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Jean-Jacques Duval
Jean-Jacques Duval (Feb. 8, 1930 - Oct. 21, 2021) was a French-born American artist who pioneered abstract art and the use of faceted glass in stained glass design in the 1960s. In 2005 he was awarded the Lifetime Achievement Award by the Stained Glass Association of America. Best known for his window designs in Germany, Israel, Japan, the West Indies, and the United States, his paintings and sculptures have also been exhibited throughout North America.
Jean-Jacques Duval was born in 1930 in Strasbourg, France. At age six, his father, a manager of a champagne company, died and Duval and his mother moved to Mutzig to live with his grandmother and two uncles. Encouraged to draw by one of his uncles, a house painter, at age 14 he was introduced to a glass painter and became interested in glass as an artistic medium. He attended the Strasbourg art school École des Arts Décoratifs where he studied drawing, painting, set design and fashion. Introduced by a professor to liturgical stained glass design, following graduation Duval apprenticed with stained glass firm OTT Frères. At age 18, he left to complete his required military service and served for 15 months in the French army. Returning to Strasbourg in 1950, Duval accepted an offer to design for an American stained glass company, Muller Studio.
In the United States Duval first worked in Florida, before accepting a position at Daprato Studio in New York. In 1955 he was drafted and served two years in the US army in Germany. Upon his return he continued to freelance at Daprato until 1957 when he opened his own studio in Manhattan. Assisted by his studio foreman, Helmut Schardt, Duval began working in faceted glass in 1958. During this period he attended the Art Students League of New York.
Duval was one of the first stained glass designers to use Dalle de verre, a thick, faceted glass created with a hammer and anvil rather than cut. He is credited for "developing, refining, and putting his personal touch on both aesthetic approach and improved technique." Inspired by the lyrical abstraction of Nicolas de Staël's paintings, he was also one of the first to introduce an abstract aesthetic into ecclesiastic settings. His use of both transparent and translucent glass allowed nature or the surrounding environment to be included in his designs. His choice of faceted- or cut-glass was determined by the building design and, throughout his career, Duval worked equally within the two media. He described his techniques in Working With Stained Glass, first published in 1972.
1957: In 1957 Duval entered and won the international competition for the windows of the Vatican Pavilion at the 1964 New York World's Fair, now in St. Mary's Church (Groton, Connecticut). Another early abstract design, the 1962 sanctuary windows for Congregation B'nai Jacob (Woodbridge, Connecticut), was likened to windows by Robert Motherwell. In 1964 he was commissioned to design windows for the historic monument, St. Martin Church in Martenhöhe, Germany. Duval also created stained glass sculptures for the chapel at Holy Cross High School (Waterbury, Connecticut) in 1965 and for the Altman and Wolf Equitable Building (Baltimore, Maryland) in 1968.
During this period Duval continued to paint and developed a style which reflected his use of stained glass. Encouraged by artists Willem de Kooning and artist-stained glass designer Adolph Gottlieb, both friends of his wife, writer Elga Liverman Duval, he was part of the 1950s New York art scene. In 1967, he exhibited at the Madison-Avenue gallery La Boetie.
1970: In 1970 Duval moved from Manhattan to Carmel, New York. During this period he designed liturgical windows for the historic monument B’nai Israel (Pittsburgh) and Christ the King Lutheran Church (North Olmstead, Ohio). Other commissions included the Fine Arts Building, State University of New York (Geneseo) and a window for Pennsylvania State University (Altoona). During this period, he taught stained glass at the New School for Social Research in New York City.
1990: In 1992 Duval moved upstate where the Adirondack scenery became a source of inspiration for his work. Important commissions within the region include the Champlain Valley Physicians Hospital Chapel and the Fine Arts Building, State University of New York (Plattsburgh). In 1998, Duval designed the window for the Kasugai Mall (Nagoya, Japan). His largest, leaded stained glass wall to date, the stylized figurative design was inspired by a Japanese wedding.
