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Jimmy Work
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Jimmy Work
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Jimmy Work (March 29, 1924 – December 22, 2018)[1] was an American country musician and songwriter best known for the country standard "Making Believe". Work was born in Akron, Ohio, but moved to Dukedom, Tennessee, with his family at age two. He picked up guitar at age seven, and learned fiddle and songwriting by his early teens.

By 1945, he had begun playing professionally in Pontiac, Michigan, where many Southerners had moved to take jobs in the automotive industry. He appeared on local radio and published a songbook late in the decade, in addition to recording two singles for the Trophy Records label. His third single was "Tennessee Border" for Alben Records; his version was not a hit, but the following year, the song became a hit for Red Foley, Bob Atcher, Jimmie Skinner, and Tennessee Ernie Ford. Hank Williams also recorded the tune, but did not chart with it.

Work then signed with Decca Records in 1949 and that same year appeared for the first time on the Grand Ole Opry and Ernest Tubb's Midnight Jamboree. He recorded for Decca with members of Red Foley's band, but none of his Decca recordings was a hit, and the label dropped him in 1950. Subsequently, he recorded for Bullet, London, and Capitol, the last of which released him in 1953. Signing soon after with Dot Records, he finally found chart success in 1955 with the songs "Making Believe" (somewhat overshadowed by Kitty Wells cover) and "That's What Makes the Jukebox Play". He played a few concerts with Elvis Presley that year.

Later in the 1950s, his fortunes in music declined, and he began working in real estate. He cut a few singles in 1959 for All Records and continued to write songs, working for Acuff-Rose.

Bear Family Records began reissuing Work's recordings in 1986.

He returned to Dukedom in the 1980s to retire from music. He worked as a millwright at the Goodyear plant in Union City, Tennessee, for several years before fully retiring.[2]

Work died on December 22, 2018, at the age of 94.[1][3] He lived in Dukedom with his wife.

References

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Jimmy Work

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Jimmy Work was an American country music singer and songwriter known for his honky-tonk style and for penning enduring standards such as "Tennessee Border" and "Making Believe." Born in Akron, Ohio, in 1924, he moved with his family to a farm in Dukedom, Tennessee, at age two, where he grew up immersed in rural life and began playing guitar at seven and writing songs as a teenager. His early influences included Gene Autry, Roy Acuff, and Jimmie Rodgers, and he performed locally before serving in the U.S. Army during World War II. After the war, Work relocated to the Detroit area, where he performed for Southern migrant workers and made his first recordings on small labels in the mid-1940s. He achieved early recognition as the writer of "Tennessee Border," which, though not a hit in his own version, became a major country success in 1949 through recordings by Red Foley, Tennessee Ernie Ford, and others, leading to a Decca Records contract and an appearance on the Grand Ole Opry. Despite these opportunities, commercial hits eluded him on Decca and subsequent labels like Bullet, London, and Capitol until he signed with Dot Records in the mid-1950s. There, he scored his biggest successes with the self-penned "Making Believe," which charted in his performance and became even more popular through Kitty Wells' cover, followed by "That's What Makes the Jukebox Play." As rock and roll shifted the music landscape in the late 1950s, Work retired from full-time performing and recording, returning to work as a millwright on his farm in Dukedom while continuing to write songs occasionally. His compositions enjoyed renewed attention in later years, with Emmylou Harris taking "Making Believe" to the country Top Ten in 1977 and Moe Bandy charting with "That's What Makes the Jukebox Play" in 1978. Work remained in Dukedom until his death on December 22, 2018, at age 94, leaving a legacy as a talented yet underrecognized figure in classic country music whose songs captured the essence of honky-tonk and hillbilly traditions.

Early life

Birth and family background

Jimmy Work was born on March 29, 1924, in Akron, Ohio. He was the son of Joe Work and Mary Ann Johnson Work. His family relocated from Ohio to a farm in Dukedom, Tennessee, when he was two years old.

