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Jeremy Steig
Jeremy Steig (September 23, 1942 – April 13, 2016) was an American jazz flutist.
Steig was born in Manhattan, the son of Jewish New Yorker cartoonist William Steig and Elizabeth (Mead) Steig, head of the fine arts department at Lesley College. Steig was a maternal nephew of Margaret Mead and Leo Rosten, and was also the cousin of Mary Catherine Bateson.
Steig began flute studies from age 11. He was taught by Page Brooks of the New York Philharmonic. By the age of 15, he was playing jazz professionally in Greenwich Village coffee houses. He came to the attention of music producer and critic John Henry Hammond, a Greenwich resident who would go on to produce Steig`s debut album, Flute Fever (Steig consequently created the album`s cover art).
In 1962, Steig was involved in a motorcycle accident which left his face paralyzed with loss of hearing in one ear. Despite an operation, the right side of his face was still partially paralyzed leaving him unable to play flute. He took up drawing and contemplated becoming a muralist where he could make a steady living. According to Steig, he took one "tortured" week to decide whether to be musician again. Upon deciding to become a musician full-time, he crafted a "blinder-like" mouthpiece which he inserted into his mouth to blow air. He relied on this device in order to play flute.
Steig also composed the music for animated film adaptations of his father's books for Weston Woods, including The Amazing Bone, Brave Irene and Sylvester and the Magic Pebble.
His song "Howlin' For Judy", from his 1970 album Legwork, was sampled in the Beastie Boys' 1994 single "Sure Shot", providing the main instrumental part of the song.
Steig performed the role of "The Pied Piper", exclusively on flute, in the film Shrek Forever After, based on the character created by his father.
He lived in Japan with his wife Asako. He died in Yokohama from cancer on April 13, 2016. Four years after his death, Byroad Press published his memoir, Get Me Out of Here, fulfilling his final wish. The book is illustrated with Jeremy's ink drawings and, at his request, contains three final chapters and an epilogue by Asako.
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Jeremy Steig
Jeremy Steig (September 23, 1942 – April 13, 2016) was an American jazz flutist.
Steig was born in Manhattan, the son of Jewish New Yorker cartoonist William Steig and Elizabeth (Mead) Steig, head of the fine arts department at Lesley College. Steig was a maternal nephew of Margaret Mead and Leo Rosten, and was also the cousin of Mary Catherine Bateson.
Steig began flute studies from age 11. He was taught by Page Brooks of the New York Philharmonic. By the age of 15, he was playing jazz professionally in Greenwich Village coffee houses. He came to the attention of music producer and critic John Henry Hammond, a Greenwich resident who would go on to produce Steig`s debut album, Flute Fever (Steig consequently created the album`s cover art).
In 1962, Steig was involved in a motorcycle accident which left his face paralyzed with loss of hearing in one ear. Despite an operation, the right side of his face was still partially paralyzed leaving him unable to play flute. He took up drawing and contemplated becoming a muralist where he could make a steady living. According to Steig, he took one "tortured" week to decide whether to be musician again. Upon deciding to become a musician full-time, he crafted a "blinder-like" mouthpiece which he inserted into his mouth to blow air. He relied on this device in order to play flute.
Steig also composed the music for animated film adaptations of his father's books for Weston Woods, including The Amazing Bone, Brave Irene and Sylvester and the Magic Pebble.
His song "Howlin' For Judy", from his 1970 album Legwork, was sampled in the Beastie Boys' 1994 single "Sure Shot", providing the main instrumental part of the song.
Steig performed the role of "The Pied Piper", exclusively on flute, in the film Shrek Forever After, based on the character created by his father.
He lived in Japan with his wife Asako. He died in Yokohama from cancer on April 13, 2016. Four years after his death, Byroad Press published his memoir, Get Me Out of Here, fulfilling his final wish. The book is illustrated with Jeremy's ink drawings and, at his request, contains three final chapters and an epilogue by Asako.