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John Constantine

John Constantine (/ˈkɒnstənˌtn/), also known as Hellblazer, is an antihero who appears in American comic books published by DC Comics. He was created by Alan Moore, Steve Bissette, and John Totleben, and first appeared in Swamp Thing #37 (June 1985). Initially a supporting character who played a pivotal role in the "American Gothic" Swamp Thing storyline, Constantine became popular with readers. As a result, he received his own comic in 1988 titled Hellblazer, which became the longest-running and most successful title of DC's Vertigo imprint. In the DC Universe, Constantine, the titular Hellblazer, is portrayed as a working-class warlock, occult detective, exorcist, and con man from Liverpool who is stationed in London. Known for his cynicism, deadpan wit, ruthless cunning, and constant chain smoking, he is also a passionate humanitarian with a deep desire to make a positive impact.

The character has received a mix of acclaim and criticism over the years. He won the Eagle Award for 'Favourite Supporting Character' twice in 1986 and 1987, and has been listed among the greatest comic book characters. He was praised for his charm and resilience despite his flawed nature. However, he has faced criticism for his portrayal in certain contexts, including controversial depictions of his bisexuality and relationships.

The character made his live-action debut in the film Constantine (2005), played by Keanu Reeves. On television, Constantine was played in the television series Constantine by Matt Ryan, who later reprised the character in the Arrowverse series Arrow, Legends of Tomorrow, and The Flash, and several animated productions. Jenna Coleman later portrayed a female version of the character (and her ancestor) in the television series The Sandman, adapting both Constantines' roles from the comic series.

John Constantine first appeared in 1985 as a recurring character in Swamp Thing, in which he acted as a "supernatural advisor" to the main character.

In these early appearances, Constantine was depicted as a sorcerer of questionable morality, whose appearance was based on that of the musician Sting (specifically, as Sting appeared in the films Brimstone and Treacle and Quadrophenia). Alan Moore created the character after artists Stephen R. Bissette and John Totleben, who were fans of The Police, expressed a desire to draw a character who looked like Sting. They had already drawn at least one character in Sting's likeness, a briefly glimpsed background figure wearing a black-and-red-striped T-shirt in Swamp Thing #25. In his earliest Swamp Thing appearances, the character is drawn with a marked resemblance to Sting, and in Swamp Thing #51, Constantine appears on a boat with the name The Honourable Gordon Sumner on the bow. Sting's connection to Newcastle (the singer's childhood home) was also incorporated into the character's story.

John Constantine's official debut was not until Swamp Thing #37, when he was drawn by Rick Veitch and Totleben. Crisis on Infinite Earths #4, his second official appearance in a cameo role, shipped two weeks after the release of Swamp Thing #37. In that issue, written by Marv Wolfman and drawn by George Pérez, Constantine is wearing a green suit as opposed to his more traditional black suit and tan trenchcoat ensemble. Moore describes Constantine as being drawn from a number of "really good ideas ... about serial killers, the Winchester House, and ... want[ing] to draw Sting in a story". Calling these disparate strands a "big intellectual puzzle", Constantine was the result of "fit[ting] it all together". Initially created "purely to get Sting into the story", by the time of the 1985 San Diego ComicCon, Moore stated, "It's turning into something more than that now." Veitch's contribution was to give Constantine an earring, something he considered risque for 1985.

Asked in 1985 about the similarities between John Constantine and the character Baron Winters (from Marv Wolfman and Gene Colan's Night Force), Moore revealed that he was a "big fan" of Wolfman and Night Force, but that "no intention to rip off Baron Winters" existed. He said:

With Constantine, I don't know who I was thinking of. I just wanted this character who knows everything, and knows everybody—really charismatic. Who knows nuns, politicians, and bikers, and who is never at a loss for what to do. I suppose there is a similarity with Baron Winters in that he is another manipulative character who has a bunch of agents working with him.

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