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Joseph Cotten
Joseph Cheshire Cotten Jr. (May 15, 1905 – February 6, 1994) was an American film, stage, radio and television actor. Cotten achieved prominence on Broadway, starring in the original stage productions of The Philadelphia Story (1939) and Sabrina Fair (1953). He gained worldwide fame for his collaborations with Orson Welles on films Citizen Kane (1941), The Magnificent Ambersons (1942), and Journey into Fear (1943). Cotten starred in the latter and was also credited with the screenplay.
Cotten became one of the leading Hollywood actors of the 1940s, appearing in films such as Shadow of a Doubt (1943); Gaslight (1944); Love Letters (1945); Duel in the Sun (1946); The Farmer's Daughter (1947); Portrait of Jennie (1948), for which he won the Volpi Cup for Best Actor; The Third Man (1949), alongside Welles; and Niagara (1953). One of his final films was Michael Cimino's Heaven's Gate (1980).
Film critics and media outlets have cited him as one of the best actors never to have received an Academy Award nomination.
Joseph Cheshire Cotten Jr. was born on May 15, 1905, in Petersburg, Virginia, United States, the first of three sons born to Joseph Cheshire Cotten Sr., an assistant postmaster, and Sally Willson Cotten. He had two brothers, Whitworth W. "Whit" and Samuel W. Cotten. Both were engineers. Cotten grew up in the Tidewater region and showed an aptitude for drama and a gift for storytelling.[citation needed]
In 1923, when Cotten was 18, his family arranged for him to receive private lessons at the Hickman School of Expression in Washington, D.C., and underwrote his expenses. Cotten served in the First Motion Picture Unit of the U.S. Army Air Forces during World War II.
Cotten earned spending money playing professional football on Sundays, for $25 a quarter. After graduation, he earned enough money as a lifeguard at Wilcox Lake to pay back his family's loan, with interest. He moved to Miami in 1925 and worked as an advertising salesman for The Miami Herald at $35 a week. He started performing at the Miami Civic Theatre, and worked there for five years, also reviewing the shows for the Herald.
Cotten moved to New York and went to work for David Belasco as an assistant stage manager. He understudied Melvyn Douglas in Tonight or Never then took over Douglas' role for the Copley Theatre in Boston, where he worked on over 30 plays. Cotten struggled to find work in the depression so turned to modeling under the Walter Thornton Model Agency and acting in industrial films. He also performed on radio. Cotten made his Broadway debut in 1932 in Absent Friends which ran for 88 performances. He followed it with Jezebel (1933), staged by Katherine Cornell and Guthrie McClintic, which only had a short run. He was in Loose Moments which ran for 8 performances.
In 1934, Cotten met and became friends with Orson Welles, a fellow cast member on CBS Radio's The American School of the Air. Welles regarded Cotten as a brilliant comic actor, and gave him the starring role in his Federal Theatre Project farce, Horse Eats Hat (September 26 – December 5, 1936). Cotten was sure that Horse Eats Hat won him the notice of his future Broadway co-star, Katharine Hepburn. Cotten said Welles later told him "You're very lucky to be tall and thin and have curly hair. You can also move about the stage without running into the furniture. But these are fringe assets, and I'm afraid you'll never make it as an actor. But as a star, I think you well might hit the jackpot."
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Joseph Cotten
Joseph Cheshire Cotten Jr. (May 15, 1905 – February 6, 1994) was an American film, stage, radio and television actor. Cotten achieved prominence on Broadway, starring in the original stage productions of The Philadelphia Story (1939) and Sabrina Fair (1953). He gained worldwide fame for his collaborations with Orson Welles on films Citizen Kane (1941), The Magnificent Ambersons (1942), and Journey into Fear (1943). Cotten starred in the latter and was also credited with the screenplay.
Cotten became one of the leading Hollywood actors of the 1940s, appearing in films such as Shadow of a Doubt (1943); Gaslight (1944); Love Letters (1945); Duel in the Sun (1946); The Farmer's Daughter (1947); Portrait of Jennie (1948), for which he won the Volpi Cup for Best Actor; The Third Man (1949), alongside Welles; and Niagara (1953). One of his final films was Michael Cimino's Heaven's Gate (1980).
Film critics and media outlets have cited him as one of the best actors never to have received an Academy Award nomination.
Joseph Cheshire Cotten Jr. was born on May 15, 1905, in Petersburg, Virginia, United States, the first of three sons born to Joseph Cheshire Cotten Sr., an assistant postmaster, and Sally Willson Cotten. He had two brothers, Whitworth W. "Whit" and Samuel W. Cotten. Both were engineers. Cotten grew up in the Tidewater region and showed an aptitude for drama and a gift for storytelling.[citation needed]
In 1923, when Cotten was 18, his family arranged for him to receive private lessons at the Hickman School of Expression in Washington, D.C., and underwrote his expenses. Cotten served in the First Motion Picture Unit of the U.S. Army Air Forces during World War II.
Cotten earned spending money playing professional football on Sundays, for $25 a quarter. After graduation, he earned enough money as a lifeguard at Wilcox Lake to pay back his family's loan, with interest. He moved to Miami in 1925 and worked as an advertising salesman for The Miami Herald at $35 a week. He started performing at the Miami Civic Theatre, and worked there for five years, also reviewing the shows for the Herald.
Cotten moved to New York and went to work for David Belasco as an assistant stage manager. He understudied Melvyn Douglas in Tonight or Never then took over Douglas' role for the Copley Theatre in Boston, where he worked on over 30 plays. Cotten struggled to find work in the depression so turned to modeling under the Walter Thornton Model Agency and acting in industrial films. He also performed on radio. Cotten made his Broadway debut in 1932 in Absent Friends which ran for 88 performances. He followed it with Jezebel (1933), staged by Katherine Cornell and Guthrie McClintic, which only had a short run. He was in Loose Moments which ran for 8 performances.
In 1934, Cotten met and became friends with Orson Welles, a fellow cast member on CBS Radio's The American School of the Air. Welles regarded Cotten as a brilliant comic actor, and gave him the starring role in his Federal Theatre Project farce, Horse Eats Hat (September 26 – December 5, 1936). Cotten was sure that Horse Eats Hat won him the notice of his future Broadway co-star, Katharine Hepburn. Cotten said Welles later told him "You're very lucky to be tall and thin and have curly hair. You can also move about the stage without running into the furniture. But these are fringe assets, and I'm afraid you'll never make it as an actor. But as a star, I think you well might hit the jackpot."