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John Claro
John Claro Fernandes (born Joao Claro Fernandes; 5 December 1930 – 18 August 2024) was an Indian writer, theatre director, playwright, and actor known for his work in tiatr productions. Throughout his extensive career, he has made crucial contributions to the development and advancement of Goan tiatr. His noted research on the history of tiatr led to the discovery that the inaugural tiatr production, titled Italian Bhurgo, took place on 17 April 1892, at the New Alfred Theatre in Bombay (now Mumbai), presently occupied by the Police Commissioner headquarters.
Fernandes was born as Joao Claro Fernandes on 5 December 1930, in Cotombi, Quepem, Goa, which was part of Portuguese India during the Portuguese Empire (now part of India). He was the son of Jose Custodio Fernandes and Epifania Rebello, and had a younger brother named Agostinho, who was a writer and cardiologist based in Portugal until his death on 28 June 2015, aged 82.
During his school years, Fernandes developed a deep appreciation for theater and local art, actively engaging in annual social gatherings. After completing his primary education, he embarked on his professional acting career in Roque Afonso's tiatr production, Eke Oklek Teg Novre (One Bride Three Bridegrooms). He played the role of one of the bridegrooms, alongside Kamat de Assolna and Saluzinho, while Lucas Fernandes assumed the character of the bride. Fernandes's path intersected with that of M. Boyer, as both resided in close proximity in Maddel Pequem, Margao. Due to a scarcity of educational institutions in Goa at the time, Fernandes relocated to Bombay to pursue further education and employment opportunities.
On 25 December 1953, Fernandes made his debut as a playwright with his first tiatr production titled Camil Bottler. Simultaneously, he stepped into the role of a professional actor for the first time. Directed by A. R. Souza Ferrão, the play featured cast including Master Vaz, C. Alvares, Effie Fernandes, Andrew, Anthony De Sa, Anthony Mendes, and other popular artists from Bombay. The initial staging took place at Princess Theatre, Bhangwadi in Kalbadevi, a popular venue that served as a testing ground for tiatrists (tiatr performers) in Bombay. The audience's favorable response led to subsequent performances. Due to the play's success, it was later staged at Cowasji Jehangir Hall to support a specific church section. Valerian Gracias, the first cardinal of Mumbai, attended one of these performances.
Fernandes continued to contribute to the tiatr tradition with his subsequent play, Rinnkari Zanvoi, which also found success in Bombay. Throughout his career, Fernandes had written and staged a total of 15 tiatrs. Some of his works included Nirmiloli Sun, Gupit Karann (Secret Reason), Ghorabeachi Durdoxea, Utrachi Mudi, Portugez Kolvont (Portuguese Artist), 23 Vorsam (23 Years), Konkani Advogad (Konkani Advocate), Inglez Madam (English Madam), Tambddi Mati (Red Soil), Rostadak Ostad, Vinglli Nachpinn (Naked Dancer), Civil Kazar (Civil Marriage), and American Dollar.
After his return to Goa from Bombay following the liberation, Fernandes embarked on his second tiatr production, titled Rinnkari Zanvoi, catering to the local tiatr enthusiasts. While his first tiatr, Camil Bottler, was also staged in Goa, its run was limited to just two shows due to A. R. Souza Ferrão's leading role. However, Fernandes achieved acclaim among tiatr aficionados with his production Portugez Kolvont (1979), which swiftly reached the milestone of one hundred performances. This tiatr also found success outside of Goa, completing a double century of shows. The limited availability of auditoriums during that era posed challenges for staging tiatrs on a regular basis, a fact acknowledged by Fernandes himself.
The success story of Portugez Kolvont can be traced back to its origins. Fernandes shared that the script for this play was conceived in Portugal, inspired by a fado performance he witnessed in Algarve, a tourist hub. The tiatr commenced with a fado piece and featured a plethora of entertainment, with a particular focus on comedy. The comedic elements were crafted specifically for Paul Romy, while the main role was tailored with Ophelia Cabral in mind, although her participation did not materialize. Instead, Sabina Fernandes, despite appearing slightly mature for the role, delivered a creditable performance.
Fernandes concluded his career in tiatrs with his final production, titled American Dollar around 2005. Throughout his journey, he remembered the support he received from Antonio Fernandes, the late proprietor of Herald Publications, and later from Antonio's son, Raul Fernandes. Even if it meant making late-night trips to the office, they always cooperated in publishing tiatr advertisements. Fernandes's contributions extended beyond tiatr, as he established himself as a prolific writer whose works appeared in publications such as Goa Times, Sot Uloi, Goan Express, New Goa, Goycho Avaz, Gulab, The Goan Review, The Navhind Times, O Heraldo, and Gomantak Times.
