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Jesse Quin
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Key Information
Jesse Joseph Quin (born 3 September 1981) is a British multi-instrumentalist, singer, songwriter and producer, best known as the bass player of the alternative rock band Keane. Quin also founded and runs an arts centre on an abandoned U.S. Air Force base in the English countryside called Old Jet.
Biography
[edit]Jesse Joseph Quin was born on 3 September 1981 in Bedford, England. His mother, Charity Quin, is a folk singer; his father, Rob Quin, was a sound engineer. Jesse has a sister named Amber. Quin began his musical life at an early age. The first instrument he learned to play was the drums. He officially began his musical career in 2007 by forming Jesse Quin & The Mets, with himself on vocals, guitar, and keyboards; plus bassist Jarrett, keyboardist James Barne, guitarist John-William Scott, and drummer King Louis. They released an EP titled Always Catching Up. He also became a member of Laura Marling's band.
Later in 2007 he joined Keane on tour as a roadie. Quin performed with Keane at a concert for Warchild in 2007. He played bass on Keane's cover of "Under Pressure". Quin was invited by Keane to help record their album Perfect Symmetry and then toured with them on the Perfect Symmetry World Tour. He recorded with Keane on Night Train and eventually became an official member of the band (which was announced on their official website on 3 February 2011).[1]
Personal life
[edit]Quin married longtime girlfriend Julia Dannenberg in 2009.[2]
Discography
[edit]Solo Albums
• While The World Sleeps (2024)
With Keane
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With Mt. Desolation
[edit]- Studio albums
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- Mt. Desolation (2010)
- When the Night Calls (2018)
- Through Crooked Aim (2023)
References
[edit]- ^ "Jesse joins Keane - KEANE | OFFICIAL WEBSITE". Keanemusic.com. 3 February 2011. Retrieved 8 May 2020.
- ^ "Jesse Quin - Musiker - Musikdatenbank - Radio Swiss Pop". Radioswisspop.ch. Retrieved 8 May 2020.
External links
[edit]| International | |
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| National | |
Jesse Quin
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Biography
Early life
Jesse Quin was born on 3 September 1981 in Bedford, England, to musical parents—his mother a singer and his father a sound engineer—who were working at a nearby music festival at the time of his birth.[7][3] He was raised in a household immersed in music, frequently attending gigs and festivals with his family, which exposed him to live performances from an early age.[3][8] Quin spent his childhood and formative years in Framlingham, Suffolk, where the rural environment and familial musical atmosphere shaped his early interests.[9] He attended Thomas Mills High School in Framlingham, completing his education there before deciding to pursue music professionally.[10] At age 7, he began playing drums, followed by guitar and bass at 11, keyboards at 14, and experimenting with recording his own music by 15, honing his multi-instrumental skills in this supportive setting.[3] After finishing school, Quin moved to Bristol to immerse himself in the city's vibrant music scene, initially working in a recording studio to build practical experience.[3] These early exposures laid the groundwork for his versatile role as a multi-instrumentalist in his later career with the band Keane.[3]Career beginnings
After completing school, Jesse Quin relocated to Bristol, where he immersed himself in the city's vibrant music scene by working in a local recording studio.[3] This period marked his transition into professional music environments, building on his early self-taught skills across multiple instruments. In the years following his move, Quin established himself as a versatile multi-instrumentalist, proficient in bass, guitar, keyboards, and production. He contributed to various informal bands, including singing in several London-based groups after relocating there, and served as a touring member of Laura Marling's band. His foundational childhood training in drums, guitar, bass, and keyboards provided the versatility that defined his early collaborative work. In 2007, he formed his own project, Jesse Quin & The Mets, releasing the EP Always Catching Up and touring with artists such as Mumford & Sons.[11][3] Quin first connected with Keane in 2007, performing with them at a War Child benefit concert as a bassist and roadie during their early tours. This led to an invitation to contribute to the band's sound, effectively expanding their lineup from a trio by adding bass and other elements without replacing an existing member. He played a key role in the evolution of Keane's music during this phase.[4] For Keane's 2008 album Perfect Symmetry, Quin provided significant initial contributions, including bass, electric guitar, backing vocals, and percussion, helping shape the record's expanded sonic palette during its recording sessions.[4][12]Musical career
With Keane