Childhood in Tennessee

Jimmy Work's parents moved the family from Akron, Ohio, to a farm in Dukedom, Tennessee, near the Kentucky border, in 1926 when he was two years old. Dukedom, situated just south of the Kentucky line, provided a rural setting for his upbringing on the family farm. He spent his childhood growing up in this borderland farming community in Dukedom. Work was preceded in death by his sister Lynda Sue Edwards.

Early musical development

Jimmy Work developed an early interest in music, beginning with the guitar at age seven after he picked up an instrument his father had originally bought for his mother. He played guitar at home, often while his mother accompanied him on piano, integrating music into his daily life from a young age. His primary influences during this formative period were the country artists Gene Autry and Roy Acuff, with Jimmie Rodgers also shaping his musical tastes. Work expanded his skills by learning the fiddle, becoming proficient enough to win contests on the instrument. He participated in a band during his high school years, gaining experience in group performance. Work began composing his own songs before his teens, with encouragement from early reactions to his music, laying the foundation for his later songwriting career.

Military service

World War II

Jimmy Work served in the United States Army during World War II. His obituary identifies him as a WWII Army veteran.

Music career

Early recordings and regional work

Jimmy Work began his professional music career around 1945 after relocating to Pontiac, Michigan, a suburb of Detroit where many Southerners had moved for jobs in the automotive and defense industries. He performed country music in the area and made local radio appearances in the Pontiac and Detroit region, which helped him build a dedicated following among transplanted Southern listeners. By the mid-1940s, this regional popularity was sufficient for the publication of a songbook featuring his material. Work's earliest commercial recordings were two singles issued on the small, local Trophy label in Detroit during the mid-1940s. In 1945, he cut "Those Kentucky Bluegrass Hills" and "You're Gone, I Won't Forget" (Trophy T 14), followed in 1946 by "Rainy Rainy Blues" and "Hear That Steamboat Whistle Blow" (Trophy T 15). These acoustic-driven sides, backed by minimal electric guitar, reflected strong influences from Jimmie Rodgers, including yodeling elements. In approximately October 1948, Work recorded his original composition "Tennessee Border" for the tiny Alben label in Detroit, paired with "Your Jealous Heart Is Broken Now" (Alben 501). His version achieved no notable commercial success. The song later became a major country hit in 1949 for other artists, including Red Foley, Tennessee Ernie Ford, Bob Atcher, and Jimmie Skinner. Work maintained a regional presence with brief associations on other small labels into the early 1950s. Around October 1949, he released "Mr. And Mrs. Cloud" and "Hospitality" on Bullet Records (Bullet 699). In spring 1951, he recorded for London Records in Chicago, issuing "Pick Up Truck" backed with "Do Your Honky Tonkin' at Home" (London 16056) and "Southern Fried Chicken" backed with "Let's Live A Little" (London 16058). These honky-tonk-influenced singles, none of which charted nationally for Work, represented some of his final small-label efforts amid his transition to major labels.

Breakthrough and major labels

Jimmy Work's breakthrough in country music came in 1949 when covers of his composition "Tennessee Border" achieved significant success on the charts. Red Foley's rendition for Decca Records became a major country hit that year. The song was also covered by Bob Atcher, Jimmie Skinner, and Tennessee Ernie Ford between 1949 and 1950, while Hank Williams recorded his own version. This momentum from the covers prompted Decca Records to sign Work in 1949. He made appearances on the Grand Ole Opry and Ernest Tubb's Midnight Jamboree around this time. His Decca sessions featured backing from members of Red Foley's band. Work released several singles on the label through 1950, but none became personal chart hits for him. Following the end of his Decca contract in 1950, Work signed with Capitol Records in 1952. He recorded and released material there until 1953, when the label dropped him without any charting success.