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Jean-Jacques Duval
Jean-Jacques Duval (Feb. 8, 1930 - Oct. 21, 2021) was a French-born American artist who pioneered abstract art and the use of faceted glass in stained glass design in the 1960s. In 2005 he was awarded the Lifetime Achievement Award by the Stained Glass Association of America. Best known for his window designs in Germany, Israel, Japan, the West Indies, and the United States, his paintings and sculptures have also been exhibited throughout North America.
Jean-Jacques Duval was born in 1930 in Strasbourg, France. At age six, his father, a manager of a champagne company, died and Duval and his mother moved to Mutzig to live with his grandmother and two uncles. Encouraged to draw by one of his uncles, a house painter, at age 14 he was introduced to a glass painter and became interested in glass as an artistic medium. He attended the Strasbourg art school École des Arts Décoratifs where he studied drawing, painting, set design and fashion. Introduced by a professor to liturgical stained glass design, following graduation Duval apprenticed with stained glass firm OTT Frères. At age 18, he left to complete his required military service and served for 15 months in the French army. Returning to Strasbourg in 1950, Duval accepted an offer to design for an American stained glass company, Muller Studio.
In the United States Duval first worked in Florida, before accepting a position at Daprato Studio in New York. In 1955 he was drafted and served two years in the US army in Germany. Upon his return he continued to freelance at Daprato until 1957 when he opened his own studio in Manhattan. Assisted by his studio foreman, Helmut Schardt, Duval began working in faceted glass in 1958. During this period he attended the Art Students League of New York.
Duval was one of the first stained glass designers to use Dalle de verre, a thick, faceted glass created with a hammer and anvil rather than cut. He is credited for "developing, refining, and putting his personal touch on both aesthetic approach and improved technique." Inspired by the lyrical abstraction of Nicolas de Staël's paintings, he was also one of the first to introduce an abstract aesthetic into ecclesiastic settings. His use of both transparent and translucent glass allowed nature or the surrounding environment to be included in his designs. His choice of faceted- or cut-glass was determined by the building design and, throughout his career, Duval worked equally within the two media. He described his techniques in Working With Stained Glass, first published in 1972.
1957: In 1957 Duval entered and won the international competition for the windows of the Vatican Pavilion at the 1964 New York World's Fair, now in St. Mary's Church (Groton, Connecticut). Another early abstract design, the 1962 sanctuary windows for Congregation B'nai Jacob (Woodbridge, Connecticut), was likened to windows by Robert Motherwell. In 1964 he was commissioned to design windows for the historic monument, St. Martin Church in Martenhöhe, Germany. Duval also created stained glass sculptures for the chapel at Holy Cross High School (Waterbury, Connecticut) in 1965 and for the Altman and Wolf Equitable Building (Baltimore, Maryland) in 1968.
During this period Duval continued to paint and developed a style which reflected his use of stained glass. Encouraged by artists Willem de Kooning and artist-stained glass designer Adolph Gottlieb, both friends of his wife, writer Elga Liverman Duval, he was part of the 1950s New York art scene. In 1967, he exhibited at the Madison-Avenue gallery La Boetie.
1970: In 1970 Duval moved from Manhattan to Carmel, New York. During this period he designed liturgical windows for the historic monument B’nai Israel (Pittsburgh) and Christ the King Lutheran Church (North Olmstead, Ohio). Other commissions included the Fine Arts Building, State University of New York (Geneseo) and a window for Pennsylvania State University (Altoona). During this period, he taught stained glass at the New School for Social Research in New York City.
1990: In 1992 Duval moved upstate where the Adirondack scenery became a source of inspiration for his work. Important commissions within the region include the Champlain Valley Physicians Hospital Chapel and the Fine Arts Building, State University of New York (Plattsburgh). In 1998, Duval designed the window for the Kasugai Mall (Nagoya, Japan). His largest, leaded stained glass wall to date, the stylized figurative design was inspired by a Japanese wedding.