Jesse Quin joined Keane as a full-time member in 2011, having contributed to their third studio album Perfect Symmetry (2008) as bassist, guitarist on select tracks, percussionist, and backing vocalist.[13] The album, released on October 13, 2008, via Island Records, debuted at number one on the UK Albums Chart and spent 26 weeks in the top 100.[14] Quin played bass on key singles from the album, including "Spiralling," which reached number 23 on the UK Singles Chart, and "Better Than This," peaking at number 29.[15] Quin's role expanded on Keane's fourth studio album, Strangeland (2012), where he provided bass and additional instrumentation across the record, released on May 7, 2012, by Island Records.[16] The album also debuted at number one on the UK Albums Chart, marking the band's fifth consecutive chart-topper, and spent 26 weeks in the top 100.[17][18] Notable singles featuring his bass work include "Silenced by the Night," which charted at number 21 in the UK, and "Sovereign Light Café," reaching number 34; Quin additionally handled production, engineering, and mixing on the B-side tracks for the latter single.[3] The band's fifth studio album, Cause and Effect (2019), saw Quin continue as bassist and multi-instrumentalist, contributing to its introspective sound during sessions that followed a period of hiatus. Released on September 20, 2019, via Island Records, it peaked at number two on the UK Albums Chart, with 12 weeks in the top 100.[19] Quin's bass lines underpinned singles such as "The Way I Feel," which reached number 56 on the UK Singles Chart, and "Love Too Much," charting at number 88.[16] Beyond studio albums, Quin's contributions appear prominently on Keane's 2013 compilation The Best of Keane, where he provided co-production, bass, guitar, and backing vocals on several tracks, including newly mixed live recordings like "Sea Fog (Live From Mexico City, August 2012)."[3] The collection, released November 11, 2013, by Island Records, debuted at number 22 on the UK Albums Chart, later peaking at number 10, and spent 17 weeks in the top 100.[20] Live albums during his tenure highlight his live bass performances, including Live Recordings: European Tour 2008 (2008 digital release) and Live at Largo (2021), both via Island Records.[16] In 2025, Keane released Live From Mexico City 2024 on April 12 via Universal Music Catalogue, a Record Store Day limited-edition LP featuring Quin's bass on performances of tracks from their debut album Hopes and Fears, recorded during their anniversary tour.[21][22]| Album | UK Peak Position | Weeks on Chart | Release Date |
|---|---|---|---|
| Perfect Symmetry | 1 | 26 | October 13, 2008 |
| Strangeland | 1 | 26 | May 7, 2012 |
| Cause and Effect | 2 | 12 | September 20, 2019 |
| The Best of Keane | 10 | 17 | November 11, 2013 |
Side projects
In 2010, Jesse Quin co-founded the alt-country band Mt. Desolation alongside Keane bandmate Tim Rice-Oxley and a group of musician friends, including members from Mumford & Sons and Noah and the Whale, as a creative outlet distinct from their primary band commitments.[23][24] The project drew on influences from American alt-country traditions, incorporating elements like pedal steel guitar and themes of love and introspection, resulting in a folk-rock sound that contrasted Keane's piano-driven rock.[24][25] The band's self-titled debut album, Mt. Desolation, was released on October 18, 2010, via V2 Records, featuring 10 tracks including "Bitter Pill" and "Departure," with a hidden bonus track "Halo of Fireflies."[26] In the recording, Quin contributed bass and vocals, while also participating in composition and live performances where he expanded to guitar and backing vocals.[26][23] Rice-Oxley handled guitar, keyboards, and lead vocals, with the album co-produced by the core duo alongside additional collaborators.[27] Mt. Desolation undertook limited touring to support the album, including a UK run in September 2010 with dates in Belfast, Dublin, Nottingham, and Brighton, followed by a North American leg in October supporting Mumford & Sons, encompassing shows in Los Angeles, Pontiac, and Toronto.[28][29] The band played a handful of additional dates into early 2011, such as at WFUV in New York, emphasizing intimate venues that aligned with the project's understated aesthetic.[30] Beyond Mt. Desolation, Quin engaged in minor collaborative efforts, notably serving as a multi-instrumentalist in Laura Marling's touring band during the mid-2000s, providing bass, guitar, and percussion in informal sessions and live settings before his full integration into Keane.[3][8] These side explorations, enabled by his Keane affiliation, allowed Quin to diversify his musical contributions in folk and indie circles.[11]Other endeavors
Old Jet arts centre