Peak success on Dot Records

Jimmy Work achieved the peak of his commercial success after signing with Dot Records in the mid-1950s. In February 1955, he released his self-penned "Making Believe" as a single on the label, which reached No. 11 on the country charts. However, Kitty Wells' competing version of the song, also released in 1955, proved more successful and peaked at No. 2. Later in 1955, Work followed with "That's What Makes the Jukebox Play," which became his highest-charting release on Dot, reaching No. 6 on the country chart. During this prolific period, he also recorded a rockabilly version of the traditional "Rock Island Line," showcasing his versatility in the emerging style. Work further gained visibility in 1955 by sharing concert bills with Elvis Presley on multiple dates, including performances in Cleveland, Ohio, and other venues, as Presley rose to prominence. This association highlighted Work's position among the notable country and rockabilly acts of the era.

Later recordings and exit from music

After the peak of his success on Dot Records in 1955, Jimmy Work's recording activity became more limited. He released a single on the All label in 1959, featuring a re-recording of his signature song "Tennessee Border" backed with "Let's Be Alone Tonight." The All label operated out of Whittier, California, and this release marked one of his final documented studio efforts. Work continued sporadic touring and occasional recording into the late 1950s, but he produced no further major chart successes after his 1955 hits. His traditional honky-tonk style faced declining popularity amid the rise of rockabilly and more modern country influences during this period. By 1959, Work effectively exited the music business. He subsequently returned to his trade as a millwright.

Songwriting

Notable original compositions

Jimmy Work is credited with writing and originally recording several noteworthy country songs in the late 1940s and mid-1950s. His earliest prominent original composition was "Tennessee Border," which he wrote and recorded in 1948 for Alben Records. In 1954 he composed "Making Believe" and "That's What Makes the Jukebox Play," recording both in 1955 for Dot Records. "Making Believe" reached number 11 on the country charts, while "That's What Makes the Jukebox Play" peaked at number 6. Work also wrote and recorded "When She Said You All" in 1955.

Covers and enduring impact

Jimmy Work's songwriting legacy endures primarily through the numerous covers of his compositions by other country music artists, which frequently achieved greater commercial success and broader recognition than his original recordings. "Making Believe" has proven to be his most enduring composition, recorded by 105 artists according to SecondHandSongs. Notable versions include Kitty Wells' 1955 rendition, which reached No. 2 on the country charts, and Emmylou Harris' 1977 cover that attained Top 10 status. The song received further recognition when it was honored as a BMI 101 award-winning country song in 1978. "Tennessee Border," another early Work original, has been covered by 28 artists, among them prominent performers such as Red Foley, Tennessee Ernie Ford, and Hank Williams. "That's What Makes the Jukebox Play" has been interpreted by 9 artists, highlighted by Moe Bandy's version that charted at No. 11 in 1978. These covers illustrate how Work's originals were often overshadowed by subsequent interpretations, contributing to the lasting cultural footprint of his material in country music despite his relatively modest recording career.

Contributions to film and television

Soundtrack usages

Jimmy Work had no acting or on-screen roles in film or television productions. His song "Making Believe" (also spelled "Makin' Believe") has been licensed for use in several films and television programs. It appears in the motion pictures September 30, 1955 (1977), Mississippi Burning (1988), and Sunshine State (2002), as well as the video release Opry Video Classics: Queens (2007). The same song was also used in two episodes of the television series Country Style, U.S.A. between 1957 and 1958, and in one episode of The Marty Stuart Show in 2010. Work's compositions "Tennessee Border" and "Tennessee Border #2" were featured in three episodes of The Porter Wagoner Show between 1961 and 1973.

Personal life

Marriage and family

Jimmy Work married Ruth Elizabeth Coltharp on October 4, 1941, beginning a marriage that endured for 77 years until his death in 2018. The couple lived together in Dukedom, Tennessee, during his later years. Work and his wife had three daughters: Brenda Beutler, Debbie Marr, and Kathy Work. Kathy Work predeceased her father. He was survived by his wife, Ruth Elizabeth Coltharp Work, who was 93 years old at the time of his passing, two daughters, Brenda Beutler and Debbie Marr, both of Dukedom, Tennessee, three grandchildren, four great-grandchildren, and seven great-great-grandchildren.

Post-music occupations

After retiring from his music career, Jimmy Work took a job with the Goodyear Tire and Rubber Company in Union City, Tennessee, where he worked as a millwright until his retirement from the company. He later continued working as a millwright on his farm in Dukedom, Tennessee. In retirement, Work lived quietly in Dukedom with his wife.