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John Claro
John Claro Fernandes (born Joao Claro Fernandes; 5 December 1930 – 18 August 2024) was an Indian writer, theatre director, playwright, and actor known for his work in tiatr productions. Throughout his extensive career, he has made crucial contributions to the development and advancement of Goan tiatr. His noted research on the history of tiatr led to the discovery that the inaugural tiatr production, titled Italian Bhurgo, took place on 17 April 1892, at the New Alfred Theatre in Bombay (now Mumbai), presently occupied by the Police Commissioner headquarters.
Fernandes was born as Joao Claro Fernandes on 5 December 1930, in Cotombi, Quepem, Goa, which was part of Portuguese India during the Portuguese Empire (now part of India). He was the son of Jose Custodio Fernandes and Epifania Rebello, and had a younger brother named Agostinho, who was a writer and cardiologist based in Portugal until his death on 28 June 2015, aged 82.
During his school years, Fernandes developed a deep appreciation for theater and local art, actively engaging in annual social gatherings. After completing his primary education, he embarked on his professional acting career in Roque Afonso's tiatr production, Eke Oklek Teg Novre (One Bride Three Bridegrooms). He played the role of one of the bridegrooms, alongside Kamat de Assolna and Saluzinho, while Lucas Fernandes assumed the character of the bride. Fernandes's path intersected with that of M. Boyer, as both resided in close proximity in Maddel Pequem, Margao. Due to a scarcity of educational institutions in Goa at the time, Fernandes relocated to Bombay to pursue further education and employment opportunities.
On 25 December 1953, Fernandes made his debut as a playwright with his first tiatr production titled Camil Bottler. Simultaneously, he stepped into the role of a professional actor for the first time. Directed by A. R. Souza Ferrão, the play featured cast including Master Vaz, C. Alvares, Effie Fernandes, Andrew, Anthony De Sa, Anthony Mendes, and other popular artists from Bombay. The initial staging took place at Princess Theatre, Bhangwadi in Kalbadevi, a popular venue that served as a testing ground for tiatrists (tiatr performers) in Bombay. The audience's favorable response led to subsequent performances. Due to the play's success, it was later staged at Cowasji Jehangir Hall to support a specific church section. Valerian Gracias, the first cardinal of Mumbai, attended one of these performances.
Fernandes continued to contribute to the tiatr tradition with his subsequent play, Rinnkari Zanvoi, which also found success in Bombay. Throughout his career, Fernandes had written and staged a total of 15 tiatrs. Some of his works included Nirmiloli Sun, Gupit Karann (Secret Reason), Ghorabeachi Durdoxea, Utrachi Mudi, Portugez Kolvont (Portuguese Artist), 23 Vorsam (23 Years), Konkani Advogad (Konkani Advocate), Inglez Madam (English Madam), Tambddi Mati (Red Soil), Rostadak Ostad, Vinglli Nachpinn (Naked Dancer), Civil Kazar (Civil Marriage), and American Dollar.
After his return to Goa from Bombay following the liberation, Fernandes embarked on his second tiatr production, titled Rinnkari Zanvoi, catering to the local tiatr enthusiasts. While his first tiatr, Camil Bottler, was also staged in Goa, its run was limited to just two shows due to A. R. Souza Ferrão's leading role. However, Fernandes achieved acclaim among tiatr aficionados with his production Portugez Kolvont (1979), which swiftly reached the milestone of one hundred performances. This tiatr also found success outside of Goa, completing a double century of shows. The limited availability of auditoriums during that era posed challenges for staging tiatrs on a regular basis, a fact acknowledged by Fernandes himself.
The success story of Portugez Kolvont can be traced back to its origins. Fernandes shared that the script for this play was conceived in Portugal, inspired by a fado performance he witnessed in Algarve, a tourist hub. The tiatr commenced with a fado piece and featured a plethora of entertainment, with a particular focus on comedy. The comedic elements were crafted specifically for Paul Romy, while the main role was tailored with Ophelia Cabral in mind, although her participation did not materialize. Instead, Sabina Fernandes, despite appearing slightly mature for the role, delivered a creditable performance.
Fernandes concluded his career in tiatrs with his final production, titled American Dollar around 2005. Throughout his journey, he remembered the support he received from Antonio Fernandes, the late proprietor of Herald Publications, and later from Antonio's son, Raul Fernandes. Even if it meant making late-night trips to the office, they always cooperated in publishing tiatr advertisements. Fernandes's contributions extended beyond tiatr, as he established himself as a prolific writer whose works appeared in publications such as Goa Times, Sot Uloi, Goan Express, New Goa, Goycho Avaz, Gulab, The Goan Review, The Navhind Times, O Heraldo, and Gomantak Times.