In 2014, Jesse Quin founded the Old Jet arts centre on the site of the former Bentwaters Airbase, an abandoned U.S. Air Force facility in rural Suffolk, England, near Woodbridge and Rendlesham.[3][11] The centre is housed in repurposed military structures, including a large 5,000-square-foot soundproof hangar originally used for aircraft maintenance, which Quin and his team converted into recording studios, offices, and communal workspaces.[11] Quin's motivation stemmed from his deep connection to Suffolk, where he sought to establish a personal recording studio while creating a broader rural retreat for music production and creative work, free from the distractions of urban environments.[11] Drawing on resources from his career as a musician with Keane, he envisioned Old Jet as a collaborative hub for musicians, artists, photographers, authors, and other creators to foster community and innovation.[31] The centre's core mission emphasizes sustainability and mutual support, operating entirely on 100% renewable energy generated by an on-site biomass digester, while promoting an inclusive environment that enhances artistic output through shared inspiration.[31][32] Initial setup presented challenges, including identifying and securing suitable disused buildings on the expansive former airbase and negotiating terms with the site's landlords at Bentwaters Parks.[11] These efforts involved significant renovations to transform the Cold War-era facilities into functional creative spaces, adapting their robust, insulated designs for modern artistic use while preserving the site's unique, atmospheric character.[33]Production and collaborations
Jesse Quin has established himself as a producer and songwriter, contributing to projects for various artists through his Old Jet studio in Suffolk, England. His production work emphasizes collaborative and sustainable practices, often incorporating eco-friendly methods such as renewable energy sources.[34][31] In 2024, Quin produced and mixed the debut EP Entertain for indie artist Flores Blue, blending 90s indie-rock and alternative dream pop elements recorded at Old Jet. The following year, he produced Charles Costa's (formerly King Charles) self-titled debut album, released on January 24, 2025, where Quin handled instrumentation on vocals, guitar, cello, and keyboards alongside Costa, resulting in a tapestry of indie pop sounds. Earlier collaborations include multi-instrumental contributions to Laura Marling's 2008 album Alas, I Cannot Swim, where he performed in her touring band, and credits on Laura Jansen's 2013 album Elba for the track "Same Heart," as well as Brigade's 2011 album Will Be Will Be on "Tiny Pieces."[35][6][36][11][37][38][39] Quin's involvement with Universal Production Music highlights his commitment to sustainable music initiatives. As a composer for the library, he contributes original tracks and participates in eco-conscious production. In 2025, he was featured in Universal's "The Green Room" video series, Episode 1, discussing how Old Jet operates on 100% renewable energy from an on-site biomass digester, enabling carbon-neutral recording sessions for external artists and aligning with the company's Green Production Music guidelines developed in partnership with Pilio. This initiative supports environmentally responsible songwriting and production, providing resources for creators to minimize ecological impact in the music industry.[2][34][40] Beyond specific album credits, Quin's songwriting extends to co-compositions outside his band work, often integrated into production roles at Old Jet, fostering a collaborative environment for emerging artists while prioritizing sustainability.[41]Personal life
Family and residence
Jesse Quin is married to his wife Jules, with whom he relocated from London to Suffolk around 2018, initially planning a temporary stay of six months that became permanent.[8][33] The couple shares two children, including a daughter born around 2017, and Quin has emphasized the challenges of balancing his music career with family responsibilities, particularly during tours where he misses his children and relies on phone calls and gifts like t-shirts and caps to stay connected.[8][33] He schedules most performances outside school holidays to prioritize home life and has noted that his wife once joined a tour but returned home early, finding the lifestyle unappealing.[33][11] The family resides in the rural Woodbridge area of Suffolk, where Quin has integrated into the local community through his Old Jet arts centre on a former U.S. Air Force base, fostering creative endeavors that align with his personal and professional commitments.[11][33] This move allowed the family to settle happily in a quieter environment, contrasting the urban pace of London, and provided a stable base during periods like the COVID-19 lockdown when Quin juggled roles as a musician, father, and husband.[11][8] Quin's family musical heritage has significantly shaped his path, with his mother, Charity Quin, being a folk singer and his father, Rob Quin, a sound engineer, exposing him to gigs and festivals from a young age.[11][3] His childhood roots in Suffolk, including attendance at Thomas Mills High School, further influenced the decision to return to the region for his family's residence, connecting his early experiences to the area's vibrant arts scene.[42][11]Interests and influences