Death and legacy

Death

Jimmy Work passed away on December 22, 2018, at his residence in Dukedom, Tennessee, at the age of 94. His family reported the death through an obituary published by Hornbeak Funeral Chapel, with no cause of death disclosed in the notice or subsequent news coverage. He was survived by his wife of 77 years, Ruth Elizabeth Coltharp Work, along with his daughters and extended family. News outlets including Taste of Country and KFVS reported on his passing shortly after, noting the details from the family obituary.

Recognition and legacy

Jimmy Work remains best known as a songwriter whose compositions achieved enduring status in country music, despite his own comparatively limited success and stardom as a performer. His most celebrated work, "Making Believe," established itself as a country standard through repeated covers by other artists that often surpassed the commercial performance of his original recording. In 1978, BMI recognized the song's lasting impact by honoring it as one of its 101 award-winning country songs. The 1993 Bear Family Records compilation "Making Believe" underscored Work's historical importance by gathering 48 tracks from his recordings between 1945 and 1959, presenting his complete output during his most active years in a deluxe 2-CD set. This collection highlighted the purity and quality of his hillbilly-influenced style while reaffirming the greater reach and longevity of his songs through others' interpretations rather than his own chart positions. Work's legacy reflects the challenges faced by many mid-20th-century country musicians, as his performing career waned after the 1950s amid shifting musical trends, with only sporadic touring and songwriting continuing thereafter. Documentation of his later performances and post-1950s recordings remains limited, contributing to a profile defined more by the influence of his songwriting than by sustained personal fame in the industry.

References

  1. https://www.allmusic.com/artist/jimmy-work-mn0000132685
  2. https://tasteofcountry.com/jimmy-work-dead-dies/
  3. https://fromthevaults-boppinbob.blogspot.com/2021/03/jimmy-work-born-29-march-1924.html
  4. https://www.rolandnote.com/artist-timeline/Jimmy+Work
  5. https://973thedawg.com/jimmy-work-dead-dies/
  6. https://www.bear-family.com/work-jimmy/
  7. https://www.hornbeakfuneral.com/obituaries/jimmy-work
  8. https://www.tennessean.com/story/entertainment/music/2018/12/24/jimmy-work-making-believe-obituary-tennessee-border-songwriter/2410731002/
  9. http://rocky-52.net/chanteursw/work_jimmy.htm
  10. https://www.nwtntoday.com/2012/07/25/music-lives-on-in-dukedom-man/
  11. http://countrydiscoghraphy2.blogspot.com/2013/07/jimmy-work.html
  12. https://www.bear-family.com/work-jimmy-making-believe-2-cd.html
  13. https://www.discogs.com/master/485599-Jimmy-Work-Rock-Island-Line-Thats-The-Way-Its-Gonna-Be
  14. http://www.elvisconcerts.com/earlyconcerts/Concert_expand.php?id=108
  15. https://www.discogs.com/release/7798411-Jimmy-Work-Tennessee-Border-Lets-Be-Alone-Tonight
  16. https://jimmy-work.bandcamp.com/album/tennessee-border-lets-be-alone-tonight
  17. https://open.spotify.com/artist/1WgILuwwQ3x8XHYb6fyna7
  18. https://secondhandsongs.com/artist/7950
  19. https://americansongwriter.com/on-this-day-in-2018-the-country-music-world-said-goodbye-to-the-songwriter-who-penned-hits-for-kitty-wells-red-foley-tennessee-ernie-ford-and-more/
  20. https://secondhandsongs.com/work/11879/all
  21. https://secondhandsongs.com/work/66552/all
  22. https://secondhandsongs.com/work/268150/all
  23. https://www.imdb.com/name/nm0941479/
  24. https://www.kfvs12.com/2018/12/25/heartland-musician-songwriter-jimmy-work-dies/
  25. https://www.discogs.com/release/5905277-Jimmy-Work-Making-Believe
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