuadrado is an American film director, producer, and screenwriter known for his independent horror films and his innovative integration of game engine technologies, virtual reality, and real-time cinematic production methods. Coming from a background in computer programming and new media, Cuadrado transitioned into filmmaking by creating low-budget projects that drew on Japanese horror influences and confined-location thrillers. He directed the anthology feature Tales from the Dead, which expanded from his earlier short film Chalk and was shot entirely in Japanese, as well as the horror-thriller Devil May Call, starring Tyler Mane and released by Lionsgate after premiering in 2013. In recent years, Cuadrado has focused on virtual production workflows using Unreal Engine, performance capture, and game development tools to overcome traditional filmmaking constraints. His projects in this space include the Twilight Zone homage short Reap What You Sow, produced in a small home environment with family members providing motion-captured performances, alongside other experiments such as Witch’s Brew and various VR games and Roblox titles. This shift reflects his emphasis on creative autonomy and the potential of accessible technology to enable complex storytelling outside conventional production systems.

Early life and background

Jason Cuadrado was born on April 24, 1970, in Queens, New York City, USA. He has described being obsessed with The Twilight Zone since childhood. Cuadrado came from a background in computer programming and new media before transitioning into filmmaking.

Early professional career

Work in television news

Jason Cuadrado worked as a TV director and in advertising at Bloomberg Television in New York City from July 1996 to October 1998. He later relocated to Los Angeles to pursue feature film directing and writing.

New media and corporate roles

Jason Cuadrado has a background in computer programming and new media. This background provided awareness of digital content distribution options, which later influenced his independent film production approach.

Transition to narrative filmmaking

Short films and initial projects

Jason Cuadrado began his involvement in filmmaking with technical contributions to independent projects. He received a special thanks credit on the feature film King of the Jungle (2000). His early hands-on roles included serving as cinematographer and editor on the short Rock Steady (2002), cinematographer on the short Juicy (2004), and sound contributor on the short Damaged Goods (2006). Cuadrado transitioned to narrative directing with the short film Chalk (2006), which he wrote, directed, and edited. Influenced by Japanese horror trends, the project was cast and crewed through Craigslist and marked his emergence as a filmmaker. He continued in the horror genre with Monstrous Nature (2009), a short that he wrote, directed, and edited. The film received top honors at North American horror festivals, including Best Short Film and Audience Award at the Chicago Horror Film Festival and Hollyshorts Film Festival in 2010. Cuadrado took on editorial and production roles in the short Harlem Hostel (2010), where he served as editor and associate producer, drawing brief inspiration from his prior experience managing a hostel in Harlem. He directed and edited the short Time Trippers (2012), further establishing his creative control over projects. These early shorts reflect Cuadrado's progression from supporting technical positions to authoring and helming his own independent horror and narrative works.

Breakthrough with Tales from the Dead

Tales from the Dead (2008) marked Jason Cuadrado's breakthrough as a feature filmmaker, serving as his debut narrative project in the horror genre. Written, directed, and co-edited by Cuadrado, the anthology film comprises four distinct ghost stories, all presented in the Japanese language despite being produced in the United States. The production stands out for its commitment to authentic J-horror style, employing a full Japanese cast and filming entirely in Japanese, with Cuadrado directing without speaking or understanding the language and relying instead on performance-based direction to communicate with actors. The cast included notable Japanese performers such as Toshiya Agata, who had previously appeared in Clint Eastwood's Letters from Iwo Jima (2006), alongside others like Hiro Abe and Mariko Denda. Tales from the Dead highlighted Cuadrado's innovative approach to blending cultural authenticity with independent U.S. production constraints, earning recognition for its unique position in the genre. The film's significance lies in its demonstration of cross-cultural filmmaking ambition, achieving a genuine J-horror aesthetic through non-traditional means despite the director's linguistic limitations.