Jesse Quin owns a Triumph motorbike, which he rides only about twice a year, reflecting a low-key personal hobby rather than frequent use.[43][3] Quin has expressed a strong interest in sustainability and rural living, having established his home and studio at Old Jet on an abandoned U.S. Air Force base in the Suffolk countryside near the sea.[31] This rural setting aligns with his commitment to eco-conscious practices, including participation in Universal Production Music's Green Production Music initiative, where he composes tracks focused on low environmental impact recording and themes like renewable energy.[44] His family life in this serene environment allows him time to pursue these interests alongside his professional commitments.[11] Quin's broader musical influences draw from folk and alt-country genres, evident in his contributions to the Keane side project Mt. Desolation, which explores those styles. He has also shown admiration for contemporary folk artists through collaborations, including a stint playing in Laura Marling's band during the late 2000s.[3] Quin's philanthropic leanings center on supporting the arts community, particularly emerging talent, through Old Jet, where he provides free studio access, mentorship, and workspaces for young artists aged 18-25 via initiatives like the Airspace program.[43] In 2021, he donated over £2,000 worth of recording equipment, including a mixing desk and microphones, to Farlingaye High School in Woodbridge to aid underfunded music education and nurture local pupils' talents.[45]Discography
Solo releases
Jesse Quin's solo discography commenced with the EP Hidden Truth, released on September 7, 2023.[46] Comprising four tracks—"Hidden Truth" (4:09), "Landfall" (4:14), "Down the River" (3:45), and "All the World" (3:53)—the release showcases Quin's songwriting, production, engineering, mixing, and multi-instrumental performance on vocals, guitar, bass, keyboards, and drums.[3][46] His debut full-length solo album, While the World Sleeps, arrived on September 9, 2024, marking a significant expansion of his independent output during a period of reduced Keane activity.[47] Recorded at Quin's Old Jet arts centre in Suffolk, England, the album was self-produced, with Quin handling songwriting, engineering, mixing, vocals, guitar, bass, keyboards, and drums throughout.[3][31] Originally composed in 2015, it delves into introspective themes through its ten tracks, highlighted by "Gathering Night," "Redemption on the Corner of Gloucester Gate," and "The Broken Wheel."[48][49] The full tracklist is as follows:- "The Road" (4:20)
- "Redemption on the Corner of Gloucester Gate" (4:43)
- "Back at the Old House" (3:52)
- "Burial" (3:55)
- "Half Remembered Dream" (4:15)
- "Through the Glass Darkly" (4:12)
- "Gathering Night" (4:28)
- "What May Be" (3:58)
- "The Broken Wheel" (4:05)
- "Another Year" (4:10)
With Keane
Jesse Quin joined Keane as a full-time member in 2011, having contributed to their third studio album Perfect Symmetry (2008) as bassist, guitarist on select tracks, percussionist, and backing vocalist.[13] The album, released on October 13, 2008, via Island Records, debuted at number one on the UK Albums Chart and spent 28 weeks in the top 100.[19] Quin played bass on key singles from the album, including "Spiralling," which reached number 23 on the UK Singles Chart, and "Better Than This," peaking at number 29.[15] Quin's role expanded on Keane's fourth studio album, Strangeland (2012), where he provided bass and additional instrumentation across the record, released on May 7, 2012, by Island Records.[16] The album also debuted at number one on the UK Albums Chart, marking the band's fifth consecutive chart-topper.[18] Notable singles featuring his bass work include "Silenced by the Night," which charted at number 46 in the UK, and "Sovereign Light Café," reaching number 74; Quin additionally handled production, engineering, and mixing on the B-side tracks for the latter single.[3] The band's fifth studio album, Cause and Effect (2019), saw Quin continue as bassist and multi-instrumentalist, contributing to its introspective sound during sessions that followed a period of hiatus. Released on September 20, 2019, via Island Records, it peaked at number two on the UK Albums Chart, with 12 weeks in the top 100.[19] Quin's bass lines underpinned singles such as "The Way I Feel," which peaked at number 57 on the UK Singles Downloads Chart, and "Love Too Much," charting at number 40 on the UK Singles Chart.[16] Beyond studio albums, Quin's contributions appear prominently on Keane's 2013 compilation The Best of Keane, where he provided co-production, bass, guitar, and backing vocals on several tracks, including newly mixed live recordings like "Sea Fog (Live From Mexico City, August 2012)."[3] The collection, released November 11, 2013, by Island Records, debuted at number 10 on the UK Albums Chart. Live albums during his tenure highlight his live bass performances, including Live Recordings: European Tour 2008 (2008 digital release) and Live at Largo (2021), both via Island Records.[16] In 2025, Keane released Live From Mexico City 2024 on April 12 via Universal Music Catalogue, a Record Store Day limited-edition LP featuring Quin's bass on performances of tracks from their debut album Hopes and Fears, recorded during their anniversary tour.[22][52]| Album | UK Peak Position | Weeks on Chart | Release Date |
|---|---|---|---|
| Perfect Symmetry | 1 | 28 | October 13, 2008 |
| Strangeland | 1 | 18 | May 7, 2012 |
| Cause and Effect | 2 | 12 | September 20, 2019 |
| The Best of Keane | 10 | 17 | November 11, 2013 |