Devil May Call and mid-career features

Jason Cuadrado returned to directing after a personal hiatus with the psychological horror film Devil May Call (2013), which he co-wrote with Wyatt Doyle under its original title I'm Here For You. The low-budget feature stars Corri English as a blind suicide hotline operator stalked by an obsessive caller played by Tyler Mane, with Traci Lords in a supporting role. It was financed by Swiss-Thai entrepreneur Urs Brunner through Angel & Bear Productions in his first American production venture, involving a U.S.-Thai production collaboration. North American distribution rights were acquired by Grindstone Entertainment Group for Lionsgate Home Entertainment, leading to a DVD release on March 10, 2015.

Shift to virtual production and emerging technologies

Move to VR, game engines, and real-time cinematics

In the early 2020s, Jason Cuadrado shifted his focus from traditional filmmaking to virtual reality and game development, seeking greater independence in storytelling. He taught himself coding through online courses and published a collection of VR games on the App Store and Google Play. He also developed the Roblox adventure game Help! I’m Trapped in a Horror Movie!. This transition to indie game development offered him significant autonomy over the creative process, reducing reliance on collaborative production logistics. Cuadrado then progressed naturally to real-time cinematic animation and performance capture, primarily adopting Unreal Engine as his core tool. He has described this shift as driven fundamentally by a desire for control, noting that game development allowed him to execute ideas without assembling a cast and crew. Performance capture further expanded possibilities by enabling him to act out any scene at home, which he said "blew the doors off everything I believed to be possible with game engines like Unity and Unreal." Cuadrado emphasizes that these technologies provide greater creative control and democratize casting, as performers are no longer constrained by physical appearance or typecasting; he has illustrated this by suggesting his aunt could portray a five-year-old child, his father a cave-dwelling ogre, or himself a sixty-foot-tall robot overlord. He deliberately chooses projects suited to real-time tools, focusing on stories that would be impossible or highly challenging in traditional production, in order to leverage game engines for innovative narrative forms. The 2020 pandemic lockdown accelerated this direction by granting him extensive time to refine his solitary workflow, building on the independence already established through game development.

Recent shorts and interactive projects

Jason Cuadrado has embraced real-time cinematics and virtual production tools for his recent short films, often incorporating performance capture and game engines to create stylized, low-budget narratives. In early 2021, he released the short "Reap What You Sow", a YouTube fan homage to The Twilight Zone, produced using performance capture techniques executed in his living room to replicate the distinctive black-and-white aesthetic and production style of episodes from 1959 to 1964. The project leveraged video game technology for its animated visuals and featured family members Juan Jose Cuadrado and Teresita Cuadrado in the cast and performance capture roles. He also created "Witch’s Brew" as a proof-of-concept short to test his personal pipeline using Unreal Engine for real-time rendering and narrative storytelling. In 2022, Cuadrado wrote and directed the short "Two Point Zero", continuing his experimentation with emerging tools for cinematic expression.

Personal life and influences

Family events and personal pauses

Jason Cuadrado has incorporated family members into some of his creative projects. In his short film Reap What You Sow, produced during the COVID-19 lockdown, he cast his aunt and father in motion capture roles due to their availability while in lockdown. His aunt brought years of acting experience to the performances. The scenes were captured in his living room using a compact 10' x 10' space, demonstrating an intimate, home-based approach to virtual production during that period. This collaboration reflects how personal circumstances shaped his work in emerging technologies. After his feature Devil May Call, Cuadrado shifted toward indie game development and real-time cinematic work using game engines.

Creative influences

Jason Cuadrado has cited The Twilight Zone as a lifelong creative influence, having been introduced to the series during his childhood, where it sparked his interest in storytelling that explores complex ideas through science fiction, fantasy, and moral dilemmas. He has particularly highlighted the episode "On Thursday We Leave For Home" as a favorite, noting its deep examination of human society, leadership, and freedom. His early filmmaking was shaped by an interest in Japanese horror (J-horror), whose atmospheric tension, psychological depth, and supernatural elements informed the tone of his initial projects, including the short Chalk and the anthology Tales from the Dead. More recently, Cuadrado has concentrated on stories that can only be realized through virtual production and real-time cinematics, utilizing game engines such as Unreal Engine to create innovative narratives that blend animation, interactivity, and emerging technologies. His creative approach reflects influences from Rod Serling and the original Twilight Zone, often drawing from personal and cultural inspirations to craft tales that probe human experience.
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